I love it Joe. Great light control. The textures are great as well.
I love it Joe. Great light control. The textures are great as well.
Regards
Marty
Very nice, a paper negative with beautiful tones.
Peter
c&c always welcome!
"The world just does not fit conveniently into the format of a 35mm camera." (W. Eugene Smith)
http://peter-yeti.jimdo.com
Here is another version of the previous set-up, slightly less prosaic:
Goerz Dagor 6.8/210mm
Peter
c&c always welcome!
"The world just does not fit conveniently into the format of a 35mm camera." (W. Eugene Smith)
http://peter-yeti.jimdo.com
Sinar F2 CZJ Tessar 135/4.5 Delta 100 D23
Field # ShenHao XPO45 - Monorail # Sinar P, F2[CENTER]6x6 # Minolta 1965 Autocord, 6x9 # Kodak 1946 Medalist II
Chamonix 045N-2, Rodenstock Apo-Sironar N 210mm/f5.6, HP5+, Rodinal stand, Hasselblad X1 scan:
Chris
Garlic
Vampire-B-Gon by Ari4000, on Flickr
Toyo 810M, Kodak Anastigmat 7.5", Arista 100
Time for a bit of a visual pun, started when we drank a bottle of "Fisch" wine (Gary Fisch has a radio show and several liquor stores in NJ, and bottles some wines under his own label). I think I like the idea more than the final image, but still fun to post. (The glare on the top of the LP bothers me, I will have to burn that down in the darkroom.) HP5+, Pyrocat-HD, Rodenstock 150, negative scan on Epson 4990.
fish2 by Pete Lewin, on Flickr
C&C always welcome.
Pitcher, January 2015
Sinar P, 240mm Fujinon A
4x5 TMY, D-23
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