Harman Direct Positive Images

[Too Many Cameras]

Wow, TooMany, those are fantastic especially the Ilfosol ones I love the effect. The colours remind me of the weird tones you can get on lumen prints.

I was recently working with DPP on a project and had some up in an exhibition. I came to the conclusion that experimentation with developer is required. On the assignment I only had PQ and Dektol but at the end I happened to have a pack of Foma PW developer which did give very warm tones and more controlled contrast but never reached full black. That led me to start thinking about slower developers, Foma is glycin based. I'm back home now so can experiment but it is not a good time of year for light.

Thank you!

I want to try some more film developers in a tray, especially Ilfosol 3, to see if the same blue-yellow affect arises and how the images develop differently in that setting.

[Tin Can]

Is FB DPP selling well enough?

I was using RC DPP and was very disappointed in the cancelation just as I was getting the hang of it.

Years ago...






(17)

Ilford Multigrade IV RC Portfolio Paper (Pearl, 8 x 10", 100 Sheets)

[Pedro_fiz]

My first Harman DP copy

ISO 3
HC-110 1+31 5min
Stop bath 1min
Fixer 5 min

I think is over developed... next I will reduce the concentration

https://flic.kr/p/2hFC8Tjhttps://uploads.tapatalk-cdn.com/20191105/985dc44f54b96a86b7cdb10894b133c2.jpg

[Louis Pacilla]

My first Harman DP copy

ISO 3
HC-110 1+31 5min
Stop bath 1min
Fixer 5 min

I think is over developed... next I will reduce the concentration

https://flic.kr/p/2hFC8Tjhttps://uploads.tapatalk-cdn.com/20191105/985dc44f54b96a86b7cdb10894b133c2.jpg

Maybe try using a paper developer like Dektol & remember you can develop under proper safe light so you can pull it at full development but not over developed.. That is one of the great things about shooting paper negatives.

[Pedro_fiz]

I have got better results:

ISO 6
HC110 1+31 6,5 min
Stop bath 1 min
Fixer 5 min

https://flic.kr/p/2hFWrhT
https://flic.kr/p/2hFYjjU

https://uploads.tapatalk-cdn.com/20191106/65c73eaa19546657afce089721049e88.jpghttps://uploads.tapatalk-cdn.com/20191106/16d156f84adb8026b82b3c52e0cfc981.jpg

[Tin Can]

Yes, you did!

[Pedro_fiz]

And much better results using Ilford multigrade:
ISO 5
Multigrade 1+14 6 min
Stop bath 1 min
Fixer 4 min
I think my process is fully qualified for this paper.

https://live.staticflickr.com/65535/49044238992_7101d6b95b_b.jpg (https://flic.kr/p/2hHSxzs)Untitled (6)W (https://flic.kr/p/2hHSxzs) by pedro_fiz (https://www.flickr.com/photos/26233455@N04/), en Flickr

[Louis Pacilla]

And much better results using Ilford multigrade:
ISO 5
Multigrade 1+14 6 min
Stop bath 1 min
Fixer 4 min
I think my process is fully qualified for this paper.

https://live.staticflickr.com/65535/49044238992_7101d6b95b_b.jpg (https://flic.kr/p/2hHSxzs)Untitled (6)W (https://flic.kr/p/2hHSxzs) by pedro_fiz (https://www.flickr.com/photos/26233455@N04/), en Flickr

There you go! Looks great!

[EH21]

Pedro,
That's a nice result with great tonality. Did you use a preflash?

[Pedro_fiz]

There you go! Looks great!
Thanks

[Pedro_fiz]

Pedro,
That's a nice result with great tonality. Did you use a preflash?

No, I didn't.
Thanks for your comment

[Pedro_fiz]

In Salamanca SPAIN
HDPP preflash and shadows to zone III
Ilford multi grade 1+9, 3 min
https://flic.kr/p/2hZKUTB
https://flic.kr/p/2hZKJ4F
https://uploads.tapatalk-cdn.com/20191215/f6d0d90b5f827afb17aa41858babc9a5.jpghttps://uploads.tapatalk-cdn.com/20191215/3a60d36c4ddcbb8e9281adcc1213877c.jpg

[Tin Can]

Maravilloso!

[Andrew Plume]

Absolutely, really good work

regards

Andrew

[Pedro_fiz]

Thank you friends!!!

[Tin Can]

What size did you use?

[Pedro_fiz]

What size did you use?4x5

[Tin Can]

Great!




4x5

[Pedro_fiz]

Two more, for the Salamanca-SPAIN’s serie I am preparing.
The same process and preflashing.
https://uploads.tapatalk-cdn.com/20191225/5321fbaa5ba935f88bb547fd1735449e.jpghttps://uploads.tapatalk-cdn.com/20191225/71449e5c68e5833e097ce01a8a7c11aa.jpg

[Pedro_fiz]

And the last one for the Salamanca’s serie. This is the old university.
Same process and always preflashing.
https://uploads.tapatalk-cdn.com/20191227/429547c8b3397829767b96a7e3917fc7.jpg

https://flic.kr/p/2i5TBAr

[Tin Can]

Like time shifting people fading as stone remain

Excellent!

[Pedro_fiz]

Like time shifting people fading as stone remain

Excellent!

There were a lot of people and decided to use ND filter for getting 60s exposure.
Thanks for comment

[Pedro_fiz]

Another using HDPP. Same development process.
https://uploads.tapatalk-cdn.com/20200111/d6a1b14eaee29ad0ef5643abe27e8ace.jpg

[Tin Can]

How exactly are you doing the preflash?

[Pedro_fiz]

How exactly are you doing the preflash?

I am using two techniques:
- Photo to the sky (when is cloudy), unfocusing as much as possible and compensating -5 steps of light.
- Photo to a white paper sheet, unfocusing as much as possible and compensating -5 steps of light
For this last photo I have used the second one

[Tin Can]

Thank you!

[younghoon Kil]

I read that I should shoot within 1 to 2 hours after pre-flash, and process within 1 to 2 hours after shooting.
Is it true?

-- https://www.shutterbug.com/content/harman-direct-positive-paper-pinhole-photograms-large-format-dpp-one

[Pedro_fiz]

I read that I should shoot within 1 to 2 hours after pre-flash, and process within 1 to 2 hours after shooting.
Is it true?

-- https://www.shutterbug.com/content/harman-direct-positive-paper-pinhole-photograms-large-format-dpp-oneNot in my case. Some photos were preflashed one day before and I did not see differences.
I normally process the same day or the day after

[younghoon Kil]

Thank you!

[Pedro_fiz]

Most important parameters according to my experience:
- To “Calibrate” the boxes with the first photos to see the ISO. In my case ISO 5
- To measure the exposition. In my case I measure the dark part of the photo I need and I send to zone III. No the darker part. The light normally is in zone V. Any error in this part is giving a poor result, because the photo is unique and into the computer is another one
- Development is normal, repeating every time the successful process:

Ilford multi grade 1+9, 3 min
Stop bath with water and Kodak stop bath 1+450, 1 min
Kodak Tmax fixer 1+4, 3.5 min

[mitch.goddard]

199286

Here's one from Worldwide Pinhole Photography Day back in 2012, shot on a Zero Image 4x5 pinhole camera. I don't remember the exposure but it was at least 60 seconds.

[Tin Can]

Yesterday, I found my few sheets of 11X14 RC DP which I don't think is sold in USA anymore

I am going to cut a sheet down to 8 4X5 and hope I do better than some years ago...

Thanks for all the tips!

[younghoon Kil]

I am using two techniques:
- Photo to the sky (when is cloudy), unfocusing as much as possible and compensating -5 steps of light.
- Photo to a white paper sheet, unfocusing as much as possible and compensating -5 steps of light
For this last photo I have used the second one

For example, does it mean that I need to measure the sky with an exposure meter and then shoot -5 stops from this exposure?
Then measure the shadow, set this shadow to Zone III, and shoot. is this right?

[Pedro_fiz]

For example, does it mean that I need to measure the sky with an exposure meter and then shoot -5 stops from this exposure?
Then measure the shadow, set this shadow to Zone III, and shoot. is this right?Yes, this is the method I am using. Don,t forget to calibrate the ISO...

[younghoon Kil]

The ISO speed test, I'll need the first few tests (ISO 6 ~ 3 ~ 1.6).

On a cloudless day, can I measure white paper sheet(or white translucent plastic) in front of the exposure meter and then -5 stop?
(I mainly photograph architecture or scenery.)

Thank you for your explanation.

[Pedro_fiz]

The ISO speed test, I'll need the first few tests (ISO 6 ~ 3 ~ 1.6).

On a cloudless day, can I measure white paper sheet(or white translucent plastic) in front of the exposure meter and then -5 stop?
(I mainly photograph architecture or scenery.)

Thank you for your explanation.

Use ISO 5 as the first reference.
I normally fix the white paper in a window (using paper any day sunny or cloudy is OK). Then I measure in front and then I correct -5 to preflash.

[younghoon Kil]

I will try and report the results soon.
Thank you again.

p.s. I can use C1C Universal Lens Calibrator(white translucent plastic) or ExpoDisc White Balance Filter in the field. On a cloudless day, I'm going to measure this in front of the exposure meter.

[sperdynamite]

Has anyone tried specifically controlling contrast with the developer as opposed to a preflash? I would think Selectol Soft would compensate for the contrast to a great degree. I'm planning on doing some experimentation so maybe I'll just report back.

[Mike in NY]

15 minute exposure using a Harman Titan 4x5 pinhole camera and positive paper.

https://live.staticflickr.com/65535/49412187771_b73344ce50_o.jpg (https://flic.kr/p/2ihonVV)

Truck (https://flic.kr/p/2ihonVV) by Michael Stewart (https://www.flickr.com/photos/186561324@N06/), on Flickr

[younghoon Kil]

Nice picture!
Did you take this picture after preflash?

[Mike in NY]

Nice picture!
Did you take this picture after preflash?

Thank you... no preflash.

[Tin Can]

No Preflash 5X7 RC DP

https://live.staticflickr.com/8536/8676046871_8dcdcd2ffd_o.jpg (https://flic.kr/p/edF1t2)Baby Dragons LFF size (https://flic.kr/p/edF1t2) by TIN CAN COLLEGE (https://www.flickr.com/photos/tincancollege/), on Flickr

[Pedro_fiz]

My father’s Leica.
I have bought a new box of Harman DPP and It needed calibration. The old one was ISO 5 and this new one is ISO aprox. 1,25.
After calibration I am getting equivalent results with the same process.
https://uploads.tapatalk-cdn.com/20200224/064ed30b316d17f6852c8b26ad681169.jpg

[jeanba3000]

https://live.staticflickr.com/65535/49693074923_fd1dd75cba_k.jpg (https://flic.kr/p/2iHcZTR)

ISO 3, no preflash
Apo Ronar 240 @ f/22-1/60s
600w studio flash and large white reflector on opposite side

[Tin Can]

Like!

[jeanba3000]

And this time a (dead) tulip :-)

https://live.staticflickr.com/65535/49696409498_5811a0e09e_k.jpg (https://flic.kr/p/2iHv69w)

ISO 3, no preflash
Apo Ronar 240 @ f/16-1/60s
600w flash rear above and 300w flash front under

[Pedro_fiz]

ISO 2, preflash
https://uploads.tapatalk-cdn.com/20200326/e8aa66804940abb87c5b67a759b5c293.jpg

[hairy918]

How are you developing? I'm just getting started in all of this stuff, and am currently cooped up in Rabat Morocco and can't buy anything for a while (air space closed, no people or cargo in or out). I've got a 4x5 camera, Arista film, Harman direct positive paper, Patterson tank, D76, instant coffee and vitamin C. I know what I read and I don't mind playing around and making mistakes. Can I develop the Harman with what I've got?

Sent from my ONEPLUS A6003 using Tapatalk

[Pedro_fiz]

How are you developing? I'm just getting started in all of this stuff, and am currently cooped up in Rabat Morocco and can't buy anything for a while (air space closed, no people or cargo in or out). I've got a 4x5 camera, Arista film, Harman direct positive paper, Patterson tank, D76, instant coffee and vitamin C. I know what I read and I don't mind playing around and making mistakes. Can I develop the Harman with what I've got?

Sent from my ONEPLUS A6003 using Tapatalk

I am using Ilford multi grade 1+9 3 min, then 1min washing with water+1ml of Kodak stop bath, then 3min in Kodak Tmax fixer 1+4 and a final washing.

[jeanba3000]

Hi Hairy918

Sorry I'm also using Ilford MG

About Harman DPP and Cafenol, did you read this french article (https://galerie-photo.com/positif-direct-papier.html) ?

[hol571]

I need a little help to figure out where I went wrong. I tried using the direct positive paper tonight for the first time and it came out black but with white rebates from the film holder. I tried just exposing another sheet directly to sun light for over a minute and it was black as well, I would have expected this to be white. I definitely exposed the correct side (it had a pinkish glossy hue on the sheet I exposed to the sun) and developed for 2.5 min in fresh multigrade 1+9, with a water stop and fixed for 2 min in TF-3 1:4. Thanks!

[Pedro_fiz]

I believe you are doing well. Which diaphragm have you used?
I suggest to expose one sheet directly to the light (out of the camera) and develop it using your normal procedure.

[hol571]

I believe you are doing well. Which diaphragm have you used?
I suggest to expose one sheet directly to the light (out of the camera) and develop it using your normal procedure.

@Pedro_fiz the image on the left (completely black with no rebate) was just exposed to the sun outside of the camera for around a minute. It should have been way overexposed and white after developing, right?

[alexmuir]

Is your paper from a new pack, recently opened? You are correct in your assumption that the exposed areas should be white. Your paper behaves like normal photographic paper. The white rebates tend to confirm that. Is there any possibility the paper could have been confused with regular paper? If not, it must have been wrongly packaged at source.
Alex


Sent from my iPhone using Tapatalk Pro

[hol571]

It was the only paper I own, just received it from B&H yesterday. Thanks for your help, I've contacted Ilford to see if they have an explanation.

[Pedro_fiz]

@Pedro_fiz the image on the left (completely black with no rebate) was just exposed to the sun outside of the camera for around a minute. It should have been way overexposed and white after developing, right?

Then it could be a paper quality issue.

[Pedro_fiz]

Graflex crown graphic
Schneider symmar 150 f5.6
Harman DPP
ISO 3.75
Preflashed
Ilford multi grade 1+9 3min, Kodak stop bath 1+450 1min, Kodak Tmax fixer 1+4 3min
https://uploads.tapatalk-cdn.com/20200411/04d791fefd0c68c23143eef9f657880c.jpg

[jeanba3000]

https://live.staticflickr.com/65535/49770633797_881fa0c006_k.jpg (https://flic.kr/p/2iQ4vrP)
Pine cone
DPP 4x5" iso 3 no preflash
Apo Ronar 240 @ f/16-1/60s
2 flashs 600W & 300W

[Pedro_fiz]

Graflex crown graphic
Schneider symmar 150 f5.6
Harman DPP
ISO 3.75
Preflashed
Ilford multi grade 1+9 3min, Kodak stop bath 1+450 1min, Kodak Tmax fixer 1+4 3min
https://uploads.tapatalk-cdn.com/20200416/c36ebf12fab8cb512e2d5f25f7940662.jpg


Enviado desde mi iPad utilizando Tapatalk

[Pedro_fiz]

Graflex crown graphic
Schneider symmar 150 f5.6
Harman DPP
ISO 3.75
Preflashed
Ilford multi grade 1+9 3min, Kodak stop bath 1+450 1min, Kodak Tmax fixer 1+4 3min
https://uploads.tapatalk-cdn.com/20200417/e15338c2d8b37183e1cad8624f8fe171.jpg

[Pedro_fiz]

Harman DPP
Negative scanning. Different? Do you like?

https://uploads.tapatalk-cdn.com/20200503/8cbed0fb604a56d705da0b6de3c2d8e0.jpg

[Steven Ruttenberg]

Interesting, I like it.

[sperdynamite]

I just got a new safelight in the form of the Heiland LED color/BW model. It's red channel is specifically targeted at 630nm. I see that DP paper extends slightly beyond 630, to about 650. Should I worry about fogging here or will this be a minor issue?

[hol571]

While I never heard back from Ilford, B&H kindly sent me a new box of paper that was from a different lot. Seems to confirm there was something wrong with the first box I got since the new box behaved as expected.

First test from the new box:
ISO 3, no preflash
Nikkor-W 210mm f/5.6 shot at f/16 @ 1/2s
Ilford Multigrade 1+13 2.5min in SP445, TF-3 fixer 1+4 2.5min
203893

[Alessandro Bocchi]

Toplecca di Sopra - Pontremoli (MS) - Italy
Portrait of my friend Nicola Bruschi with his new Linhof 4x5 camera during our Large Format Photography annual meeting. 1 August 2020

- Camera: Linhof Super Technika 5x7 V
- Lens: CARL ZEISS JENA Tessar 250 1:4.5
- Film: HARMAN FB Direct Positive Paper - 3 ASA - size 5x7"

- Exposure: 1 second at f 8
- Developer: ILFORD PQ UNIVERSAL 1+9 - 5 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER

- Lightmeter: Gossen Lunasix 3 reading the incident light
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS6

https://live.staticflickr.com/65535/50185516782_e8a46ecfe6_b.jpg

[Tin Can]

Very good!

high key

[Pedro_fiz]

Salamanca Spain
Graflex Crown Graphic and Schneider symmar 150mm f5.6
Harman DPP
Preflashed
Ilford multigrade 1+9 2min 23º C
Stop with water
Kodak Tmax fixer 3min
https://uploads.tapatalk-cdn.com/20200804/e041b6f3d6e4e7747caa3678a0cca841.jpg

[Alessandro Bocchi]

An old Fiat 600 abandoned in the woods near my house. Picture taken during our Large Format Photography annual meeting. 31 July 2020

- Camera: CHAMONIX 45-N2
- Lens: SCHNEIDER Symmar 210 1:5.6 Convertible
- Film: HARMAN FB Direct Positive Paper - 3 ASA - size 4x5"

- Exposure: 1 second at f 6.8
- Developer: ILFORD PQ UNIVERSAL 1+9 - 5 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER

- Lightmeter: Gossen Lunasix 3 reading the incident light
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS6

https://live.staticflickr.com/65535/50189439221_7ba880e953_b.jpg

[Alessandro Bocchi]

Toplecca di Sopra - Pontremoli (MS) - Italy
Portrait of Céline Anaya Gautier a pilgrim and a photographer on the Via Francigena with her Mamiya C330 camera. I took her a picture during our Large Format Photographs annual meeting. 2 August 2020

- Camera: Linhof Super Technika 5x7 V
- Lens: CARL ZEISS JENA Tessar 250 1:4.5
- Film: HARMAN FB Direct Positive Paper - 3 ASA - size 5x7"

- Exposure: 1 second at f 8
- Developer: ILFORD PQ UNIVERSAL 1+9 - 5 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER

- Lightmeter: Gossen Lunasix 3 reading the incident light
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS6

https://live.staticflickr.com/65535/50195733732_fbfd832387_b.jpg

[Tin Can]

Very cool!

I prefer the C3

I even know what the walk is, https://www.viefrancigene.org/en/

Read lots of stories about it


Toplecca di Sopra - Pontremoli (MS) - Italy
Portrait of Céline Anaya Gautier a pilgrim and a photographer on the Via Francigena with her Mamiya C330 camera. I took her a picture during our Large Format Photographs annual meeting. 2 August 2020

- Camera: Linhof Super Technika 5x7 V
- Lens: CARL ZEISS JENA Tessar 250 1:4.5
- Film: HARMAN FB Direct Positive Paper - 3 ASA - size 5x7"

- Exposure: 1 second at f 8
- Developer: ILFORD PQ UNIVERSAL 1+9 - 5 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER

- Lightmeter: Gossen Lunasix 3 reading the incident light
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS6

https://live.staticflickr.com/65535/50195733732_fbfd832387_b.jpg

[Certain Exposures]

This one stood out to me. Did you need to pull detail out of the shadows? Or does your scan mostly match the paper? I would like to achieve a similar look with my first attempts.


Toplecca di Sopra - Pontremoli (MS) - Italy
Portrait of my friend Nicola Bruschi with his new Linhof 4x5 camera during our Large Format Photography annual meeting. 1 August 2020

- Camera: Linhof Super Technika 5x7 V
- Lens: CARL ZEISS JENA Tessar 250 1:4.5
- Film: HARMAN FB Direct Positive Paper - 3 ASA - size 5x7"

- Exposure: 1 second at f 8
- Developer: ILFORD PQ UNIVERSAL 1+9 - 5 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER

- Lightmeter: Gossen Lunasix 3 reading the incident light
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS6

https://live.staticflickr.com/65535/50185516782_e8a46ecfe6_b.jpg

[Dugan]

Burke & James 5x7, no pre-flashing.
Harman Direct Positive, developed in Ilford Multigrade developer, process normal, selenium toned.206782

[Alessandro Bocchi]

Toplecca di Sopra - Pontremoli (MS) - Italy
Portrait of Giorgia the girlfriend of Emil in front of out Yurt during their holiday here with us. 23 August 2020

- Camera: Linhof Super Technika 5x7 V
- Lens: CARL ZEISS JENA Tessar 250 1:4.5
- Film: HARMAN FB Direct Positive Paper - 3 ASA - size 5x7"

- Exposure: 1 second at f 8
- Developer: ILFORD PQ UNIVERSAL 1+9 - 5 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER

- Lightmeter: Gossen Lunasix 3 reading the incident light
- Lighting: Ambient light only
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS6

https://live.staticflickr.com/65535/50261708303_b6affd62ea_b.jpg

[Tin Can]

Inspiring!


Toplecca di Sopra - Pontremoli (MS) - Italy
Portrait of Giorgia the girlfriend of Emil in front of out Yurt during their holiday here with us. 23 August 2020

- Camera: Linhof Super Technika 5x7 V
- Lens: CARL ZEISS JENA Tessar 250 1:4.5
- Film: HARMAN FB Direct Positive Paper - 3 ASA - size 5x7"

- Exposure: 1 second at f 8
- Developer: ILFORD PQ UNIVERSAL 1+9 - 5 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER

- Lightmeter: Gossen Lunasix 3 reading the incident light
- Lighting: Ambient light only
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS6

https://live.staticflickr.com/65535/50261708303_b6affd62ea_b.jpg

[szadow]

model: Karolina
Mentor Studio 13x18cm + Tessar 300/4.5 + Ilford Direct Positive Paper 13x18cm + CaffenolCM
more of my work here https://www.instagram.com/szadow/
https://live.staticflickr.com/65535/50271010372_694152bf88_c.jpg

[Tin Can]

Like!

Keep posting, I will not view any Instagram or FB


model: Karolina
Mentor Studio 13x18cm + Tessar 300/4.5 + Ilford Direct Positive Paper 13x18cm + CaffenolCM
more of my work here https://www.instagram.com/szadow/
https://live.staticflickr.com/65535/50271010372_694152bf88_c.jpg

[Alessandro Bocchi]

Toplecca di Sopra - Pontremoli (MS) - Italy
Portrait of Pietro and Sabina in front of their house. 6 September 2020

- Camera: Linhof Super Technika 5x7 V
- Lens: CARL ZEISS JENA Tessar 250 1:4.5
- Film: HARMAN FB Direct Positive Paper - 3 ASA - size 5x7"

- Exposure: 1 second at f 5.6
- Developer: ILFORD PQ UNIVERSAL 1+9 - 5 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER

- Lightmeter: Gossen Lunasix 3 reading the incident light
- Lighting: Ambient light only
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS6

https://live.staticflickr.com/65535/50326563782_bde99ee389_b.jpg

[Tin Can]

Like!

[Alessandro Bocchi]

Toplecca di Sopra - Pontremoli (MS) - Italy
Portrait of Emil and his girlfriend Giorgia playing with one of my axe in front of our Yurt during their holiday here with us. 23 August 2020

- Camera: Linhof Super Technika 5x7 V
- Lens: CARL ZEISS JENA Tessar 250 1:4.5
- Film: HARMAN FB Direct Positive Paper - 3 ASA - size 5x7"

- Exposure: 1 second at f 8
- Developer: ILFORD PQ UNIVERSAL 1+9 - 5 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER

- Lightmeter: Gossen Lunasix 3 reading the incident light
- Lighting: Ambient light only
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS6

https://live.staticflickr.com/65535/50263084897_a526ee45d6_b.jpg

[Alessandro Bocchi]

Toplecca di Sopra - Pontremoli (MS) - Italy
Portrait of Emil in front of our Yurt during their holiday here with us. 23 August 2020

- Camera: Linhof Super Technika 5x7 V
- Lens: CARL ZEISS JENA Tessar 250 1:4.5
- Film: HARMAN FB Direct Positive Paper - 3 ASA - size 5x7"

- Exposure: 1 second at f 5.6-8
- Developer: ILFORD PQ UNIVERSAL 1+9 - 5 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER

- Lightmeter: Gossen Lunasix 3 reading the incident light
- Lighting: Ambient light only
- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS6

https://live.staticflickr.com/65535/50262468121_0f72cfeda8_b.jpg

[Tin Can]

Honesty

sad

[Pedro_fiz]

Graflex Crown Graphic Rodenstock imagon 200

Harman DPP

Ilford multigrade 1+9 1min30seg 23º C

Stop with water

Kodak Tmax fixer 3minhttps://uploads.tapatalk-cdn.com/20200919/a525be77cfa49d3f2b104f6b90dec9e0.jpg

Enviado desde mi ANE-LX1 mediante Tapatalk

[Galorette]

I'm a long-time thread reader and a first-time poster, I think.
(Hello from the top of Michigan -- the mouth of the Montreal river, in this case.)
I shot these with a 4x5 Speed Graphic with a 135mm Wollensak Raptar lens, 1/2 a second at f8 on a slightly overcast day; developed as soon as I could hike home in ilford multigrade 1+9 (not the freshest).
I usually get more predictable results but have been having lots of latent image regression with my last two outings. I'd be grateful for any tips or theories.
209367
209368

[Pedro_fiz]

Graflex Crown Graphic and Schneider symmar s 150 f5.6
HDPP no preflash
Multigrade 1+9 2 min
Epson V800
https://uploads.tapatalk-cdn.com/20201216/bb8df25725609a3dead900388e5eccdf.jpg

[Alessandro Bocchi]

Toplecca di Sopra - Pontremoli (MS) - Italy
A series of pictures and portraits taken during our micro large format photography annual festival. 12 July 2021

- Camera: LUPO Aldina II 13x18
- Lens: SCHNEIDER Tele Xenar 270 1:5.6 - shutter and aperture broken
- Film: HARMAN FB Direct Positive Paper - 3 ASA - size 5x7" - expired several years ago
- Exposure:
- Developer: ILFORD PQ UNIVERSAL 1+9 - 5 minutes at 20° C
- Stop: ILFORD ILFO STOP
- Fixer: ILFORD HYPAM FIXER
- Lightmeter: Gossen Lunasix 3 reading the incident light
- Lighting: Ambient light only

- Scanner: EPSON V700 and EPSON Scan 3.81
- Software: Adobe Photoshop CS6

https://live.staticflickr.com/65535/51333051274_29a56012de_b.jpg

[scheinfluger_77]

It looks like you attempted the Sabattier effect (Solarization). Was that on purpose? I kind of like what you have going on these two prints.


I'm a long-time thread reader and a first-time poster, I think.
(Hello from the top of Michigan -- the mouth of the Montreal river, in this case.)
I shot these with a 4x5 Speed Graphic with a 135mm Wollensak Raptar lens, 1/2 a second at f8 on a slightly overcast day; developed as soon as I could hike home in ilford multigrade 1+9 (not the freshest).
I usually get more predictable results but have been having lots of latent image regression with my last two outings. I'd be grateful for any tips or theories.
209367
209368

[Pedro_fiz]

Graflex Crown Graphic + Optar 135 f4.7
HDPP no preflash
Multigrade 1+9 2 min
Epson V800
244777244777

[Pedro_fiz]

Graflex Crown Graphic + Optar 135 f4.7
HDPP preflash
Multigrade 1+14 4 min
Epson V800
Avila’s wall. Very high contrast this moment but preflash is helping to get good results
250182

[Tin Can]

Tiny Dragón


5x7


https://live.staticflickr.com/65535/53287158483_8c5da1800f_o.jpg (https://www.flickr.com/gp/tincancollege/9x0274C9HX)Baby Dragon Rage (https://www.flickr.com/gp/tincancollege/9x0274C9HX) by TIN CAN COLLEGE (https://www.flickr.com/photos/tincancollege/), on Flickr