And a lot more detail, texture and tonal separation. The work in the darkroom is just as much, and often more.Quote:
Originally Posted by Bill_1856
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And a lot more detail, texture and tonal separation. The work in the darkroom is just as much, and often more.Quote:
Originally Posted by Bill_1856
Attachment 235394
Cruising files looking for shadow images for a show at Fotorelevance in Houston. 5X7 from Shiprock.
Attachment 235395
Never been able to print this one to suit myself, but learned a new trick that helped. Also working on my file system. Went through and looked at all of the shots from every morning that I was on this ledge....proofs laid out together. Almost an exhibition's worth.
https://scatteredlightblog.files.wor.../sheet0525.jpg
Stenstranden (The Stone Beach) on the island of Torö, south of Stockholm Sweden.
Chamonix 45H-1 with 4x10 back, Fujinon NSW 125mm. Red and center filter. FP4+, f/45 and 50 seconds
Daniel: Apocalyptic looking.
Fine work, Robert.
Really niceQuote:
Originally Posted by lassethomas
Martin
Wow, just wow.Quote:
Originally Posted by Merg Ross
https://live.staticflickr.com/65535/...ce400141_h.jpg
Made with the Intrepid 8x10 camera and my 300mm Industar-37 lens, on CatLabs X80 II film, exposed at 40ASA and developed in PMK Pyro.
60 second exposure at f22.
Update: I also made this photograph on Bergger Pancro 400 for comparison, if you're interested in seeing how it compares to the CatLabs (Foma) film. I'll offer this much: the Bergger film is at least 2 stops faster, and has graoin equal to or finer than the CatLabs X80 II, which surprised me. The Bergger film also has much greater resolution power than the CatLabs, which did not surprise me. Now if only we can get a refresh of the Bergger film here in the US.....