Both are stunningly beautiful images!
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Both are stunningly beautiful images!
Once in a while I get back to Yosemite. I can't go and not take pictures. So I tried again with Half Dome, my objective being to achieve sharpness and a good range in tone, for once.
Bender 8x10, with 12 inch component of a Turner Reich 12-21-28 triple convertible lens. Red filter. Kodak Tmax 400.
Comments welcome. Thank you.
Attachment 120090
Pretty sure you nailed that one... Also, Tmax400 in 8x10? I salute you sir! Way beyond my pockets lolQuote:
Originally Posted by finarphin
Just a photo I took this morning with my 4x5 large format camera. This one was taken about 10 minutes from home, in "The Narrows" area of the Big Thompson Canyon.
The rock walls are full of crystalline structures, so they really shine when the light hits them right.
I'm starting to get the hang of the large format camera. It is VERY different than shooting with a digital camera and even much different than other film cameras. I used front tilt and rise on this shot since I had to shoot upwards and needed to change the perspective to get the rock walls upright again instead of looking like they were "falling away". This image would be impossible to get to look this way without using a camera that has movements. The perspective would just be too off.
Anyway. this was taken with a Zone VI 4x5 large format camera on Fomapan 200 film. Shot using a Nikkor SW 180mm F5.6 lens through a red 25A filter. Processed in HC-110 (dilution H) for 9 minutes.
https://farm4.staticflickr.com/3861/...25c1215c_o.jpgLife on the Edge by Colorado CJ, on Flickr
You have to ask fujifilm ;-)Quote:
Originally Posted by StoneNYC
With 85A filter, the chromes looks quite normal on the light table, with low contrast.
85B gives you blue cast on the light table. It can be corrected in post, but this is beyond capabilities of LR or my
knowledge.
That doesn't make sense, I thought the 85A was a WEAKER warmth than the 85B... I'm too tired to look it up now, thanks I'll look into it.Quote:
Originally Posted by JaZ99
Beautiful shot, ColoradoCJ,Quote:
Originally Posted by Colorado CJ
One thing that I love in Foma films is their tonal range, what I hate in it it's the reciprocity ratio... I could use much more this film, but because of this, only in strong sunshine light.
Cheers,
Renato
Beautiful...
Thanks, these two of yours are beautiful.Quote:
Originally Posted by sdzsdz
Thanks Renato. By the way, are you the same Renato from MFLenses forum?Quote:
Originally Posted by RSalles
I really like the Foma films as well. I am starting to get dialed in on my processing and shooting of Foma 200. I REALLY like what I am getting from my development now using HC-110. It took a while though (~50 sheets). I need to order more.