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Thread: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

  1. #6611
    Corran's Avatar
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    I agree tuco - I'm liking the 60mm shots a lot! Maybe I need something between the 40 and 80...

    Went down for my annual visit to Hogpen Gap, where a big rock wall along the Richard B. Russell Scenic Hwy is always iced up during the cold months. Shot my first roll of a big batch of Ilford Delta 100 I just bought after running out of Kodak T-Max 100. Sticking with Ilford after seeing the latest price increases from Team Yellow.

    Hasselblad 503cx, 80mm f/2.8, Delta 100, dev'd in Pyrocat 1:1:100 for 13:30 @75F (N+1)





    Bryan | Blog | YouTube | Instagram | Portfolio
    All comments and thoughtful critique welcome

  2. #6612

    Join Date
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Back in the Hasselblad days, most often used focal length was 60mm (Zeiss Distagon 60mm f4). Second was 100mm (Zeiss Planar 100mm f3.5), third 150mm (Zeiss Sonnar 150mm f2.8). BTW, the 50mm f2.8 can be interesting in many ways when used at f2.8. BIG and heavy lens.


    Bernice

  3. #6613

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    Somewhere between SoCal & Norway
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Quite similar to my experience with the Rollei, Bernice. The 60mm Schneider Curtagon, 90mm APO Macro and 150mm Tele-Xenar are all favorites. For wide I prefer the 40mm Super Angulon. I also have the 80mm f2 (!) Xenotar, big and heavy but perfect for low light concerts, inside of churches, etc.

  4. #6614

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    southeast Idaho, Teton Valley
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Click image for larger version. 

Name:	Rendezvous Mountian from Peak 10262 01102022_cropped.jpg 
Views:	60 
Size:	57.8 KB 
ID:	224479

    Rendezvous Mountain Massif from the west, Teton Range, Wyoming. January 10, 2022.

    Ilford FP4 Plus, in a 2 by 3 Grafamatic, 90 mm lens, #8 filter. Scanned print (Ilford MG Deluxe).

    Cropped a little.

  5. #6615

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    Purcellville, VA
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    mmerig, nicely done and nice tonality. I like the traingualr inversion in the mid-ground trees.
    Philip Ulanowsky

    Sine scientia ars nihil est. (Without science/knowledge, art is nothing.)
    www.imagesinsilver.art
    https://www.flickr.com/photos/156933346@N07/

  6. #6616
    John Olsen
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Bridge at Tenney Park. 500C/M w. 40 mm lens, TriX, scanned from film. Those are not my footprints on the ice under the bridge. There was open water on the other side of the bridge. It was tempting though, I'll admit.

    [IMG]TenneyN12 LFF by John Olsen, on Flickr[/IMG]

  7. #6617

  8. #6618

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    Kiev, Ukraine
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    2021-07-30 (7) USA Acros 100 DDX 1+4 10 min USA002-01 Clementine 10 web 912x1004 by Yuriy Sanin, on Flickr
    Alabama Hills, USA.
    Mamiya-6,
    Fuji Acros 100 in Ilford Ilfotec DD-X 1+4

  9. #6619

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    West Coast
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing



    I’m thinking about all the empty chairs in the world, created by the pandemic; chairs at the dinner table, on the front porch, out in the yard - empty because a parent, or grandparent died of COVID. Empty chairs where a sibling used to sit - a husband, a wife, a fiancé, a child - lost to this plague.

    Photographed on Ilford Delta 400, rated at 160nASA and processed in Pyrocat HD.
    The Hasselblad needed some exercise, so that’s what I used. Exposure: 1/30th at f5.6

  10. #6620
    John Olsen
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    Re: MF (6x4.5,6x6,6x7,6x9,6x12) B&W film images sharing

    Paul: Your empty chair really holds my eye. Very nice.

    Here's a break from my ice and snow stuff, a chance to work indoors at Engelhart Motorsports. A 1951 Indian Chief Roadmaster. An earlier poster featured some classic hood ornaments, which triggered a reaction when I saw this bike. 80mm lens, TriX yellow filter, four small battery flashes.

    [IMG]ChiefN9 LFF by John Olsen, on Flickr[/IMG]

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