Large Format Landscapes

Another nice trio, Nana. Jeez, you have a master's eye and the technique to carry out your vision. Bravo!

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Originally Posted by JaZ99

I have both, obviously, 85B and 85A. And I can tell which is which only by looking at the text on the barrel. They look the same to my eyes. Look at this curves (from Hoya site):
Attachment 120183
It seems the CDU-II is type I tungsten film, so it requires a specific spectral curve to get the image right.

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Interesting thanks

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Originally Posted by Nana Sousa Dias

Attachment 120187
NSD 45 PS (home made camera), Fomapan 100

Attachment 120188
Shen Hao HZX 45 IIA, Fuji Acros

Attachment 120189
NSD 45 PS, Ilford FP4+

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Wow a testament to your skill. Well hopefully I'll learn how to do that in school.

I know you can "make" a film look the way you want, but I always found with my workflow that each film is easier to get a certain look "out if the camera" without having to adjust the EI and dev times/techniques much.

I tend to like to shoot films at box speed etc.

Anyway, really great. Thank you.

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Originally Posted by Nana Sousa Dias

Attachment 120187
NSD 45 PS (home made camera), Fomapan 100

Attachment 120188
Shen Hao HZX 45 IIA, Fuji Acros

Attachment 120189
NSD 45 PS, Ilford FP4+

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Another stunning set of images!

After the rain, Fjaerlandfjord, Norway

http://www.blackandwhitegallery.de/v...g?m=1408476055

Linhof Master Technika with Super Angulon 47mm, TMAX 400 developed in XTOL 1:1

Greetings, Thomas

Attachment 1202028x10" tranny iso 50 , Shades State Park

Attachment 120205 Battle Ground 8x10" tranny fall

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Originally Posted by Nana Sousa Dias

Attachment 120189
NSD 45 PS, Ilford FP4+

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Nice series, but this one really captivated me. Excellent.

I had a go with making a wet print of the photo I shot Sunday. This is a direct scan from an 8"x10" wet print I made today. I used a #4 contrast filter and exposed the paper for 55 seconds. I then burned the sky in for 20 seconds to get definition in the sky.

Printed on some cheap variable contrast RC paper and developed in Illford Multigrade developer. I then brewed some strong coffee and stained the print for 20 minutes in the coffee solution to get somewhat of a sepia tone.

I think I got pretty close to the directly scanned negative. I am EXTREMELY new to wet printing though, so I have a huge amount to learn.

https://farm4.staticflickr.com/3897/...ab345dc1_o.jpgWet-Print-of-Negative by Colorado CJ, on Flickr

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Originally Posted by Colorado CJ

I had a go with making a wet print of the photo I shot Sunday. This is a direct scan from an 8"x10" wet print I made today. I used a #4 contrast filter and exposed the paper for 55 seconds. I then burned the sky in for 20 seconds to get definition in the sky.

Printed on some cheap variable contrast RC paper and developed in Illford Multigrade developer. I then brewed some strong coffee and stained the print for 20 minutes in the coffee solution to get somewhat of a sepia tone.

I think I got pretty close to the directly scanned negative. I am EXTREMELY new to wet printing though, so I have a huge amount to learn.

https://farm4.staticflickr.com/3897/...ab345dc1_o.jpgWet-Print-of-Negative by Colorado CJ, on Flickr

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Beautiful print, especially for being new to wet printing.