I have a DLC2, it's a superb camera. I should use it more than I do. Very well made. That said, with any camera that has movements, there's always the possibility for them to be off somewhat.
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I have a DLC2, it's a superb camera. I should use it more than I do. Very well made. That said, with any camera that has movements, there's always the possibility for them to be off somewhat.
Good job.
Ed, I'd love to try a DLC2 in the field, before purchasing. See how it works when unpacking, in a rush to get a shot perhaps (happens often for me). Seems like I only ever see older DLC cameras for sale used, which seems to me means people like their DLC2 models...
jerrybro, Steven, thanks.
Image taken at "Gypsy Bank", Peak District National Park, UK, late May this year. It's a view I've loved for a long time and have been there several times with my camera. Really looking for more dramatic light, but in the meantime this keeps me happy!
Attachment 194622
Chamonix 045N-2, Caltar 210mm f5.6@f16, 1/4s, Ilford Delta 100, Orange filter, Epson V700 scan, colorperfect and lightroom processing.
Nice work. How did you scan? Linear Raw in 16 bit grey or 48 bit rgb? If rgb, did you convert to 16 bit grey at some point?Quote:
Originally Posted by Meekyman
Thank you so much David!Quote:
Originally Posted by David Schaller
Kind regards,
Darr
Hi Bryan,Quote:
Originally Posted by Corran
Just a bit west of the Econfina River at the St. Marks NWR marshes.
Kind regards,
Darr
Ah, that was my other guess. I love St. Marks, but I haven't been in years. Did you see the flamingo?
From years ago - sunset at the St. Marks Lighthouse. Taken, I think, with my Chamonix and a 90mm lens:
http://www.garrisaudiovisual.com/pho...rks-0692ss.jpg
Really dig both of these, especially the first one, Bryan.Quote:
Originally Posted by Corran
Thanks Brandon!
edit: and 6x6TTL!
Everyone seems to like the 300mm. I am partial to the 90mm. I imagine it may depend on print size.