Yep, Grafmatic. I just bought two more. A lot of folks take the numbers out but personally I like them and they rarely intrude on my prints much.
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Yep, Grafmatic. I just bought two more. A lot of folks take the numbers out but personally I like them and they rarely intrude on my prints much.
Thanks!!
One more from Panola Mountain:
https://blogger.googleusercontent.co...farm-9086s.jpg
Very cool--y'all's flatrock granite outcrops are a neat ecosystem that remind me a lot of the cedar glades here in Tennessee. I could definitely see a Porter-esque series, and scampering up Yonah a couple of times a week with your 8x10 kit would no doubt keep you limbered-up.;)Quote:
Originally Posted by Corran
Yeah that'd definitely whip anyone in shape! I suggested Yonah recently for a team-building outing at work but they weren't too keen on that hike! :)
There's another mountain nearby with better access called Arabia. There are some interesting red flowers blooming. Unfortunately my work schedule is killer till mid-May so I'll probably miss it.
I think I might see a patch of elf orpine in your photo--kind of a sedum-y, stonecrop-y ground cover--definitely makes for an interesting color palette, though not quite as serene as the mesic coves here in the Smokies.Quote:
Originally Posted by Corran
Kodak TMax 100 expired in 2008, Kodak HC-110
https://live.staticflickr.com/65535/...65547e29_o.jpgOak tree in lake by Jingmin Zhou, on Flickr
Great!
I'm one of the folks who have removed the number wheel. Many times, I tend to compose fairly tightly to the edge and I found I needed an unfavorable crop to remove the number. It was no problem when scanning and working on the desktop, but tended to be an issue when printing in the darkroom. Since I like to do both, the numbers are gonzo on all my Grafmatics.Quote:
Originally Posted by Corran
@newtorf, Not to steal the words of John Sexton, but I love the quiet light in your Oak Tree image.