Re: Highest quality enlarger
I'll put in a vote for a 8x10 horizontal Devere enlarger
but you need space to keep it...
It works wonderfull for large printing
greetings
Marc
Re: Highest quality enlarger
Compared to a classic Durst enlarger in good condition, everything else is a toy. Nobody could afford that kind of machining anymore. The trick is to find one in good shape, or know how to fix one.
Re: Highest quality enlarger
I vote for De Vere, either 4x5 vertical, or 8x10 vertical or horizontal.
Re: Highest quality enlarger
Quote:
Originally Posted by
Drew Wiley
Compared to a classic Durst enlarger in good condition, everything else is a toy. Nobody could afford that kind of machining anymore. The trick is to find one in good shape, or know how to fix one.
I agree. I have had a Durst L1200 since the mid-nineties - it is a pleasure to use it; never a problem. I paid full price for it back then and it wasn't easy but I have no regrets. I still have a Durst PRO that my students now use: in continuous use since the mid-1970's. Students can be rough on equipment: still perfectly aligned. Everything else I have used in the past seems like pieces of metal screwed together to make an enlarger - except the LPL. The LPL seems well designed and easy to use. Get the best you can afford - a good enlarger will last a lifetime.
Re: Highest quality enlarger
I have Dursts, LPL/Saunders, Omega, Focomat and De Vere, and I've printed on a bunch of others.
For me, the Dursts stand out as the smoothest, most hassle-free and reliable companions I have ever worked with in the darkroom. At times I have printed one neg after another for hours, checking focus after changing negs, and never (or very rarely) needing to modify the focus from one to the next. That shows a steadiness and consistency that I never found in other enlargers. One of my Durst 4x5's has never required re-alignment since the 80's. Engineering like this, the Italians do particularly well.
The other brands are fine too.
As others have said, it's more important to get so familiar with the workings of your own equipment that your hands know what to do, and leave your eyes and senses free for drawing out the image.
There are some amazing deals on fine used equipment these days. Have fun!
Re: Highest quality enlarger
I'm an Omega man. D3 and D5. They are easy to maintain, modify and find parts for. I have my D3 bolted directly to my workbench, very solid. Did I mention they are cheap?
Re: Highest quality enlarger
My first enlarger was a 4x5 Omega with colorhead. I still use it, mostly for 4x5 black and white work. These are indeed a good buy and hold up well. But you can get from
point A to point B in a VW Bug as well as a Ferrari. And the Durst is the Ferrari. I bought two Durst chassis, one in good condition, the other for parts; but both have
now been completely refubished. I also have a big 8x10 color enlarger of my own design. But let's put things in perspective: an Omega enlarger in good condition might
run you a grand or less; a really clean or boxed late Durst is going to run you anywhere
from fifteen to a hundred grand, depending on the format and accessories - if you can
find one. Most of the Fleabay bargains you see are pretty ratted out. Let's just say
that if I run into a clean Durst Chassis for two to four grand, I'm certainly not going to
tell anyone else!