It would have to be American.
If it were Japanese, it'd be Gojira.
It would have to be American.
If it were Japanese, it'd be Gojira.
tuco, I am really liking the tonality of your images.The best way I can describe it is lovely soft smooth tones.
I have also seen the same with Ken Lee and also Steven Ruttenberg typewriter and Microsoft Mouse.
The common factor for you all is D23 1:1. Is this the kind of look D23 gives or is it down to your style of post processing and professional lighting.
Ian
Fallen Flower
45F-2 210mm Sironar-N F22 1 sec.
HP5+ 400 LC 29 1:19 6.5 min.
I'm back at it, with this years garden produce. Sinar F2 Rodenstock N 150mm, FP4 in Pyrocat HD.
Sorry for not seeing this and responding so late, Ian. My primary use of D-23 is because I like to use long shelf life, single-shot developers. And D-23 is pretty easy to mix as a single-shot developer. Yes it can produce a smooth tonal scale like you say. Of course you can help an image look smoother when adjusting the contrast curve in an image editor by avoiding excess adjustments with things like the 'clarity tool', for example. So with scanning, post processing can be a contributing factor as well on how the end results look, I think.
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