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Thread: Fomapan 100, 200 and 400

  1. #121

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    Re: Fomapan 100, 200 and 400

    Vey nice, well done MooMike!

  2. #122

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    Re: Fomapan 100, 200 and 400

    Wista 45D, Fomapan 200 4x5 shot at 160. Developed in rodinal 1:50 for 9:00 rotary @ 20C.

    https://www.flickr.com/photos/macrof...posted-public/

  3. #123

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    Re: Fomapan 100, 200 and 400

    Quote Originally Posted by kleinbatavia View Post
    Vey nice, well done MooMike!
    Thank you

    Love the control of tones & bokeh in your shot too - nicely done.

  4. #124

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    Re: Fomapan 100, 200 and 400

    Here's another couple of shots:

    13 minute exposure, f/32, Fomapan 100, developed in Rodinal - I wanted to actually see if I could calculate the exposure properly & also as a test to see how the grain was handled. Was interesting how there are no reflections of the hills - not quite sure why to be honest?

    Silver waters. by Michael Garton, on Flickr

    Depth of field test before Scheimpflug tests with selective focus - opened up a whole new world of "seeing" an image for me.

    Log on a hill. by Michael Garton, on Flickr

    Cheers for looking.

    Mike.

  5. #125

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    Re: Fomapan 100, 200 and 400

    Interesting shot. You got no reflections of the hills because during 13 (!) minutes the reflecting water gives so much movements, that it's impossible for a sharp reflection.

  6. #126

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    Re: Fomapan 100, 200 and 400



    Old Tree and House
    Added to my "Song of Trees" series.

    Shot with Chamonix 5×8" camera and Schneider-Kreuznach Xenar 210mm f:4.5 lens on 13×18cm sheet of Fomapan 100, developed in Rodinal. Full frame.
    Jiri Vasina
    www.vasina.net

    @ Google+ | @ Facebook | @ flickr

    My books @ Blurb (only heavily outdated "Serene Landscape").

  7. #127

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    Re: Fomapan 100, 200 and 400

    Quote Originally Posted by Moomike View Post
    Here's another couple of shots:

    13 minute exposure, f/32, Fomapan 100, developed in Rodinal - I wanted to actually see if I could calculate the exposure properly & also as a test to see how the grain was handled. Was interesting how there are no reflections of the hills - not quite sure why to be honest?

    Silver waters. by Michael Garton, on Flickr

    Depth of field test before Scheimpflug tests with selective focus - opened up a whole new world of "seeing" an image for me.

    Log on a hill. by Michael Garton, on Flickr

    Cheers for looking.

    Mike.
    It's always fun to play with film. The exposure latitude is quite large. Once you're in long exposure teritory it's amazing how well shots turn out, even when using "guesstimates". The reflection would be gone because of the movement on the water. In a regular exposure any ripples would distort the reflection. In a long exposure it just disappears. As an experiment... Photograph a dimly lit bridge at night. Often the passing cars just disappear...

  8. #128

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    Re: Fomapan 100, 200 and 400



    Gnarled cherry tree
    Add to my "Song of Trees" series.

    Shot with Chamonix 5×8" camera and Schneider-Kreuznach Xenar 210mm f:4.5 lens on 13×18cm sheet of Fomapan 100, developed in Rodinal. Full frame.
    Jiri Vasina
    www.vasina.net

    @ Google+ | @ Facebook | @ flickr

    My books @ Blurb (only heavily outdated "Serene Landscape").

  9. #129

    Re: Fomapan 100, 200 and 400

    Is this your place Jiri, it looks nice and restful
    --- Steve from Missouri ---

  10. #130
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    Re: Fomapan 100, 200 and 400

    Quote Originally Posted by Jiri Vasina View Post


    Gnarled cherry tree
    Add to my "Song of Trees" series.

    Shot with Chamonix 5×8" camera and Schneider-Kreuznach Xenar 210mm f:4.5 lens on 13×18cm sheet of Fomapan 100, developed in Rodinal. Full frame.
    I like that. Nice place.
    Tomas.

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