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Thread: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

  1. #5591

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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing


    Bronica EC-TL, 50mm Zenzanon

  2. #5592

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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Quote Originally Posted by tuco View Post
    400TMY


    You're Being Observed by tuco, on Flickr
    Very nice grays in both these. Kind to the eye. Like it very much, especially with the slightly pulled back hilights.
    And good compositions

  3. #5593

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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Quote Originally Posted by lassethomas View Post
    Very nice grays in both these. Kind to the eye. Like it very much, especially with the slightly pulled back hilights.
    And good compositions
    Thanks.

  4. #5594
    John Olsen
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Quote Originally Posted by tuco View Post
    Thanks.
    I agree. Tuco, have you thought about staging a model to personify your meaning? In this context almost any human in the foreground would add dramatic impact. Your kids, any bystander would do. You're definitely on the right track, I'm just wondering how to make it a more emphatic statement. Looking forward to more.

  5. #5595

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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Quote Originally Posted by John Olsen View Post
    I agree. Tuco, have you thought about staging a model to personify your meaning? In this context almost any human in the foreground would add dramatic impact. Your kids, any bystander would do. You're definitely on the right track, I'm just wondering how to make it a more emphatic statement. Looking forward to more.
    Thanks John. That's certainly worth consideration. Next time I'm around that building I'll look for that angle.

  6. #5596

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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    400TMY


    Pay Here by tuco, on Flickr

  7. #5597

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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Quote Originally Posted by John Olsen View Post
    I agree. Tuco, have you thought about staging a model to personify your meaning? In this context almost any human in the foreground would add dramatic impact. Your kids, any bystander would do. You're definitely on the right track, I'm just wondering how to make it a more emphatic statement. Looking forward to more.
    Now, I just need to argue with this
    Any human in the frame would not necessary make a better, more dramatic, or mor empathic statement. It might or it might not, but it would certainly make it into another picture, with a whole different angle and story told.
    Any human (or humans) in a frame almost automatically becomes the subject. The subject that we as viewers relate to and try to explain, build a story around.
    That's what we do as humans, interpreting other humans.

    But if you want to make the actual street, building or landscape the subject, making it the thing that owns the story that is being told in picture, leaving out humans makes it so much easier.
    For examples, compositions balancing geometrical patterns or areas of shadows and highlight, especially bordering on abstraction, usually don't benefit from from the inclusion of humans.

    I have no idea of tuco's intent.
    But I personally thought a bit about it, always being reluctant to put people in my own landscape pictures.
    Not saying it's better, or easier. But it's different. And putting a human in the frame is not always the best way to reach your goal.
    It depends on what you're trying to achieve.

    /Lasse

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