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  1. Re: How to expose in unusual circumstances

    swmcl,

    In your particular situation here, there's nothing stopping you from, say, pointing a spot meter straight up and taking readings of the important tonal elements of the scene. Or, using an...
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    Re: Keeping Time tray developing film

    In my apartment in Vienna, I had no dedicated darkroom for almost 30 years. I tray-developed film in a darkened bathroom using a metronome and a digital kitchen timer. The kitchen timer was set for...
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    Re: Diagnosing a Light Leak

    I'm with Vaughn on this. Learn to pinch the back to the camera body with your free hand while pulling/inserting the darkslide.

    However, a check like Vaughn describes for light leaks is a good...
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    Re: gas bubbles on negative mystery

    I'm with Paul on this one. If someone has such sloppy working methods as to just dash a bit of acid in a beaker of water and call it stop bath, then what other sloppy habits could account for damage...
  5. Re: Seeking Ideas For Simple 8x10 Contact Printing Solution

    I second the idea of using an enlarger head as a light source. It could be a small dichro head (35 or 67). It wouldn't even need a column, just some way to hang it from the ceiling temporarily when...
  6. Re: Fresnel screen focus distance is different from ground glass

    Bob,

    The Chamonix N-1 was designed poorly; the addition of the Fresnel lens was not taken into account and adding it, while brightening the image and evening the illumination, threw the focus off....
  7. Re: Camera confusion: Beginner Puzzles over Chamonix et al

    Simple answer: In order to keep field cameras light and costs down, they can't have all the features at once (those that do, and there are a few, are bulky and heavy). So manufacturers trim down...
  8. Re: How to expose in unusual circumstances

    I have nothing against "intuitive" metering; it's just that it doesn't seem to work for me at all :)

    FWIW, AA based his exposure of Moonrise on his knowledge of the luminance of the moon in foot...
  9. Re: Mural Printing: Suggestions for large volume chemistry please!

    Glad you found my advice helpful. Good luck with your project.

    Doremus
  10. Re: How to expose in unusual circumstances

    It strikes me, that the scenarios you present are not "unusual" at all... rather situations one encounters commonly. Metering technique, then, would be standard as well.

    If you use incident...
  11. Re: Citric and acetic acid as stop (bath)

    Note: Some people use a water bath in place of an acid stop bath. There is still a "stop-bath" step in the workflow; the negative does not go directly from the developer to the fix.

    The above...
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    Re: HC110 B with HP5+ @ 100

    I find the notion that one must reduce development time for film rated slower than box speed erroneous. Developing time affects the contrast gradient of the film equally, regardless of the E.I. ...
  13. Re: Mural Printing: Suggestions for large volume chemistry please!

    I see no reason why the tray life of chemicals should be different from small to large. There's no reason to use print processing chemicals one-shot if you're using volumes such as you suggest. ...
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    Re: Rinsing

    A pre-soak is optional and dependent on your developing method. Since I shuffle sheets in trays, a pre-soak is indispensable in order to keep the sheets from sticking together. I see no reason...
  15. Re: Trying to decide on a 90mm Lens for 4x5

    For me, a Nikkor f/8 90mm is the right compromise between lightweight and coverage. If I need really light, I'll grab my 100mm WF Ektar.

    Doremus
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    Re: Multiple Test Zones on one Sheet

    I guess I'll jump in here with my method, which entails using a filmholder with a darkslide marked in fifths (i.e., so one can make five exposures on one sheet of film by inserting the darkslide...
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    Re: Aspect ratio of 10x8 and 5x4?

    Actually, the sheets in a box, and later in the filmholder, are in a state of quantum flux, neither portrait or landscape until the conscious mind of the photographer decides how to insert the...
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    Re: Aspect ratio of 10x8 and 5x4?

    Just for clarification: The British like to designate their cameras' aspect ratios with the long side first, e.g., 5x4 or 10x8. We North Americans and most of the rest of Europe like the small side...
  19. Re: Where is the image formed on the ground glass? (With and without fresnel) | image

    Try searching here and over on Photrio.com. There's a lot of information to be gleaned, including ISO specifications for filmholders, etc., etc.

    As Pere points out, the image is formed on the...
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    Re: 8x10 Macro Photography lens Question

    Many "standard" lenses are just fine for macro photography at lower magnification ratios, say up to 1:1. Sure a macro lens will deliver superior results, but if you're contact printing 8x10, these...
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    Re: Water Spots Observation

    Seems to me that you finally got the right dilution of wetting agent to prevent water spots. There's absolutely nothing about distilled water per se that would cause more spots in comparison to tap...
  22. Re: Mounting #5 Shutter in linhof type board

    Wouldn't a simple spacer work? Something to keep the body of the shutter away from the lensboard by enough to be able to mount the board on the camera/adapter? Of course, the shutter-barrel threads...
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    Re: A refrigerator for storage

    Two thoughts.

    If you use your film up within a year or two, you only need to refrigerate, so a small refrigerator with no freezer compartment will do.

    If you need long term storage, maybe just...
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    Re: Mushrooms

    Your 150mm lens will work fine for close-ups. How close you can get will depend on your bellows, but even the most compact cameras usually have 300mm of bellows extension, which will get you 1:1,...
  25. Re: How to Develop Characteristic Curves in Large Format...Cheaply

    Oren,

    I got the impression that the OP was really interested in establishing E.I. and development times. If, indeed, the OP is interested in sensitometry and plotting curves, then a densitometer...
  26. Re: How to Develop Characteristic Curves in Large Format...Cheaply

    I'll suggest an alternative approach.

    Forget the densitometer. Sure, it's great to quantify your data, but given the variables in the whole system with real-world subjects compared to test...
  27. Re: Wista 45SP -- Focus Screen withOUT grid lines?

    Bob's your uncle and has the definitive answer here. The Wista OEM screens are among the best and brightest around.

    I just want to add that if you end up wanting to unload your gridded screen,...
  28. Re: First Post! - How Do I Measure My Bellows Extension To Calculate Bellows Exposure

    Pere has your answer, but allow me to simplify a bit.

    To get total bellows extension for standard lenses, just measure from the film position (ground glass) to the center of the lens (the front of...
  29. Re: First Post! - How Do I Measure My Bellows Extension To Calculate Bellows Exposure

    I printed out a mm scales onto label stock and cut and pasted them on the rails of my cameras. That said, I don't use them for measuring bellows extension. I've got a lightweight tape measure in my...
  30. Re: Lightest & Most Compact Tripod for Wista 45SP that is Also Reasonably Priced?

    For years I've used a lightweight Manfrotto 3205 and the 3-way 3025 head for my wooden Wistas (45D, 45SW). They are plenty sturdy for me. I carried the tripod strapped to my bicylcle and my camera...
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    Re: Making retouch ink less glossy

    I usually have the opposite problem and use gum Arabic for upping the gloss a bit :)

    I've retouched with both India ink and Japanese ink blocks for calligraphy. Both these seem to be less glossy...
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    Re: Preferred Format, and why?

    I found early on that I needed camera movements for the type of photography I wanted to do. Plus, I really like the quality of larger film.

    I do a lot of work outdoors, carrying my camera walking...
  33. Re: Observation on focal length and portrait drawing

    ... and the angle of objects near the lens but on the side of the field of view changes greatly with lens-to-subject distance. Hence, using your own definition, foreshortening is perspective of a...
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    Re: 203mm f7.7 lenses and shutters?

    I seem to remember hearing somewhere that Ektars were individually matched to their shutters, i.e., the spacing was adjusted to match the particular lens. So, do make sure the shutters are exactly...
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    Re: Photographs of Historic Buildings

    Interesting.
    I was there in the late 90's and was rudely told that I could not photograph. I respect the Native point of view and traditions, but rudeness is not usually one of these (my wife is...
  36. Re: I take back every bad word I have said about Kodak...

    I use both TMY and TXP. I find the look of Tri-X really good for many subjects especially when I want more mid-tone separation compared to shadows, but still want the luminous soft-shadow look that...
  37. Re: Does it matter if do one water rinse

    Even alkaline fixers are buffered well enough to withstand the small carry-over of acid from the stop bath. Mix your stop bath as directed or a bit weaker and drain the print well before...
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    Re: Pyrocat-MC / Defective Product

    John,

    Just rinse the packets a couple of times and dump the contents into the mixing container before you top the volume up with water. I've been doing that for years...

    Another tip: when...
  39. Re: 8x10 Development in tray - How to know the time

    Resident Luddite here.

    I developed sheet film in open trays in my European "darkroom" (a windowless bathroom) for years using a cheapo digital cooking timer and a metronome. The cooking timer was...
  40. Re: What size paper do you print the most? What's the biggest print you've made?

    My portfolios are printed mostly on 11x14 paper (various aspect ratios). I like 16x20 on a 28x32 board really well for exhibitions and display in large enough rooms. I print detail subjects and some...
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