Yeah this didn't have the separation of tones I was hoping for, possibly due to the spectral response of the x-ray film, but turned kind of abstract. It's like a Rorschach tree root.
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Yeah this didn't have the separation of tones I was hoping for, possibly due to the spectral response of the x-ray film, but turned kind of abstract. It's like a Rorschach tree root.
ShenHao XPO Kodak Ektar 203/7.7 Delta100 D23
http://www.lucbenacphoto.com/img/s1/v19/p351538187.jpg
Ever have one of those images you know is weak on so many levels but you love it anyway? This is mine.
http://www.esearing.com/photography/...gnolia_web.jpg
Apo-symmar 180 f5,6,Provia 100F\
http://album.foto.ru/photos/sm/301008/3924970.jpg
http://album.foto.ru/photos/sm/301008/3924971.jpg
Attachment 130432
Oak - Los Osos, CA
Ilford FP4+ / D76
16x20 Silver Eagle Fiber Based Print
Selenium Toned
Robert,
How do you rate and what you thing about the Silver Eagle paper? I thought about getting a pack from ebay but have not found much info for this paper.
Thanks,
Renato
I like the silver eagle paper but then I'm crazy because I fix it out and use it for carbon prints!
Thanks Stone,
Lens was a 75mm grandagon on 4x5. Can't remember which one, but it barely covers 4x5 with no real room for movements.
Been using Silver Eagle as I work out the kinks of going to larger sizes... I like the paper, only issue I've had with it was with selective bleaching, but I'm pretty sure that was my mistake in procedure. Going to try 20x24 next and then I will move up to the Mural sizes of either Ilford or Foma.