Nice one, Jim.
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Nice one, Jim.
http://www.ianland.net/projects/clea...ing_img279.jpg
Chamonix 4x5, Schneider 90/8.0, Fomapan 100 @ ISO 80, 1+50 Rodinal. Scan from darkroom print.
http://www.gelatina.altervista.org/p...9s-lessini.jpg
Lessini mountains iced pond. Italy
S.A. 90 4x5' Wepota film souped in Pirocat HD 2+2+100 jobo CPE.
Attachment 147001
This image was made off the Kancamagus Highway in New Hampshire in Autumn with my 150mm Rodenstock Apo Sironar N lens and 4X5 Fuji Velvia 50 film cropped to a square image. The water can take on a nice copper color here. The area has a rugged quality to it which hopefully is visible in this scan of the image.
Shooting with Plus-X that expired in 1978. No base fog!
https://farm2.staticflickr.com/1534/...dc921189_k.jpgModern Tumble Weed by Alex C, on Flickr
Jim, John, Alex and jsinico, great shots, thanks for sharing,
Cheers,
Renato
https://farm2.staticflickr.com/1682/...e49b1310_b.jpg
Three Fallen Trees by Michael Schomer, on Flickr
Camera: Ebony RSW 45
Lens: Fujinon T 300mm
Film: Fujifilm Acros, ISO 50
Exposure: F/32 - 30 seconds
Development: BTZS tubes - 4:30 minutes
Very nice image!
Here are a few more images taken last year and recently scanned. This group is kind on an ongoing"project" of canyon walls. All were taken with 8x10 Velvia, and all were taken with a Nikkor 150 f8. I have never been one to use a wide angle very often, but I am slowly learning to hopefully "see" with this wider lens. And the 150 is one wonderfully sharp lens with nice coverage for using movements. The first one was taken in Longs Canyon which is outside of Capitol Reef National Park, the next two were taken in Capitol Reef which has some of the most interesting rock walls.
Liked those, Jim, specially the last with the tree, as she's saying to us "I'll stand! Can you hear me?" :)
The other 2 pics has "that" light falling over "those" walls, really a classic beauty color warmth we learned to love in the US wilderness.
John,
Well seen, I like the fluid motion in the water and on the color's transitions,
Thank you RSalles, Fuji Velvia 50 is great for this type of image. I have been shooting more black and white since that film has become more difficult to buy.
https://farm2.staticflickr.com/1638/...4e9487e6_b.jpg
Low clouds in Big Bend National Park by Mark Phillips, on Flickr
Camera: Chamonix 45n-1
Lens: Rodenstock 135mm f/5.6 Apo-Sironar-S
Film: Ilford FP4+ @ ISO 64
Exposure: 4 sec @ f22
Date: January 16, 2016
Identifier: lf_2016-01-01_001
Attachment 147347
Ukraine. Wista SP, Nikkor T 360/8 @ 16, Shanghai 100
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 19.5cm X 24.4 cm, from a 8x10 Fomapan 200 negative exposed in a Tachihara 810HD triple extension field view camera fitted with a Wollensak 159mm f9.5 lens. Signed, titled, and stamped verso.
Good bit of natural contrast. Nice seeingQuote:
Sun-bleached Wood, Kangaroo Ridge
Attachment 147532
Ukraine. "Kiev Rus". Wista SP, Topcor 90/5.6 @ 22, Shanghai 100 in TMAX Dev
Three from wet Wales! All taken around Capel Curig on the edge of the Snowdonia National Park on a wet winter's day, which as Capel Curig is the wettest place in the UK is quite often! All Fuji Velvia 50 using Chamonix 045N-2, 210mm or 300mm lens and Epson V700 scan
1. Purple rain,
Attachment 147610
2. Llynau Mymbyr
Attachment 147611
3. Over the wall
Attachment 147612
Ok, Thanks for that RJC. I stand corrected.
https://farm2.staticflickr.com/1596/...2325c92d_b.jpg
Ponytail I by Johnathon Powers, on Flickr
Location: Ponytail Falls, Oregon
Date Taken: Dec 2015.
Camera: Chamonix 045N-2
Film: Kodak Portra 400 (shot at speed)
Format: 4x5 (large format)
Lens: Schneider Symmar-S 210mm (Copal 1)
Shutter Speed: 12s
Aperture: f22
Development: Aker Imaging in Houston, Texas
Scanning: Scanned via drymount on betterscanning holders using an Epson v700 and Vuescan software.
Editing: Curves, levels, spot healing dust, and other minor adjustments were made in Lightroom. ColorPerfect correction was made in Photoshop.
I've spent three days scrolling through the 1000+ pages of this thread, totally amazed at some of these images. It's been a long break from LF for me, and I'm overdue for some new adventures, so I'll be heading out to Grand Lake and Winter Park in a couple of weeks with the Speed Graphic, a couple new lenses (Rodenstock 75mm f4.5 and a Fujinon 210mm f5.6) and a bunch of film, some long expired Velvia 50, some Ektar 100 and Ilford FP4+. I'll do my best to keep up with the amazing work in here and report soon with photos of the Great Divide. Cheers!
Jim
looking forward to your work and welcome to LFPF.
Thanks Steve!
Went out shooting last weekend and spent yesterday souping the negs. Got two shots out of the whole day that were semi-worthwhile. We won't discuss how many exposures I actually made.
Both with a Horseman L45, on TMAX 400. The cliff is near Waterbury, VT and the falls are just south of Waitsfield.
Attachment 148178 Attachment 148179
New time poster to this thread and i've spent weeks sifting though the images here and there are some absolute pearlers and very talented photographers here!
I couldve quoted dozens of images over the history of this thread, and it has helped me have a new appreciate of what some of you have been able to do with Black and White film.
Also, im new to large format photography and all that it entails. I've recently taken a few photos and theres still room for improvement. Some of my shots were exposed incorrectly, others showed some minor light leaks from the film holders, and some showed blur likely as a result of the tripod sinking slightly in the soft sand (or possibly the ball head not lock firmly enough).
With all that said, I did manage to get a couple of successful photos, heres one I took at Sorrento, VIC (Australia) of the London Bridge.
Spot metered to a reading of about 8secs, I added some reciprocity failure time but not sure that it was necessary as the image was overexposed (probably by about a stop). But through silverfast and photoshop I was able to recover the highlights and get this result. CC is welcome.
Linhof 4x5
150mm @f32 (i think, need to record notes!)
Kodak ektar 100
https://farm2.staticflickr.com/1660/...997fea79_b.jpg
Alen - this is a spectacular image that I have been staring at for a few minutes. Breathtaking scene and light that you captured so well. Love the sharpness and the vibrancy of the image.
Looking forward to the other successful photos you made so please share them!
Best, Pali
Yes, that is pretty nice. Very "other-worldly" with those colors.
Here's a photo from this weekend. Taken @ Lake Lanier in north GA.
Travelwide w/ 90mm F/6.8 Angulon, Kodak Portra 160VC:
http://www.oceanstarproductions.com/...ier-3023ss.jpg
Thank you Pali and Corran. :)
Yeah the hour of the day (just before sunrise at dawn) really lit up the sky and painted the clouds in such a way. Though it peaked at it best a couple mins after I took this version...
Very difficult to start composing, let alone focusing during blue hour and your always making fine adjustments as the light gets better.
Congrats, Alen, a 3D shot, plenty of film colors, very well framed BTW,
Cheers,
Renato
"Sheep sorrel" weeds. Linhof MT, 72mm XL, Portra 160VC:
http://www.oceanstarproductions.com/...and-3029ss.jpg
https://c2.staticflickr.com/2/1642/2...97ac1661_b.jpg
Ridgeline, Charlotte Pass
Gelatin-silver photograph on Ultrafine Silver Eagle VC FB photographic paper, image size 16.3cm X 24.5cm, from a 4x5 Kodak Tri-X Pan Professional negative exposed in a Tachihara 45GF double extension field view camera fitted with a Nikkor-W 210mm f5.6 lens and #25 red filter. Signed, titled, and stamped verso.
Very appealing image as always, Maris. I enjoy seeing your work!
Thanks:
Holdenrichards
john Borelli
scheinfluger_77
McCoy
koraks
for your kind words. It's enough to keep me lugging big cameras up steep mountains.
I know what you mean (less the steep mountains, we don't have any here). Plus (and primarily) the satisfaction of admiring the finished print as it has just dried, right? ;)
Rock House, Hocking Hills, OH
https://c2.staticflickr.com/2/1696/2...666f8a4b_z.jpg
Tachihara 8x10 + Schneider Symmar-S 360
Bergger Pancro 400 in Pyrocat HD 1:1.5:100
http://richardmanphoto.com/PICS/2016...anned-1502.jpg
This was nominally the reason we went to the #deathvalleynationalpark #superbloom of flowers. The middle white section is the #badwater #saltflats #largeformatcamera #largeformatfilm #kodakmoment #kodakportra #americathebeautiful
https://farm2.staticflickr.com/1649/...b2bd16c0_o.jpg
The Beuckle, Glencoe, Scotland
TMX 4x5, 90mm Nikkor-SW
I spent one night near Glencoe on my way to Ullapool, about 3 weeks ago. A bit of a gamble hoping for that one sunrise to work out, but the weather cooperated beautifully. A clear and frosty night had put some ice on the water and turn the grass nice and crisp (with icicles hanging on the banks). I had spent 9 days there 3 years ago in the same time of year, but it was so grey and bland back then that it took this one morning to see why some of these locations are so famous.
I have it on Velvia as well, but haven't developed those yet. But however that turns out, I think this one will stand its ground anyway.