To me this works because the legs are held together, and thus making an invincible line down... (difficult to explain)
Had the legs been apart she would look as if she was standing on her (amputated) knees...
This is a beautiful composition!
Printable View
Thanks! But the only thing I feel I'm master of is trial and error! Here is another of Kelsey...
http://farm9.staticflickr.com/8386/8...c8ee0bd8_c.jpg
Gorgeous plate Ed.
Having said that, your images always have that certain edge that makes them unique. IMHO.
Arista EDU 400 in Pyrocat-MC
http://www.davidaimone.com/img/s8/v82/p1506974006-4.jpg
16x20 tintype. Chamonix and Voigtlander #8. F8. 2 seconds.
http://farm9.staticflickr.com/8118/8...49492154_c.jpg
A perfect homage to spring. Well done, Ed.
- Leigh
Many thanks, Leigh. I was surprised by how dark the sunflowers rendered. To rather nice effect here, although a regrettable loss of detail.
Here is an example of something I thought couldn't be done. This kind of tone and detail from Arista EDU 100 film (Fomapan 100). I came across a recipe for Pyrocat-MC at 1:2:100 and it works great (1:1:100 was blah).
Chamonix 045-n2 with 210mm Voightlander Heliar front mounted on shutter.
http://www.davidaimone.com/img/s9/v87/p1522683304-5.jpg