My experiments with artificial lighting for wet plate and dry plate for up to 8x10 are progressing nicely and I am now pretty confident that I can actually use an ULF camera for those processes indoors on a regular basis with process lenses too. How they actually perform on-camera is something I'll only be able to determine later in practice. I'll sell the ones I don't use (maybe apply the $ towards a faster lens?)
For now I have these
LEFT TO RIGHT
24" Red Dot Artar f/12, 1070mm ApoRonar f/14, 750mm Apo Germinar f/9
