Thanks Stone. It's a scan. Just a few contrast adjustments in Lightroom. There's a slider for the toning as well in the software.
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Thanks Stone. It's a scan. Just a few contrast adjustments in Lightroom. There's a slider for the toning as well in the software.
Myxine, as others have said, that one is fantastic...Quote:
Originally Posted by Myxine
Jiri
One of my photographic re-visits to a place that speaks to me. In 2010, I took here photo "In Winter's grip", and in 2007 the "Weir". This time, there is some change visible. Unfortunatelly, the curved branch that so well framed the view broke off... And I liked it so much... Well, thinks change...
[http://home.vasina.net/wp-content/ga...x8-111_web.jpg
Weir (2014)
Part of my "Serene Landscape" portfolio.
Shot with Chamonix 5×8" Large Format camera and Schiffel Doppel Anastigmat 180mm f:4.5 lens on 5×8" sheet of Adox CHS 25, developed in Rodinal (R09).
I whish I would find better composition:
https://farm8.staticflickr.com/7498/...5c756afe_c.jpg
Green blues by JaZ99wro, on Flickr
Graflex 4x5
Fujinon 105/5.6
E100G
May I ask? How much Digital sharpening do you do to your images? They seem very sharp in almost surreal way, it could just be the scene or some kind of filter you using on the camera, but it almost looks like a digital sharpening or clarity slider filter, this is not in any kind of unpleasant way, just wondering.Quote:
Originally Posted by JaZ99
All my pictures are sharpened exactly the same way (sharpening 50, masking 40), I've defined a LR preset long time ago and apply it during import. Perhaps a very fine moss texture requires weaker sharpening. But this place *is* surreal, so maybe this is a good thing :)Quote:
Originally Posted by StoneNYC
Cool, yea, your comment about not finding a good composure made me laugh, you can basically point the camera in any direction and you're going to come out with something interesting, not that your skills are also coming into play here, but it is a very beautiful place it seems, really really lovely.Quote:
Originally Posted by JaZ99
You are right, you can just wait for the good weather (which can be frustrating in Iceland) and press the shutter aiming almost at random thing (sky excluded)...Quote:
Originally Posted by StoneNYC
But that makes hard to take photos, if you want to stand out from the crowd. Anyway, when I was composing this picture my brain was probably oxygen-poisoned :D
I still like it, but less than on site.
There are very few photos I have taken that were as good much less better than "on site". About the only ones that push my buttons are things like sand and snow. The shapes and forms can be isolated enough to capture the true feel of the scene. I find large mountains one of the hardest to compose because so much of the scene is from what the camera does not capture both visually and with other senses. I am almost always less satisfied with photos of these types of landscapes.
JaZ, these remind me of the Mono Craters and the sides of the cone covered in loose ash.
http://cdn.ipernity.com/200/05/84/36...02fb45.640.jpg
1897 Ak-sar-ben Camera - G-Claron (Dagor Type) 210mm - f/45 -
Arista Edu 100 - 8x10 Film - HC 110 1+100 - Unaltered Negative Scan