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I think having to set composition mechanically...with tripod and ground glass, over and over- make a huge difference. Plus, analog and LF run at a more human pace. I'm not sure we were built for the speed and chaos of modern life. Nobody seems to be thriving on it, IMHO.
https://scatteredlightblog.files.wor...heet0428-2.jpg
Lake Fatburen south of Stockholm
Chamonix 45H-1 with 4x10 back, G-Claron 355mm, Fomapan100 @f/32 & 1 sec
Nice!Quote:
Originally Posted by lassethomas
Kodak TMAX 100 4x5 expired in 2008, HC-110.
https://live.staticflickr.com/65535/...5385601a_o.jpgOak trees on hill by Jingmin Zhou, on Flickr
Yes very nice indeed, worked the format very wellQuote:
Originally Posted by lassethomas
Quote:
Originally Posted by awty
Thanks!Quote:
Originally Posted by darr
Monument Valley Arizona
Linhof Supertechnika
Schneider Kreuznach Super Angulon 90/F5.6.
Kodak Tmax100
HC110 B 6’ at 20 deg
https://uploads.tapatalk-cdn.com/202...3d49023dee.jpg
Very special! One big case for LF, even/especially with the ‘hot spot’ of the 90
I think the moon really "makes" this image. Great work!Quote:
Originally Posted by Skiper75
tyQuote:
Originally Posted by multiformat shooter