Thanks again for the enthusiastic and helpful input, I really feel like I'm in touch with people who know their stuff here, and it's a huge help to throw a problem out there and have so many learned...
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Thanks again for the enthusiastic and helpful input, I really feel like I'm in touch with people who know their stuff here, and it's a huge help to throw a problem out there and have so many learned...
First, thanks to all who have replied so quickly, I love this forum!:)
I am rolling my prints through Cesco 40 x 30 trays, filled with about 45 liters of chemical each, which gives about a 3" depth...
Thanks JP, I'll give that a try.
Thanks for the reply Bob. I've also been using Ilford paper since the 1980's and never come across a quality issue. I figured it would be something I'd missed or done wrong.
I'll keep looking at my...
Hi All,
Anybody had problems with a yellow edge fog in Ilford MG FB Classic on a roll? (42" wide)
The first few on the roll were perfectly white right up to the edges, then I noticed a yellow...
Thanks Frotog, I'll take your advice on the lens and the Seal 510 and see what I can get.
I have a 20x30 dry mounting press, but larger prints are a drag, as I don't want to flatten the print in...
This is very wise advice Bob, and pretty much where my conclusions are now leading. Printing effectively at a size larger than 40 x 50 is like establishing a print works or a paper mill, with a...
Thanks Daniel, some good information there.
[QUOTE=frotog;1163591]You would be unwise to "omit rolling" in this process. Flat wet paper has the rigidity of a wet noodle and will crimp when handling in more ways than you can now imagine. ...
Hello All,
This is my first post here, although I have followed the forum for some time and found answers among the posts and replies.
I've had many years of experience as a professional...