http://farm9.staticflickr.com/8436/7...5f8920d6_b.jpg
Walden Pond by Paul McEvoy, on Flickr
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Paul,
I'm enjoying these recent portraits you've posted. Straightforward, simple, direct. Thumbs up!
Jonathan
Yeah Paul! Great stuff lately, looks like you got things working well ~ Same for you Ben ;-p
Thanks guys. Wish it were easier, sometimes feels like pulling teeth. But when I get a good one, I'm happy. Suffering artist and all that.
I have been experimenting with a more formal portraiture style. I have only just started playing around with lighting a bit more. Shot on a Horseman LE with 210mm lens. Film was fujifilm Acros developed in Rodinal. Scanned via a epson V700.
http://farm8.staticflickr.com/7258/7...11c952ee_b.jpg
That's good light dude. Good northern european art light. My only thought would be it would be nice to have a small (very small) amount of kicker behind her to separate her hair from the black background.
Not really a critique but I'll apologize anyway. Very nice.
8x10, Gundlach Radar 8x10, Arista EDU
testing with upcoming model (as in human, not as in camera/film/lens :))
http://farm8.staticflickr.com/7272/7...8b3149ff_c.jpg
Weslee by Sergei Rodionov, on Flickr
http://farm8.staticflickr.com/7277/7...e3604f94_b.jpg
Weslee by Sergei Rodionov, on Flickr
You could bounce light with a piece of foamcore behind her to get that little bit of seperation and still only use one light. If you don't mind me saying, in addition, I think the shot might have been a tiny bit better if you had short lit her-i.e. put the light on the left side of her face so that the closer side is in shadow.
Still I like the light a lot. What was it? Softbox? It's nice and soft but not wishy washy.