A Schneider G-Claron is a very sharp lens with good wiggle room and mostly found in modern Copal shuttters. They'll be single coated if that matters.
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A Schneider G-Claron is a very sharp lens with good wiggle room and mostly found in modern Copal shuttters. They'll be single coated if that matters.
You've got your conversion wrong way 'round - you divided instead of multiplied by the 1.5x. As Havoc posted, your looking at around 90mm on 4x5 for that 18mm on your DX, and for the longer lens something akin to 240mm to 300mm (don't forget that your 16 x 24 millimeter sensor has a different aspect ratio than a 4x5 sheet of film).Quote:
Originally Posted by AdamD
A 240 G Claron rocks, IMHO. It will easily do 8x10 if your format interest grows.Quote:
Originally Posted by Havoc
CRAP!! I went the wrong way!!Quote:
Originally Posted by Havoc
See! ROOKIE!! You guys are dealing with a rookie here!!
Stick with your search for a 150. My absolutely most used lens is a Rodenstock Sironar-S 150/5.6. But that isn’t the point. A 90mm is a really wide angle lens on 4x5, not really a general purpose length. A 135mm is close, but the problem is the image circle, your use of movements will be very limited. When I first started, Fred Picker (the guru of that pre-internet time) suggested a Schneider Symmar-S 210mm as your first lens, with a Schneider Super-Angulon 120mm as your second. I still have both. First problem is that both are a lot larger than a similar aperture 150mm, which works against your desire for a mountain bike & backpack. Second I find the 210 a little long for general purpose landscapes (but great for picking out details or still lifes), and the 120 is just too big & heavy. I use both, but not in my stripped-down travel kit. So stick to your first choice, and if you can find an older example from a reputable manufacturer in a Copal 0 shutter, that would be ideal.
Ok. Very helpful. I'm starting to go crazy with different options and directions. Peter...go got me grounded now.
Looking at:
Rodenstock Sinaron S (Sironar N) 150mm f5.6 Lens (the one you pointed me to)
Fuji Fujinon W 150mm f5.6 Lens
Schneider 150mm F5.6 Xenar
They are all close to the same price with the Fuji being a little lower and from Japan and the Rodenstock in the middle.
I've got one (S version). Love it. Probably 30% of my images are from this lens. It's got plenty of coverage so you can play with movements (how else you gonna learn?), and it's sharp as a tack. Hard to beat.Quote:
Originally Posted by AdamD
My 150 g-claron is my favorite lens, winning more affection than my Schneider XL 110mm or Fuji A 240. It’s tiny and light – of course, armchair photographers will tell field photographers that its tiny size and weight just don’t make much difference when you consider the total weight of your gear bag, but don’t let them fool you.Quote:
Originally Posted by John Kasaian
The psychological benefit of this lighter, smaller, sharp lens makes a significant difference when you’re in the mountains making images. It’s a joy to pack, a joy to carry, a joy to handle, a joy to use – whether your subject is close-up, in the middle distance, or at infinity.
Of course, had I decided on any of the other fine 150 lenses already mentioned, I'm sure I would have found a reason to love it too. ;^)
Rodenstock Sinaron S (Sironar N) 150mm f5.6 Lens I've seen Exc and mint of this lens for $1400 and up from Japan. Is this right. How can they sell others on ebay for $300 and under?
Is this really one of the sharpest of the 150's?
Lots of mentions of Sinaron, Sironar and "S" in this thread, so a caution/reminder:
Rodenstock Apo Sironar-N = Sinar Sinaron-S $$
Rodenstock Apo Sironar-S = Sinar Sinaron-SE $$$ (latest version, larger image circle)
I have no idea what the story is with the Japanese sellers who park lenses on eBay for 5-10x going prices