+1
I'm kind of with Alan, but it is up to you to render the scene as you see fit.
Great composition - I know from personal experience that photographing groups of trees is NOT like shooting fish in a barrel, although it seems it should be...
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+1
I'm kind of with Alan, but it is up to you to render the scene as you see fit.
Great composition - I know from personal experience that photographing groups of trees is NOT like shooting fish in a barrel, although it seems it should be...
Thanks!Quote:
Originally Posted by Ulophot
Very lovely!Quote:
Originally Posted by Edison
Quote:
Originally Posted by Ulophot
Thanks both.Quote:
Originally Posted by h2oman
In the cold light of day I realised you guys were right. It was too dark. That's what happens when you edit late at night when you're tired. I've replaced the original with a half stop brighter version.
https://live.staticflickr.com/65535/...0718234c_b.jpgAbandoned Orchard Apple Tree HRU Maki 210 Heliar by Nokton48, on Flickr
n my neighborhood there are remnants of the apple orchard that stretched for a good distance many decades ago. At the back of my property is one of the original trees, now gone wild.
Plaubel Makiflex Standard, 210mm Makiflex Auto Iris Heliar, Fuji XRAY HRU 4x5" cut from 8x10. Grafmatic Film Back, Sinar 103mm Glass Disc Yellow Green. 1/15 at F5.6 Legacy Mic-X 18 minutes at 60C. Aristo #2 8x10 Omega DII Omegalite Diffusion Head Multigrade dev
5X7 in Utah. This was one of my images in Guggenheim portfolio.
Attachment 232376
Linhof Technikardan S45, Scheider-Kreuznach Apo-Symmar L 5.6/150, Heliopan CPL, Lee 0.6H GND, Portra 400.
https://live.staticflickr.com/65535/...16637412_b.jpgA Wind on the Heath by atomstitcher, on Flickr
Nice photo Gabe. It looks about a stop too dark.
Very lovelyQuote:
Originally Posted by Gabe
Where is it ?
Martin