Continuing to try to make 35mm look as good as MF. This was Plus-X rated at 400, developed in Diafine, and shot through an Olympus OM-2n with an 85mm/f2 lens. One strobe from the left, and a continuous light on the backdrop to soften the shadow. 1/60 @ f5.6.
Angelic!
Originally Posted by chrism
Continuing to try to make 35mm look as good as MF. This was Plus-X rated at 400, developed in Diafine, and shot through an Olympus OM-2n with an 85mm/f2 lens. One strobe from the left, and a continuous light on the backdrop to soften the shadow. 1/60 @ f5.6.
Tin Can
Sun Frost copy by TIN CAN COLLEGE, on Flickr
Tin Can
OM-2n, Plus-X @400 in Diafine. Just window light:
Like!
Tin Can
Flickr upload test
Leica M6 TTL | Voigtlander Nokton Classic 35mm f1.4 | Lomochrome Metropolis
Bounded, 2021 by Zhan Teh, on Flickr
It works!
Tin Can
503cx, Sonnar 250/5.6, TMax 100 @200, Diafine, one strobe, one monolight, Nikon 9000 scan:
Very nice as usual!
How are you placing your lights?
The pupil seems open, despite the highlight
Tin Can
Thank you! The strobe is turned down to lowest power and is shining from my left shoulder. The continuous light is low and to the right, dirscted at the backdrop only so as to soften any shadow that would come from the strobe. The hanging sheet is only 6-12" behind the subject's head, so it could easily pick up a harsh shadow. I guess Pippa's pupils show the ambient light of our kitchen, and don't have time to react to the strobe. The continuous light doesn't shine on her face at all.
Posting Permissions
Reply With Quote
Bookmarks