You really don't need to filter color neg film in-camera to adjust for shifts in the color of the scene except when the difference is extreme. It is easily done in the print or the scan.
Thanks,
Kirk
at age 73:
"The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep"
Yes, advise the OP to push the film. Nothing better to do with an extreme subject brightness range like a lit storefront window at night than push the film, lol! That way you can get those glorious, detail-free highlights that you could easily coax out of a flat neg of said scene but without having a choice.
Never mind experience and knowledge, guess it's all just personal preference, right?
Please. Give us a break. What have you done that is "great". You really think you are such an accomplished artist that you can make such pronouncements without looking like a complete fool?
Artist make aesthetic choices based on knowing their medium and their tools. If one is getting blown highlights and blocked shadows because they chose to do it that's one thing. If they are getting them because they don't know how to control these things it is quite another.
Thanks,
Kirk
at age 73:
"The woods are lovely, dark and deep,
But I have promises to keep,
And miles to go before I sleep,
And miles to go before I sleep"
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