That's terrific, Paul!
That's terrific, Paul!
“You often feel tired, not because you've done too much, but because you've done too little of what sparks a light in you.”
― Alexander Den Heijer, Nothing You Don't Already Know
Thank you Greg. I too use PMK a lot and like it immensely. Although BER49 (the same as Atomal 49, or so I'm told) is not a staining developer, in a way the resulting negatives are a bit like that: they have a rich, lively middle gray range, and highlights are subdued and full of detail. The overall effect is a richer tonal scale and no detail gets lost. I don't think it has the enhanced edge effect of Pyro, but I like everything else it does. Just be aware that its a slower, solvent type developer and it performs best at 75F. Even at that temperature, Tri-X took 14 minutes to develop using BER49 at 1:1 Something to bear in mind. Also, its $$$ compared to most other developers: $22. for powder to make 5 liters.
Umbrella, Portland by Austin Granger, on Flickr
Thanks, Tuco. Believe it or not, this is normal development. The rocks (along the Willamette River) were very dark. I took my GF670's meter reading and then underexposed by a stop. Here's another picture made a few minutes before on the same beach:
Tilikum Crossing Bridge, Ross Island Bridge, Willamette River, Portland by Austin Granger, on Flickr
Sanchez Adobe (1842)
Pentax 67 soft focus lens. Silver gelatin print.
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