Very special! If I see it right you had to wake up quite early and build up the camera in the coldQuote:
Originally Posted by Emmanuel.
Printable View
Very special! If I see it right you had to wake up quite early and build up the camera in the coldQuote:
Originally Posted by Emmanuel.
Hi all
I took this picture at the end of the day, around 5:15 p.m. I walked for half an hour in -12 degrees centigrade.
I installed the camera around 5 p.m. and waited for the correct position of the moon.
E.
Thanks, I thought you looked from Aussois to the EastQuote:
Originally Posted by Emmanuel.
An alternate version of a scene I uploaded earlier (now deleted). After giving it some thought I found I preferred the more subtle, subdued tones of this one.
Linhof Technikardan S45, Schneider-Kreuznach Apo-Symmar L 5.6/210, Velvia 50.
https://live.staticflickr.com/65535/...a391b14a_h.jpgDew Covered Autumn Leaves by atomstitcher, on Flickr
Chamonix 045-F1, Fujinon SWD 90mm, Kodak Ektar 100
https://live.staticflickr.com/65535/...d782752a_b.jpg
What’s idea behind the unsharp top left, deliberate?Quote:
Originally Posted by ethanfg
If you’re referring to the vignetting, I believe I got my filter holder in the shot. Hadn’t tested it on the 90mm lens yet.Quote:
Originally Posted by otto.f
I don't see anything obviously unsharp top-left in that photo...
Another re-worked older photo using my improved digitisation workflow, this time showing the entire 4x5 frame.
Linhof Technikardan S45, Schneider-Kreuznach Apo-Symmar L 5.6/150, Kodak Ektachrome E100.
https://live.staticflickr.com/65535/...4f9bb9d3_h.jpgTwelve Birches, alt. (full frame) by atomstitcher, on Flickr
No not the vignetting. Probably it’s the haze then and the fact that at the top right only sees sharp by color contrasts there. The heath at the foreground is definitely sharper to my eyesQuote:
Originally Posted by ethanfg