That's what I'm trying to say--by a "purer view of the photograph" I'm trying to say that another person might see the photograph--not the scene--with all the whatever you put into it...but not with all the other stuff that you feel when you see the photograph but which you did not actually get into the photograph. By not seeing the original scene or being these at the time, all the other photographer has to react to is what is in the photograph, both what is depicted and how it is depicted.
Just pointing out that the photographer my "see" more than is actually in the photograph because they are inadvertently remembering things associated with the shooting of the photograph, things that weren't captured in the image. It' all mixed up.
Something worth thinking about.
--Darin
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