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Thread: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

  1. #7151
    Vaughn's Avatar
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Quote Originally Posted by Bernice Loui View Post
    ...
    Linhof TK23s, 5" Kodak Ektar@ f8, tiny swing applied, Ilford, Rodinal...

    Bernice
    It is the visual tension in the second image that interests me. The road and its shadows lead the eyes one way. The cone of light from the left edge expanding across the image leads the eyes another way, while the upper branches and leaves swoop down the oppposite way. And all this movement wonderously runs counter to the actual direction the light is entering the image. Love it! Then in the middle of all this madness (movement) stands those black solid un-moving trunks.
    "Landscapes exist in the material world yet soar in the realms of the spirit..." Tsung Ping, 5th Century China

  2. #7152

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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Bit surprised with the comments on image# 2. This image almost did not happen, mixed emotions with this scene during that moment.

    Image happened while towing the TK23s kit up this road then looking back at that row of trees, coastal fog rolling and low angle of sun (cone of light) during that time of day casting those shadows on the road from the row of trees. Looked interesting, debated on how to make it work.. set up the TK23s outfit in a shady spot that was a trade-off between the fierce back lighting and workable composition, the exposure was wonky due to the contrast ratio involved, ended up with something like a N-2 with Ilford Pan F plus 120 roll film. There is shadow detail in the tree trunks that does not reproduce at all in the posted digital data version. There is also a sense of the fog in the air that did not reproduce well at all in the posted digital data version.


    Enjoy,
    Bernice


    Quote Originally Posted by Vaughn View Post
    It is the visual tension in the second image that interests me. The road and its shadows lead the eyes one way. The cone of light from the left edge expanding across the image leads the eyes another way, while the upper branches and leaves swoop down the oppposite way. And all this movement wonderously runs counter to the actual direction the light is entering the image. Love it! Then in the middle of all this madness (movement) stands those black solid un-moving trunks.

  3. #7153

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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Quote Originally Posted by Bernice Loui View Post
    Bit surprised with the comments on image# 2. This image almost did not happen, mixed emotions with this scene during that moment.

    Image happened while towing the TK23s kit up this road then looking back at that row of trees, coastal fog rolling and low angle of sun (cone of light) during that time of day casting those shadows on the road from the row of trees. Looked interesting, debated on how to make it work.. set up the TK23s outfit in a shady spot that was a trade-off between the fierce back lighting and workable composition, the exposure was wonky due to the contrast ratio involved, ended up with something like a N-2 with Ilford Pan F plus 120 roll film. There is shadow detail in the tree trunks that does not reproduce at all in the posted digital data version. There is also a sense of the fog in the air that did not reproduce well at all in the posted digital data version.


    Enjoy,
    Bernice
    You win the internet, bravo!!!

    Steve K

  4. #7154
    John Olsen
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    At the intersection of County Roads F and H: A long house and shed, I bet there are some cool finds in there. TriX, 80mm, heavy overcast.

    [IMG]LongHouse I N9 LFF by John Olsen, on Flickr[/IMG]

    [IMG]Shed N12 LFF by John Olsen, on Flickr[/IMG]

  5. #7155
    austin granger's Avatar
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Quote Originally Posted by tuco View Post

    Snohomish Delta
    by tuco, on Flickr

    CF 80mm, Acros-1
    I love this one too. Great atmosphere and a dynamic composition.

  6. #7156
    austin granger's Avatar
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing


  7. #7157

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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Right to return the "prize" applies..


    Bernice


    Quote Originally Posted by LabRat View Post
    You win the internet, bravo!!!

    Steve K

  8. #7158

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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Quote Originally Posted by austin granger View Post
    Usually the stupid animals maintain a perfect composition during all the preparation and break up just before the photographer is ready to trip the shutter. But here it's perfect. Converging semi-circle of sheep in the foreground; more numerous and visually smaller into the background, merging together, until the fog merges them into the invisible horizon line.

  9. #7159

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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Quote Originally Posted by John Olsen View Post
    At the intersection of County Roads F and H: A long house and shed, I bet there are some cool finds in there. TriX, 80mm, heavy overcast.
    I like the second one which seems to have some personality.


    Quote Originally Posted by austin granger View Post
    I love this one too. Great atmosphere and a dynamic composition.
    Thanks Austin

  10. #7160

    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Peco Jr 135 f3.8 Xenar Delta 100 D23 by Nokton48, on Flickr

    Windowlight test of Plaubel Peco Junior with 135mm F3.8 chrome Schneider Xenar in Compur Shutter. Delta 100 in 6x9 Plaubel Makina Roll Film Back F11 aperture. Camera movements utilized, strong back tilt, which I could easily see on the magnified screen. The camera is fun to use. I like the out of focus rendering with the Xenar lens. 5x7 RC Arista #2 Dektol Omega Dii 180 black Rodagon. F3.8 is a joy to look through
    Flikr Photos Here: https://www.flickr.com/photos/18134483@N04/

    “The secret of getting ahead is getting started.”
    ― Mark Twain

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