Re: Large Format Landscapes
Quote:
Originally Posted by
Frank Bunnik
Thanks Frank!
Quote:
Originally Posted by
dave_whatever
Here's a recent shot, a very misty evening after work:
Velvia 100 pushed +1 stop, Coral 3 filter. Possibly polariser too, I forget. Fuji 90mm f/8.
Very atmospheric and a great flowing comp.
Re: Large Format Landscapes
Quote:
Originally Posted by
NicolasArg
I've made a 6 days mountain trip with a friend here in patagonia.
That's an absolutely wonderful shot, Nicolas.
Perfect example of what a view camera can do that other imaging techniques cannot.
Thanks.
- Leigh
Re: Large Format Landscapes
Quote:
Originally Posted by
NicolasArg
Very atmospheric and a great flowing comp.
Thanks, I was quite happy with the composition when I slapped this one on the light table. Good to salvage something from and otherwise unpromising evening!
Re: Large Format Landscapes
[IMG]http://farm6.static.flickr.com/5301/...c6f9e7f8_b.jpgSierra Nevada by The_Riverman, on Flickr[/IMG]
From the Owens River Valley, CA, March 2011. Ebony 45S, Schneider 120mm, Provia
Re: Large Format Landscapes
Loving this image here Riverman!! thanks for sharing
Re: Large Format Landscapes
Re: Large Format Landscapes
Re: Large Format Landscapes
one of first outings with Meridian,still learning quirks and restoring bits of it.
http://farm6.static.flickr.com/5029/...5219870d_b.jpgWhere the river flows.. by Sergei Rodionov, on Flickr
Angulon 90/6.8
scanned FP100-45C
Re: Large Format Landscapes
Quote:
Originally Posted by
Riverman
Thanks Eddo. Here is another from the same trip.
Quote:
Originally Posted by
johnmsanderson
That's gorgeous. Provia?
You took the words out of my mouth! Nice transparency!!
Re: Large Format Landscapes
Quote:
Originally Posted by
SergeiR
one of first outings with Meridian,still learning quirks and restoring bits of it.
Where the river flows
Angulon 90/6.8
scanned FP100-45C
Looks like a good start; the fp100-45c is an excellent choice of film for testing things out, but is too high contrast to adequately capture the highlights here. The negative has more contrast if you kept it. Next time you're on this route and are confident in the camera's function, B&W or color negative film, especially a B&W developed in a pyro developer, would have the full range of light from deep shadows to detailed highlights.