Attachment 98758
Yellow Mustard at Dawn Fallow Field. Central NJ
Nikkor 150w
Velvia 50
Printable View
Attachment 98758
Yellow Mustard at Dawn Fallow Field. Central NJ
Nikkor 150w
Velvia 50
Driftwood, River Elbe near Blankenese (Hamburg)
http://www.blackandwhitegallery.de/v...g?m=1373811614
Linhof Master Technika with Super Angulon 47mm, TMAX 400 developed in XTOL 1:1
Greetings, Thomas
I was experimenting with some color negative conversion software I was thinking of buying (and probably won't) and scanned up this image from last fall in the eastern Sierra. For some reason, I had never scanned this one before.
I figured as long as autumn is around the corner, this might be a nice little warm-up. Fall is getting closer and closer.
http://www.harleygoldman.com/images/...AglowWebLg.jpg
Chamonix 4x5
Fujinon 240mm
Portra 160 color neg film
I like this one a lot, Harley. The glow is excellent and the color neg handled the back light very well. I like the sunlight touching the grasses, too.
Here's one from Happy Isles in Yosemite. I decided to crop this to a vertical pano, just for fun. What do you think?
http://www.gildedmoon.com/images/lf_...o-lg-Web-1.jpg
Chamonix 045N-2
Nikkor-M 300mm
Astia 100F
May 2013
--P
http://u1.ipernity.com/33/30/39/2335...84f.640.jpg?r1
Down old Hwy 86 on the way to Chapel Hill... This is a test of the recently bought 213mm Repromaster. I love the amount of detail in this. I also really like the coverage.
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1903 Eastman View No. 1 - Agfa Repromaster 213mm - f/45 - Arista EDU 100 - 8x10 Film - HC 110 1+200 - Unaltered Negative Scan
I'd also like to know what you didn't like.
I tried Color Perfect and didn't like it either. I'm still struggling with some color neg film. Some emulsions just snap right to perfect color with simple levels adjustments, some don't, not sure why.
I tried Color Perfect. While it seemed to work decently, I had just as much success using the color balance feature in EpsonScan. That got me pretty darn close and I planned to use PS to fine tune it. The image posted above required no color adjustment beyond what I did in EpsonScan (which was a significant amount).
Great, Harley, thanks. Since I used Color Perfect with my first color neg conversion and it took about two minutes to get pretty darn close, I was impressed. Not having any other methodology, I was (and still am) impressed with it. After four conversions with Portra 160, I find all I need to do before pressing the "convert" button, is to reduce the saturation and add a slight s-curve to increase contrast. The conversions have come out nicely do far. I haven't yet tried any complicated lighting which may throw the program a curve.
I'll have to try doing a straight color neg scan with the 4990 and see how close it comes.