Do any of you have experience with Adox CHS 100 II ? I am trying it out for a shoot this weekend and was interested in how you guys "rate" the film. Should I shoot at 100 or 50 or what? thanks
Do any of you have experience with Adox CHS 100 II ? I am trying it out for a shoot this weekend and was interested in how you guys "rate" the film. Should I shoot at 100 or 50 or what? thanks
I have to say, the Velvia 50 I used last month for fall colors produced some wonderful colors.
Jerry Parker
Since I am shooting the TravelWide handheld these days.
HP5 as I have a bit of it.
Next TMAX 400.
Tin Can
Ilford fp4 and Tri-x 400. 4x5 & medium format. I have a box of Harmon direct positive 8x10 I'm going to start shooting in a Deardorff with a Verito on it.
8x10 color : Velvia50
8x10 B&W 100 : Acros100
8x10 B&W 400: HP5+
14x17 B&W : Ektascan
4x5 ; TXP 320 and Bergger Pancro 400
8x10 ; Bergger Pancro 400
In all formats from half-frame to 4x5: TMY.
Science is what we understand well enough to explain to a computer. Art is everything else we do.
--A=B by Petkovšek et. al.
FP4 for Black and White negatives- ID 11 and PMK
Fuji 160 NC for colour solarizations- C41 process
Pictorico and Ilford Ortho for digital negatives- HC110 for the silver ortho
MF: Tmax 400 only.
LF: FP4+ and Tmax 400.
HP5, FP4, TMY-2, Rollei IR, X-ray green latitude...
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