Originally Posted by
Bill Poole
I scan black and white as 16-bit grey and and save as 16-bit grey tiffs. I scan to highest available resolution, on the idea that downsizing is most efficacious than upsizing. On the color panel, I select the film type options that put as much of the image data as possible within the histogram and put the values about where I want them in the final images. For the films I use, this is usually the TMX - TMY d76 options. I adjust the histogram sliders to get a pleasing image --usually, but not always, this is with the black histogram chevron just below the clipping point for black and the white chevron just above the clipping point for white. I may also do some adjustments within Vue Scan after the scan and before I commit the data to file. I have tried a lot of approaches--scanning as DNGs, scanning B&W as RGB, etc.., and this one seems to work best for me and my workflow. To save disk space, periodically I will go through and save all but my best keepers as jpgs. and throw out the tiffs for those files. You may get a lot of advice on this, and mine approach may not be orthodox. The nice thing about film is that you can always rescan and experiment until you find an approach that works for you. I also have a Nikon 8000 scanner, which I use for medium format, also with VueScan. It is a much better scanner than the Epson, but a lot slower, and, of course, it does not do LF. Hope this helps.