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Thank you! Sorry I didn't specify -- that last one is a whole plate, with Dallmeyer 3B wide open for 3 seconds. It is really windy here today and I didn't want to risk a mishap with the big setup.
I think I have a long way to go with 16x20. I feel like I can handle the whole operation myself (on non-windy days), which is important to me; I'm not so certain about 20x24.
That's lovely, Ed. You need to turn the plate around.
Of course, this does reduce the MUA expense. :D
- Leigh
Hi Guys,
This is a pic taken with my technikardan bisystem, on acros 100, with my nikkor 180 mm.
Attachment 93443
Wonderful whole plate Ed. Thanks for the explanation.
Being new to wp, I never experienced veiling, so this was the perfect example.
16x20 tintype. Voigtlander #8.
http://farm9.staticflickr.com/8256/8...33a9a863_c.jpg
Wow. I'm continually bewitched by your work, but this one compelled me to respond. Beautiful. Bravo!Quote:
Originally Posted by life_in_sepia
This one had a Frida Kahlo quality to it. Beautiful. (And, um, wow.)Quote:
Originally Posted by life_in_sepia
As the previous poster said, i don't often coment on work posted but your work have not gone unnoticed. This one is really somehing extrordinary and the size, It really deserves a very nice wall.
Hmm looking forward to the Gandolfi/Life_In_Sepia workshop "Nudes and Alt. Processes". :) great work.
Best regards
Thank you!! Really, it is much appreciated. Ed