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Gustavo
29-Jan-2010, 18:18
I saw the print at the Getty wen I last visit the museum ( small Trades by Irvin Penn)
there in the smaller gallerie was this wonderful collection of prints !
Man Ray , Dogson ,Henry Peach Robinson ,Henry Peach Robinson
So I ask if you can tell us about your choises of printmakers !
Yes Avedon and Newtton made great work but left the printing to others !



Henry Peach Robinson
b. 1830, d. 1901
photographer
British


http://www.getty.edu/art/collections/images/l/03935101.jpg

Albumen print from six negatives
22 1/16 x 29 5/16 in.
84.XM.898

"It was soon evident in my lodgings that I had become a dangerous lunatic, and there would be nothing left to destroy if strong measures were not taken. So I was turned out of the house, but it was only into the garden, where I was allowed to build a small darkroom of oilcloth."
Henry Peach Robinson described his passionate enthusiasm for photography in these dramatic terms. He learned photography from Dr. Hugh Diamond's instructions, which had been printed in the Journal of the Photographic Society. In 1857 Robinson abandoned the bookselling trade and opened a photographic studio, specializing in portraits. Like his friend and colleague Oscar Rejlander, Robinson made combination prints, joining multiple negatives to create a singe image. He adopted a picturesque aesthetic from painting, finding the simplest object to be a worthy subject for artistic rendering. Like many early photographers, Robinson had to give up darkroom work at age thirty-four because of a nervous condition brought on by exposure to toxic photographic chemicals. Robinson continued an active involvement in photography. He wrote the influential Pictorial Effect in Photography, Being Hints on Composition and Chiaroscuro for Photographers, first published in 1868. In 1891 Robinson and several others formed the Linked Ring, a society of photographers who had grown disillusioned by the photographic establishment as represented by the Photographic Society. He eventually succumbed to the poisonous effects of photographic chemicals. ,
b. 1830, d. 1901
photographer
British


"It was soon evident in my lodgings that I had become a dangerous lunatic, and there would be nothing left to destroy if strong measures were not taken. So I was turned out of the house, but it was only into the garden, where I was allowed to build a small darkroom of oilcloth."
Henry Peach Robinson described his passionate enthusiasm for photography in these dramatic terms. He learned photography from Dr. Hugh Diamond's instructions, which had been printed in the Journal of the Photographic Society. In 1857 Robinson abandoned the bookselling trade and opened a photographic studio, specializing in portraits. Like his friend and colleague Oscar Rejlander, Robinson made combination prints, joining multiple negatives to create a singe image. He adopted a picturesque aesthetic from painting, finding the simplest object to be a worthy subject for artistic rendering. Like many early photographers, Robinson had to give up darkroom work at age thirty-four because of a nervous condition brought on by exposure to toxic photographic chemicals. Robinson continued an active involvement in photography. He wrote the influential Pictorial Effect in Photography, Being Hints on Composition and Chiaroscuro for Photographers, first published in 1868. In 1891 Robinson and several others formed the Linked Ring, a society of photographers who had grown disillusioned by the photographic establishment as represented by the Photographic Society. He eventually succumbed to the poisonous effects of photographic chemicals.

Henry Peach Robinson
b. 1830, d. 1901
photographer
British


"It was soon evident in my lodgings that I had become a dangerous lunatic, and there would be nothing left to destroy if strong measures were not taken. So I was turned out of the house, but it was only into the garden, where I was allowed to build a small darkroom of oilcloth."
Henry Peach Robinson described his passionate enthusiasm for photography in these dramatic terms. He learned photography from Dr. Hugh Diamond's instructions, which had been printed in the Journal of the Photographic Society. In 1857 Robinson abandoned the bookselling trade and opened a photographic studio, specializing in portraits. Like his friend and colleague Oscar Rejlander, Robinson made combination prints, joining multiple negatives to create a singe image. He adopted a picturesque aesthetic from painting, finding the simplest object to be a worthy subject for artistic rendering. Like many early photographers, Robinson had to give up darkroom work at age thirty-four because of a nervous condition brought on by exposure to toxic photographic chemicals. Robinson continued an active involvement in photography. He wrote the influential Pictorial Effect in Photography, Being Hints on Composition and Chiaroscuro for Photographers, first published in 1868. In 1891 Robinson and several others formed the Linked Ring, a society of photographers who had grown disillusioned by the photographic establishment as represented by the Photographic Society. He eventually succumbed to the poisonous effects of photographic chemicals.