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Thanks!Quote:
Originally Posted by Martin Aislabie
Yes it's meant to have a very dark white point. Making it to bright takes away a lot of the mood I think. It becomes to up-front so to say.
But there is a hard to balance tipping point from mood to too dark. Maybe I overdid it this time.
Oooh, that's dandy. Love the sky, snd particularly like the four bright parralel lines carrying the eye into then distance. I like that the tonal range is of the image lets those bright features in the road and utility line stand out. Well done!Quote:
Originally Posted by lassethomas
lassethomas, this is a fine picture. Great light, only photography can do this convincingly. I would love to see a print.
HiQuote:
Originally Posted by lassethomas
No, I don't think you over did it, the image on my monitor looks dark - but I wasn't sure if that was a function of the scanner or your original intention.
As the photographer, you have the right to print your work how you see fit.
I like the effect - it makes the mood rather foreboding and overall it makes for a fabulous print.
Martin :)
Linhof Technikardan S45, Nikkor-M 9/300, Velvia 50.
https://live.staticflickr.com/65535/...6b4cbee8_h.jpgRhododendrons by atomstitcher, on Flickr
https://scatteredlightblog.files.wor.../sheet0440.jpg
Borka, close to Kittelfjäll in northern Sweden.
Eastman 2-D 5x7, G-Claron 210mm, Fomapan 400
Beautiful Mood.
Quote:
Originally Posted by lassethomas
Thanks!Quote:
Originally Posted by Serge S
https://scatteredlightblog.files.wor.../sheet0447.jpg
Borka from another angle on another day
Chamonix 45H-1 with 4x10 back, G-Claron 355mm and E100
Badwater Basin in Death Valley NP
Shen-Hao 4x5 / 150mm APO Symmar
https://blogger.googleusercontent.co...nert-9644s.jpg