Good day to all
I am a senior citizen and have enjoyed the wonderful world of LF photography for about five years now. 5x7 is my preferred format. I am a volunteer at our South Central Kentucky Cultural Center/Museum here in Glasgow, Kentucky. We recently recieved a donation of 43 glass plate negatives. I have made a basic scan of each and have made a few prints in my darkroom. I am very impressed with the detail of the images. This is the first time I have ever had the opportunity to work with glass plates. I want to classify and give a better description of them. Also is there a way to distinguish between a wet and a dry plate? I hope to convince the center to have a showing of them. My main interest is twofold: One to honor the photographers that made them and to make, when possible, a historical connection locally.
I want to exhibit them in two forms. As is done now, digitally, but also some prints from the darkroom. Contact prints are such a joy to see. Most are 3.25x4.25 but some are a beautiful 5.0x8.0. Hoping that the public can see and learn the difference of the two processes.
Any suggestions on a good, not elaborate paper? My darkroom skills are average at best.
I have noticed the difference on some of the negatives. The background does change the appearance on some but not others. I "assume" they are ambrotypes. I would like to understand ,how and why, the change takes place. Also why do the others not? Finally how best to store them.
Again my thanks to you
William Renick
Bookmarks