Iran, Panoral 45 camera, Schneider Super Angulon 90/5.6, Ilford FP4 plus, 4x5in sheet film
https://live.staticflickr.com/65535/...17c9a606_h.jpg
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Iran, Panoral 45 camera, Schneider Super Angulon 90/5.6, Ilford FP4 plus, 4x5in sheet film
https://live.staticflickr.com/65535/...17c9a606_h.jpg
Patricks Point, CA, Chamonix 045n2, Rodenstock 135mm Sironar N, B & W conversion of Velvia 100 slideAttachment 236567
Powerful!Quote:
Originally Posted by Jim Peterson
View of Hudson River, just before getting rained on. Ildord Delta 100 in D76 1:1.
https://live.staticflickr.com/65535/...5ba89497_c.jpgview from Mt Beacon NY by Jeff Wingard, on Flickr
Mohammed...looks like a great use of the Panoral's tilt function! Nice to see that someone has designed a compact "lens cone" type LF camera with a tilt function - good for you! And nice photo by the way!
Jim those rocks - the arrangement and the way this is lit...is just otherworldly!
JefW, that's fine work. Reminiscent of William Clift (not to mention the Hudson River School painters).
Thanks Mark!Quote:
Originally Posted by Mark Sampson
Thankyou John and Rfesk for your comments. Appreciate it!
Thank you very much, John. Thanks to the asymmetric tilt you can easily adjust the Scheimflug law with the Panoral 45 camera.Quote:
Originally Posted by John Layton
Lower Raven Cliffs Falls
Shen Hao 4x5, 200mm Imagon, with the Copal shutter stopped down about a half stop, Efke 25, dev'd in Pyrocat:
https://blogger.googleusercontent.co...liff-1627s.jpg
Hi all
I am french photographer , i sent my first pix on this forum
Landscape from the french Alps. The Dent Parraché, view from Bramans
Intrepid 4x5 mk4
Nikkor-w 150mm f5,6 s. @22 1/3 speed 1/15 (polarized filter)
Provia 100 f
Attachment 236720
Welcome, Emmanuel. Living in a very flat part of Texas, I envy someone who has the Alps close by.
Bienvenue! Your colors are very lively.
Hi all
An other view of the french Alps
The Dent of Ambin, view from Bramans
Intrepid 4x5 mk4
Nikkor-w 150mm f5,6 s. @16,1/3 speed 1/15 (polarized filter)
Provia 100 f
E.
Attachment 236815
Really like this.Quote:
Originally Posted by ALVANDI Camera
https://live.staticflickr.com/65535/...8b890909_c.jpgAcadia National Park by Jeff Wingard, on Flickr
Acadia National Park.
Portra 160. Fujinon W 150 f5.6
It's been a while since I posted here, but here goes.
https://live.staticflickr.com/65535/...2bc91ff0_k.jpgWhite River Falls, June 2016 by Gary L. Quay, on Flickr
©2016 Gary L. Quay
White River Falls, near Tygh Valley, Oregon.
Camera: Sinar Alpina 4x5
Lens: 150mm Fujinon
Film: Ilford FP4+ developed in Clatyon F76+
NiceQuote:
Originally Posted by Gary L. Quay
Martin
Nice shot gary. Did you use a filter?
Nice contrast in the sky.
https://live.staticflickr.com/65535/...98c23004_b.jpg
Gateposts & Shadows, Waiparous Road
4"x10"camera, 90 Super-Angulon XL
Contact print on Lodima Paper
Another repost with better repro.
Linhof Technikardan S45, Nikkor-M 9/300, Velvia 50.
https://live.staticflickr.com/65535/...84db2fa1_b.jpgWindfall by atomstitcher, on Flickr
Hi all
The mountain Le mont Froid near AUssois in french alps
Intrepid 4x5
Grandagon N 90mm f6,8
Provia 100f (crop in 4x5)
Attachment 237242
Emmanuel, beautiful work. You've recorded the brilliance of high altitude light very well. I look forward to seeing more of your photographs.
This is really nice.Quote:
Originally Posted by Emmanuel.
Martin
Very special! If I see it right you had to wake up quite early and build up the camera in the coldQuote:
Originally Posted by Emmanuel.
Hi all
I took this picture at the end of the day, around 5:15 p.m. I walked for half an hour in -12 degrees centigrade.
I installed the camera around 5 p.m. and waited for the correct position of the moon.
E.
Thanks, I thought you looked from Aussois to the EastQuote:
Originally Posted by Emmanuel.
An alternate version of a scene I uploaded earlier (now deleted). After giving it some thought I found I preferred the more subtle, subdued tones of this one.
Linhof Technikardan S45, Schneider-Kreuznach Apo-Symmar L 5.6/210, Velvia 50.
https://live.staticflickr.com/65535/...a391b14a_h.jpgDew Covered Autumn Leaves by atomstitcher, on Flickr
Chamonix 045-F1, Fujinon SWD 90mm, Kodak Ektar 100
https://live.staticflickr.com/65535/...d782752a_b.jpg
What’s idea behind the unsharp top left, deliberate?Quote:
Originally Posted by ethanfg
If you’re referring to the vignetting, I believe I got my filter holder in the shot. Hadn’t tested it on the 90mm lens yet.Quote:
Originally Posted by otto.f
I don't see anything obviously unsharp top-left in that photo...
Another re-worked older photo using my improved digitisation workflow, this time showing the entire 4x5 frame.
Linhof Technikardan S45, Schneider-Kreuznach Apo-Symmar L 5.6/150, Kodak Ektachrome E100.
https://live.staticflickr.com/65535/...4f9bb9d3_h.jpgTwelve Birches, alt. (full frame) by atomstitcher, on Flickr
No not the vignetting. Probably it’s the haze then and the fact that at the top right only sees sharp by color contrasts there. The heath at the foreground is definitely sharper to my eyesQuote:
Originally Posted by ethanfg
I didn't find it being unsharp. I do see vignetting in the sky in the upper left and right corners. But that's probably because no center filter was used, an aesthetic effect some people like. It looks like he used a GND filter.Quote:
Originally Posted by otto.f
It's a nice shot. You got the colors very natural looking. What was your scanning and editing routine? I have trouble with negative color film and have stuck with chromes. They're just easier to scan and set the colors accurately.
The colours are fabulousQuote:
Originally Posted by Gabe
Martin
Thanks Martin. E100 is a great film, and the updated workflow makes the repro so accurate and easy it almost feels wrong. I need to do virtually nothing to the files now except crop out the border and apply some RAW sharpening. I'm like a cat in cream here ;)Quote:
Originally Posted by Martin Aislabie
Alan,Quote:
Originally Posted by Alan Klein
I scan all of my C-41 as a positive file, and do the inversion in photoshop. I apply my scanner color correction profile to the initial positive image, and then invert it. A good place to start is to use either the levels adjustment in Photoshop. If you hold the ALT key while clicking the auto button, it will bring up a submenu where you can choose the algorithm. "Enhance Per Channel Contrast" is the same is if you were to set the levels for each RGB channel. You can set the amount of clipping for highlights and shadows respectively. "Snap Neutral Midtones" helps remove color casts in the mids. From there I set the gamma with the mids slider in the same levels adjustment layer. This gets you to the first image below. I then use the Color Balance adjustment layer to further dial it in. Finish with a curves adjustment gets you to the second image below. The rest is done with more selective curves layers and a plugin called "Lumenzia". This plugin allows you to dodge/burn specific tonal ranges.
Attachment 237337
Attachment 237338
Seems complicated which is why I stick with chromes. But you did a nice job.Quote:
Originally Posted by ethanfg
Lovely, that reminds me of the Grimston quarries in Derbyshire UK
It's really not once you get used to it. Luminosity masking in particular (the process Lumenzia uses) is very powerful; I use it a lot for editing all types of files, not just colour neg.Quote:
Originally Posted by Alan Klein
Unfortunately, I only have the old Lightroom purchased licensed variety which doesn't have masking, nor does my PS Elements.
https://cameraartist.com/wp-content/...dise-found.jpg
EBONY RSW + NIKKOR SW 90/4.5 + FOMAPAN 100/510 PYRO
Beautiful darr.
Love the light and shadows and the highlights on the clouds coming through the trees.
Chris
Quote:
Originally Posted by darr
You nailed it!
Wonderful composition and tonal range.
Exceptional, Darlene.
Nice one, especially the dappled light through the trees.
Thank you, Chris, 6x6TTL, Philip, and Bryan.
I got lucky as it was a beautiful place to be at the time.
Best to you all,
Darr
Wow. Mysterious and powerful.
darr, you captured the feeling of being there. Not often easy to accomplish. Beautiful!
Thank you,
Merg