Bryan...did you incorporate some sort of intermediately adapted shutter into your Pentax lens to LF interface...or simply use the "lens cap method" by which to make your exposure?
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Bryan...did you incorporate some sort of intermediately adapted shutter into your Pentax lens to LF interface...or simply use the "lens cap method" by which to make your exposure?
Bryan great shot. All you need are snowflakes floating around in the globe.
Hi John - nope, I am using the Speed Graphic's focal plane shutter (take a look at my Instagram for a pic of the camera, second image in the first post). Though for this image I probably could've used a lens cap - the exposure was 3.5 minutes. So much is in the frame that I would be hesitant to do that though - I would not be surprised to see a blurred arm in the photo.
Thanks Alan. We'll see if snow comes this year :).
Thanks Peter!
I made a 15" print last night. I'm leaning towards a circular mat. I think it'll be unique, and one friend suggested perhaps even a circular frame too.
Either way I want to get a circular mat cut to different print sizes to make a physical "mask," allowing the print to look more like the above scan with a white surround, rather than being suspended in black which I think is a bit depressive.
Attachment 231295
Very nice, though unless there are a lot of hobbits on the ground there in N Ga. :) I think I'd like to see this one drymounted on 16x24 gatorboard, with maybe 40% bottom weight. (FWIW, I generally don't like the negative space/museum look, I'm thinking floating this one in space like the proverbial Big Blue Marble might be arresting.)
Taken up at Moose Hill in Sharon, Massachusetts
CM fujinon W 125mm f56
Chamonix 045n2
Ilford delta 100
https://live.staticflickr.com/65535/...1ec4e8e4_c.jpg