Large Format Landscapes

Attachment 81953 Wildcat Creek , shot with 135mm soft focus 4x5 chamonix iso 320

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Originally Posted by Sean Galbraith

http://farm9.staticflickr.com/8452/8...f3220efa_c.jpg
Marble Canyon, Rock by SeanGalbraith.com, on Flickr

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Lovley image, except for those @$%^$#@ Pine Beetles.

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Originally Posted by Sean Galbraith

Marble Canyon, Rock[/url] by SeanGalbraith.com, on Flickr

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Real nice, Sean. The comp is very well done.

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Originally Posted by Nana Sousa Dias

If you want to be sure about covering, you must focus your lens to infinity and then, you look thru the lens, your eye the closest possible to the lens, then you move your head up and thown, to look at the 4 corners of the GG, if you can see the 4 corners, the lens will cover the format, you can even see how much extra coverage the lens will have. This is very helpfull with all cameras and lenses, especially when you do raise, down and shift movements, to confirm that the lens is covering all the negative.

Here are 2 photos made with my Nikkor W 210/5.6 and a Kodak 2D 8x10" camera:

http://img560.imageshack.us/img560/2136/vr001.jpg




http://img705.imageshack.us/img705/6751/praiaazul8.jpg

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I like both!!! Excellent.

River rushing down a snowy mountain.

Tachi 4x5
Fuji A 240mm/9 (w/ 2-stop ND filter)
Tmax 100 (in Tmax rs)
Epson 4990/Epson Scan

Whoa, I did not know winter came so early to Washington!!! ;)

Wonderful image!

No offense, but I'm having a really hard time making sense of what is happening in this picture. I think the blown highlights in the snowy part almost make it look like it belongs to another image or that it was edited in.

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Originally Posted by Heroique

River rushing down a snowy mountain.

Tachi 4x5
Fuji A 240mm/9 (w/ 2-stop ND filter)
Tmax 100 (in Tmax rs)
Epson 4990/Epson Scan

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Fall in the Rockies, Rollei IR400, R72, Chamonix 45N-2, Rodenstock 135mm F5.6 Apo Sironar @ F/11.

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Originally Posted by Vaughn

Whoa, I did not know winter came so early to Washington!!! ;)

Wonderful image!

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Thanks Vaughn, I chose to crop this particular section of the film for a surrealistic impact. For example, I wanted the saplings to look like giant trees, next to what appears to be a raging Mississippi in the mountains. The smooth “grainless” quality of Tmax-100 helped me out.

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Originally Posted by eberry_tapes

No offense, but I'm having a really hard time making sense of what is happening in this picture. I think the blown highlights in the snowy part almost make it look like it belongs to another image or that it was edited in.

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Now that’s the mystified reaction I wanted to inspire! :D

They dont get much snow in Texas.