Thanks guys. I really like the Pyrocat with these Foma films.
Here's one more I shot yesterday while out hiking.
Foma 200 at 120 ISO developed in Pyrocat MC for 8.5 minutes. Zone VI 4x5 and Fujinon W 125mm F5.6 lens. I don't know why, but Flickr really messes with the sharpness and contrast when uploading, doesn't look very good compared to whats on my Photoshop screen.
Red Mountain by Andrew Marjama, on Flickr
Andrew,
I like the picture above but it came with a color cast on the clouds which isn't expected in a bw picture,
Cheers,
Renato
Andrew, I see...
Sometimes for "electronic sepia" I use to convert the file to BW, and again to RGB to get rid of some color intrusion. It "sort of" works for me.
I'm trying to emulate/reverse engineered the sepias from Ken Lee but had failed miserably. I remember until now, maybe 20 years after having done sepia to wet prints with a product which I don't remember the name anymore, but the smell, OMG, it really stinks very badly,
Cheers,
Renato
Some images I created yesterday. Fomapan 200 4x5 in rodinal 1:50 for 9:00 in a rotary drum @ 20C. Shot with an old Wista 45D.
https://www.flickr.com/photos/macrof...posted-public/
Ebony 4x5, Carl Zeiss Protar 141mm f18, Fomapan 100
Pastrengo (VR) Italy - "Italians Gone Surfing" a Series of Portrait of Surfers, Windsurfers, Kitesurfers and also Skateboarders. Portrait of Chiara Ballista at Palo Palo Wallygator Wakeboard park.
- Camera: TOYO-FIELD 45 AII L (Linhof)
- Lens: SCHNEIDER Symmar 210 1:5.6 Convertible
- Exposure: 1/25 second at f 5.6
- Film: FOMAPAN - 100 ASA - size 4x5"
- Developer: KODAK HC-110 - Dilution H (1+63) - 7 minutes and 15 seconds at 23° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER
- Lightmeter: Gossen Lunasix 3 reading the incident light
- Lighting: Ambient light only
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS4
Bookmarks