Chroma 4x5
Fujinon NW 135mm f/5.6
Fomapan 100
Ilfotec DD-X 1+9 12 mins @ 20°
1/30sec @ f/32
https://live.staticflickr.com/65535/...dc0ed4bc_h.jpg
School Room by fishyfish_arcade, on Flickr
Printable View
Chroma 4x5
Fujinon NW 135mm f/5.6
Fomapan 100
Ilfotec DD-X 1+9 12 mins @ 20°
1/30sec @ f/32
https://live.staticflickr.com/65535/...dc0ed4bc_h.jpg
School Room by fishyfish_arcade, on Flickr
https://live.staticflickr.com/65535/...9c30af9b_b.jpgMakiflex 360 Tele Arton FOMA MicX by Nokton48, on Flickr
Plaubel Makiflex Standard, 360mm Schneider Tele-Arton, FOMA Classic 200 Microdol-X Replenished Straight Omega DII 180mm Rodagon laser aligned Aristo #2 RC Dektol
https://live.staticflickr.com/65535/...73d295b0_b.jpgmakiflex #6 by Nokton48, on Flickr
Makiflex Standard, Schneider 120mm F6.8 Angulon @F11 FOMA Classic Microdol-X
https://live.staticflickr.com/65535/...61415066_k.jpgWellington NZ waterfront view by kiwi cafenol, on Flickr
Speed Graphic 90 mm Foma 100 @ box speed semi stand in Cafenol CL 70 mins
https://live.staticflickr.com/65535/...62ae7fea_c.jpgMakiflex 180 F2.8 Zebra Sonnar FOMA by Nokton48, on Flickr
The zebra 180mm F2.8 CZJ Sonnar (uber hacked rear mount completely removed, refitted into Plaubel Peco Jr recessed board). Makiflex Standard FOMA 200 Mic-X. Lens will just cover, 18"x18" area is as far out as it will focus. Amazing Sonnar bokeh. This lens is a fave for Pentacon Six fans, this is pushing the envelope with larger format. I like the delicate natural lighting on this one.
Buttermilk Falls
In my younger days I would have jumped the fence to get a better view of the falls from the gorge, getting old sux.
8x10 Nagaoka -- Fujinon 6.3/250
EDU Ultra 100 (rated iso 50), 1 sec@f22
scan of print
https://live.staticflickr.com/65535/...1b1260_c_d.jpg
Hello, does anyone used T-Max developer with Fomapan films? I heard of good results with Fomapan 200; I'd like to know if somebody used it with Fompan 100 and 400 and may share his experience.
So far I use it with HC110 in 1+31 and 1+39 with good but not exceptional results (shadows are still very low without detail, unlike the same scene photographed with FP4 or HP5).
With the new (and continuous) rise of Ilford films prices I really have to consider to go only for Foma film in all the formats.
Thank you
I don't use T-max developer anymore. But I have had very good results from Fomapan 100 by exposing it at about 40 ASA and developing it in PMK at a rate of 1.5:2:100 for 10-12 minutes.