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Berger print film does exactly what you want

and she uses POP paper!!

for 120 film I use !+2 developed semi with TMY400 till 13minutes

nice work Robert!!

Always interested in what people have to say about a new film...foma 100 is very good

moi aussi...

nice interview!!

look up the thread on Terry Thalman recommended lenses....or just go with barrel lenses and a neutral density filter....eliminate the awesomely large #3 copal shutter

Nice video..thanks

so how long does it last in a tray?
how many prints can you make with one tray
do you need to mix it up immediately before use or can you mix up a quantity and then use

Well that first post didn't go too well
let's try again
paula chamlee cut me the overlay boards on artcare alpharag artboard
these are the highest quality mat boards you can buy
she did the turn...

See second post please!!

I once had a box of Adox go bad on me. I thought it was user error but in retrospect I realized I got a bad box of of paper
had you used it prior to this printing session....
the kentmere if it was...

worthy cause kendo izu is mazing and behind raising money for the Cambodian hospital

Bob I have no experience with lupex ...wish I could help you

does Lupex even come in 20x24 size?
contrary to belief Amidol is not messy...the difference is in the quality of the Amidol. buy the quality product from Artcraft made in England. I have 40 year old...

don't count on them fitting your camera though....you're better of contacting Richard Ritter who can either convert the back for those holders or make you holders for the camera...good luck

Ziatype is fun I learned it with Anne Eder from Penumbra.
gives great results and you can get different colors too

Catlabs CET01....$368 with footswitch....not even sure it counts UP!!
someone needs to make a simple timer like the zone vi for a reasonable price....
exactly who wants to count down?? not me...

I believe Catlabs is selling a timer that will do hat you want except they are pricing it around $300
I use a zone vi timer without the compensating feature....my favorite!

dry plate for negatives
albumen paper although it was being replaced by the following:
POP collodion paper
POP paper
in that order
if I'm mistaken please correct

keep going!! nice!!

Yes richard ritter and it will be done correctly....he can make you extra boards too!

beautiful!!

first quality board; packaged perfectly; and supporting a small business!

actually wrong because the ULF order will be shipped from the distributor
Fred from the VC store told me this

repeat; rinse; repeat

we need this announcement here in the USA!

Calumet 4x5 with case maybe a lens and holders
$200...as good as any

don't overthink the process. I make and use pyrocat=mc exclusively for large format alternative process negatives..
I don't do salt but you should try 1:1:100 and 2:2:100 and see which works best...

one alternative if you can find one on the bay is a wooden deardorff knockoff from India....I have one and it works just fine

Keep sending your stuff back to Italy when you have Richard Ritter right down the road who makes one of the BESt 8x10 cameras
It's funny because Richard actually makes a good living from all the...

if you have too light and contrast you take pix at almost 100ASA no problem; I do it all the time
learn to develop by inspection and you will get amazing negatives all the time....just get a dark...

Bruce died last year; you might reach out to Richard Ritter for an answer to your question

Gitzo pl5 if you can find one

easier to hook light up to a pulley with the electrical line so you can raise and lower it....dodging tools should have a jagged edge so as not to leave a line on the paper...just a tip

I hope this will be on replay as I'm going to miss it

Ken that is so well said...thank you!!
please add strong convictions!!

Alan I give you more credit for standing in the freezing water!! I use el cheapo carbon fiber that run about $125 and once when I was in Vermont deep in snow one of the legs just snapped off!

until the time I took the Zone VI workshop in Vermont I had no clue how to make a good negative or a decent print. I had seen lots of great photos at the Museum of Modern Art in NYC but the...