It would have to be American.
If it were Japanese, it'd be Gojira.
It would have to be American.
If it were Japanese, it'd be Gojira.
Roots and bark of a Beech tree.
Metered (for Type 55 negative) 8 sec. @ f/32 – shot at 14 sec. for reciprocity.
How I love contrasty Type 55 in flat light.
Toyo 45c
Schneider XL 110mm/5.6
Polaroid Type 55
Epson 4990/Epson Scan
Fomopan Creative 200
Chamonix 045F-2
Nikkor M 300mm
tuco, I am really liking the tonality of your images.The best way I can describe it is lovely soft smooth tones.Originally Posted by tuco
All clean, tuned up and ready for this year.
Fatties Fit Fine by tuco, on Flickr
45 Wista RF, Fujinon CM 135mm W, FP4+, D-23 1:1
I have also seen the same with Ken Lee and also Steven Ruttenberg typewriter and Microsoft Mouse.
The common factor for you all is D23 1:1. Is this the kind of look D23 gives or is it down to your style of post processing and professional lighting.
Ian
Fallen Flower
45F-2 210mm Sironar-N F22 1 sec.
HP5+ 400 LC 29 1:19 6.5 min.
Seeds,
Makro Sinaron 180 f5.6, Studio. Fomapan 100, EMA dev. in Pyrocat HD 1+ 0.6+175,24ºC
ClaudioSz
Achira, Makro Sinaron 180 f 5.6, Fomapan 100, Pyrocat EMA 24ºC Adox paper, Scanned from positive
ClaudioSz
I'm back at it, with this years garden produce. Sinar F2 Rodenstock N 150mm, FP4 in Pyrocat HD.
Sorry for not seeing this and responding so late, Ian. My primary use of D-23 is because I like to use long shelf life, single-shot developers. And D-23 is pretty easy to mix as a single-shot developer. Yes it can produce a smooth tonal scale like you say. Of course you can help an image look smoother when adjusting the contrast curve in an image editor by avoiding excess adjustments with things like the 'clarity tool', for example. So with scanning, post processing can be a contributing factor as well on how the end results look, I think.
Love this image, Merg!
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