Large Format Landscapes

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The north east face of Borka
Northern Sweden

Chamonix 45H-1 G-Claron 240/9 Fomapan400 9x12

Linhof Technikardan S45, Nikkor-M 9/300, CPL, 0.6H GND, Velvia 50, 5x7 crop.

https://live.staticflickr.com/65535/...fdb391e7_h.jpgAflame by atomstitcher, on Flickr

Love the image

Love Birch, never seen such twisted babies

I grew up with large strait ones

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Originally Posted by Gabe

Linhof Technikardan S45, Schneider-Kreuznach Apo-Symmar L 5.6/150, Ektachrome E100.

https://live.staticflickr.com/65535/...cb4f4a24_h.jpgTwelve Birches, alt. by atomstitcher, on Flickr

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Originally Posted by Tin Can

Love the image

Love Birch, never seen such twisted babies

I grew up with large strait ones

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Many thanks. They definitely have a lot of character.

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https://live.staticflickr.com/65535/...e7b5e09d_b.jpgDrumbowie Reservoir by tthef, on Flickr

Intrepid Mk 4, S-K Symmar 210/f5.6, orange filter, f22 @1s on Fomapan 100, developed in PyrocatHD 1+1+100 for 12min. Front swing and tilt to bring the dam and reeds into focus.

[The unfortunate vertical streaking, most noticeable on the left side of the image is caused by a faulty LED light on my V850, it's rather hard to cover up in post, though I gave it a half-hearted try.]

Love this tf. Great work. The texture in the reeds is wonderful, and I really like the different feel of how the light changes from near to far. Fwiw, on my monitor I can barely see any vertical streaking.

Chris

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Originally Posted by _tf_

Intrepid Mk 4, S-K Symmar 210/f5.6, orange filter, f22 @1s on Fomapan 100, developed in PyrocatHD 1+1+100 for 12min. Front swing and tilt to bring the dam and reeds into focus.

The unfortunate vertical streaking, most noticeable on the left side of the image is caused by a faulty LED light on my V850, it's rather hard to cover up in post, though I gave it a half-hearted try.

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Originally Posted by cgratham

Love this tf. Great work. The texture in the reeds is wonderful, and I really like the different feel of how the light changes from near to far. Fwiw, on my monitor I can barely see any vertical streaking.

Chris

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+1

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Originally Posted by Gabe

Many thanks. They definitely have a lot of character.

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I like it too! Disparate elements making a harmonious composition.

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Originally Posted by cgratham

Love this tf. Great work.
Chris

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Originally Posted by otto.f

+1

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Thank you.

Iran, Panoral 45 camera, Nikkor-W 150/5.6, Kodak E100-VS 4x5in slide film

https://live.staticflickr.com/65535/...9b787e9e_b.jpg

Like!

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Originally Posted by ALVANDI Camera

Iran, Panoral 45 camera, Nikkor-W 150/5.6, Kodak E100-VS 4x5in slide film

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Fall color along the Cliff Range in Michigan's Keweenaw Peninsula. Toyo 45AII, Fujinon CM-W 150mm, Kodak Ektar in CineStill C-41.

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Cliff Range by Kevin Pihlaja, on Flickr

Gabe, the birches is making me thinking hard about some E6 chemistry. E100 looking totally superb, and your shooting, too :)

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Originally Posted by Tin Can

Like!

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Thank you.

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Originally Posted by John Power

Gabe, the birches is making me thinking hard about some E6 chemistry. E100 looking totally superb, and your shooting, too :)

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Many thanks. I've still only shot one box of 4x5 and a roll of 120 of the new E100, but yes early impressions are it's a superb film. Slightly warmer toned than Provia 100F, especially with shaded greens.

Late Fall View in the Diablo Range From Wente Vineyards ~ California.

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Toyo Robos, 150mm Apo Sirona-S, Delta 100. I also shot this with the 8x10 and got what I consider a better negative and will be printing it as a platinum-toned kallitype.

Thomas

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Originally Posted by kevinjp

Fall color along the Cliff Range in Michigan's Keweenaw Peninsula. Toyo 45AII, Fujinon CM-W 150mm, Kodak Ektar in CineStill C-41.

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Great image! I like the subtle, pastel colors, which are remarkable from an Ektar film (in my experience).

Linhof Technikardan S45, Schneider-Kreuznach Apo-Symmar L 5.6/150, Provia 100F.

https://live.staticflickr.com/65535/...071df1ff_h.jpgPadley Beech by atomstitcher, on Flickr

I have been after this image since the autumn of 2019, but the light wasn't there, and I din't manage last year either. I finally got lucky this year, I really lost all hope that day, but after six hours of steady rain the skies started to break for a few minutes at a time just at the right moment.

S-K Symmar S 150/5.6, f/16 @1/2s on Ektar 100. Home developed with Fuji-Hunt C-41 kit. Front swing and tilt. I shot two more sheets either side of this one at f22, but the rodenstock calculator reckoned f16 was enough, so I tried, lost little bit of sharpness from the second tree here, but this one got the best light. All in all, quite happy with how that came out.

https://live.staticflickr.com/65535/...6eecc6fd_b.jpgColours of Scottish Autumn by tthef, on Flickr

Linhof Technikardan S45, Schneider-Kreuznach Apo-Symmar L 5.6/150, CPL, Ektar 100.

https://live.staticflickr.com/65535/...03a29bec_h.jpgThree Oaks by atomstitcher, on Flickr

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Originally Posted by Gabe

Linhof Technikardan S45, Schneider-Kreuznach Apo-Symmar L 5.6/150, CPL, Ektar 100.

https://live.staticflickr.com/65535/...b95eee71_h.jpgThree Oaks by atomstitcher, on Flickr

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I liked most of your former Provia images, beautiful colors. Now I see this one made on Ektar and I realize that it feels much more natural and real, as if this is nature and the Provia is the image of nature how we make it up.

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Originally Posted by otto.f

I liked most of your former Provia images, beautiful colors. Now I see this one made on Ektar and I realize that it feels much more natural and real, as if this is nature and the Provia is the image of nature how we make it up.

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Thanks for the comments.

I actually shot this exact scene on Provia too, albeit without the polariser. The slide looks good, still very natural, although in this case turned out a little bit too cold and unsaturated (because of all the reflections off the foliage), which was not what I was hoping for. My fault of course, so I can't blame the film for that. The polarised Ektar version matches my memory of the scene more closely. Memory can be a funny thing though, and heavily influenced by emotional responses. I think that's why people often react so favourably to seeing slides "in the flesh", as the extra punch of contrast and saturation perhaps keys in to that emotional memory state more readily. Typically however I find some part of that magical quality of an original slide is lost on translation to print or digital presentation.

Ultimately all photography is artifice to some degree or another. I'm just glad to have both options in the tool box.

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Originally Posted by Gabe

Thanks for the comments.

I actually shot this exact scene on Provia too, albeit without the polariser. The slide looks good, still very natural, although in this case turned out a little bit too cold and unsaturated (because of all the reflections off the foliage), which was not what I was hoping for. My fault of course, so I can't blame the film for that. The polarised Ektar version matches my memory of the scene more closely. Memory can be a funny thing though, and heavily influenced by emotional responses. I think that's why people often react so favourably to seeing slides "in the flesh", as the extra punch of contrast and saturation perhaps keys in to that emotional memory state more readily. Typically however I find some part of that magical quality of an original slide is lost on translation to print or digital presentation.

Ultimately all photography is artifice to some degree or another. I'm just glad to have both options in the tool box.

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Thanks and agree, I wouldn’t want to miss Provia either and slides have my preference above negatives in general.

Linhof Technikardan S45, Rodenstock Grandagon-N 4.5/90, center ND, Portra 160.

https://live.staticflickr.com/65535/...125eee33_h.jpgPadley View by atomstitcher, on Flickr

N Face of Mt Temple, Canadian Rockies
Deardorff 5x7, Tri-X, Contact print on Azo & 1!"x14" enlargement on Ilford Cooltone in Ansco 130

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Flickr

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At Green Gulch, in the extreme S.E. of WA State.

Nagaoka Seisakusho 4x5 (as "Calumet Woodfield"), Rodenstock Grandagon N 90mm f/6.8, Provia 100F, NCPS, Epson V800.

How does one attach a full sized picture like all the others herein? I seem only to be able to post a small version for folks to click to open.... Please advise.

Same Details.

Attachment 221513

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Originally Posted by Brad Cloven

How does one attach a full sized picture like all the others herein? I seem only to be able to post a small version for folks to click to open.... Please advise.

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If you have a larger image hosted elsewhere you can paste the URL of the file itself into IMG tags, using the syntax "[img]URL to your image[/img]" (without the quotes). This will embed that image into the forum post.

Alternatively some image hosting websites (such as Flickr) allow you to copy and paste a more elaborate block of code that will embed a preview image of a size you select, but also link to the original hosted page when the image is clicked on.

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Originally Posted by Brad Cloven

How does one attach a full sized picture like all the others herein? I seem only to be able to post a small version for folks to click to open.... Please advise.

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The image must be hosted on another site, like Flickr, and a link posted here which automatically posts the image from that site.

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Shazaammmm!!! Thanks!

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Thanks for the help. Works like a charm.

I took this photograph in Badlands National Park, South Dakota in July 2020.

I was hiking in the back country early in the evening and the light cast though passing storms to the south was gorgeous on the rock formations along the path. I was still using my first camera, an Intrepid 4x5 Mark III, and I set up to try to capture the good light. After using various lenses—90mm, 150mm, 210mm—I settled on this composition with my 210mm Nikkor lens and an orange filter.

This image was developed in Ecopro and printed using Liquidol on Ilford glossy fiber paper 8x10.

https://live.staticflickr.com/65535/...96a8fb45_z.jpg

I like!

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Originally Posted by jemery

I took this photograph in Badlands National Park, South Dakota in July 2020.

I was hiking in the back country early in the evening and the light cast though passing storms to the south was gorgeous on the rock formations along the path. I was still using my first camera, an Intrepid 4x5 Mark III, and I set up to try to capture the good light. After using various lenses—90mm, 150mm, 210mm—I settled on this composition with my 210mm Nikkor lens and an orange filter.

This image was developed in Ecopro and printed using Liquidol on Ilford glossy fiber paper 8x10.

https://live.staticflickr.com/65535/...96a8fb45_z.jpg

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Originally Posted by jemery

I took this photograph in Badlands National Park, South Dakota in July 2020.

I was hiking in the back country early in the evening and the light cast though passing storms to the south was gorgeous on the rock formations along the path. I was still using my first camera, an Intrepid 4x5 Mark III, and I set up to try to capture the good light. After using various lenses—90mm, 150mm, 210mm—I settled on this composition with my 210mm Nikkor lens and an orange filter.

This image was developed in Ecopro and printed using Liquidol on Ilford glossy fiber paper 8x10.

https://live.staticflickr.com/65535/...96a8fb45_z.jpg

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Stunning shot

Martin

Majestic. You really captured it!

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Originally Posted by jemery

I took this photograph in Badlands National Park, South Dakota in July 2020.

I was hiking in the back country early in the evening and the light cast though passing storms to the south was gorgeous on the rock formations along the path. I was still using my first camera, an Intrepid 4x5 Mark III, and I set up to try to capture the good light. After using various lenses—90mm, 150mm, 210mm—I settled on this composition with my 210mm Nikkor lens and an orange filter.

This image was developed in Ecopro and printed using Liquidol on Ilford glossy fiber paper 8x10.

https://live.staticflickr.com/65535/...96a8fb45_z.jpg

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Very nice work jemery!

Linhof Technikardan S45, Nikkor-M 9/300, CPL, Ektar 100.

https://live.staticflickr.com/65535/...1034b8af_h.jpgThree Oaks, alt. by atomstitcher, on Flickr

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Originally Posted by Gabe

Linhof Technikardan S45, Nikkor-M 9/300, CPL, Ektar 100.

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Definitely like the crop--I think "Padley Gorge" has similar potential up there in the canopy, maybe a semi-pano that lets the sinuous beech branches play off the cuprous yellow tree in the background.:) At any rate, a deservedly famous place to visit it seems!

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Originally Posted by Gabe

Linhof Technikardan S45, Nikkor-M 9/300, CPL, Ektar 100.

https://live.staticflickr.com/65535/...1034b8af_h.jpgThree Oaks, alt. by atomstitcher, on Flickr

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Great Lighting and color. Well done.

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Originally Posted by Gabe

Linhof Technikardan S45, Nikkor-M 9/300, CPL, Ektar 100.

https://live.staticflickr.com/65535/...1034b8af_h.jpgThree Oaks, alt. by atomstitcher, on Flickr

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I like this one

Superstitions 2019. Scanned on Epson V850. 4x5 Chamonix 45H-1, 75mm Nikkor at f/32. No filters, just prior to sunset.

https://live.staticflickr.com/65535/...b50d8fab_b.jpg

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Originally Posted by CreationBear

Definitely like the crop--I think "Padley Gorge" has similar potential up there in the canopy, maybe a semi-pano that lets the sinuous beech branches play off the cuprous yellow tree in the background.:) At any rate, a deservedly famous place to visit it seems!

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Originally Posted by Alan Klein

Great Lighting and color. Well done.

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Originally Posted by Steven Ruttenberg

I like this one

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Thanks all.

Shot in Utah during a recent road trip. Pretty windy this day but, was able to get a couple off.
Taken on Illford Delta with my Chamonix 045n-2 and a CM fujinon W 125mm f56 w/orange filter.

https://live.staticflickr.com/65535/...29f6110b_b.jpg

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Originally Posted by chassis

PM

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I tried to reply to your PM, but it said your stored message limit had been reached and you need to clear some space first.

Philadelphia downtown
LINHOF Supertechnika
Kodak Tmax100
HC110

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Boulder flatirons, Colorado

Vist 8x10 + G-Claron 305 + Foma 200 + Rodinal, image cropped

https://kaushixphotos.s3.us-west-2.a...latirons-7.jpg