Show off your Large Format camera!

[Colin Graham]

Me too! It's been a great camera all around camera for me.

[David Lindquist]

Yes, very nice work! I'm probably not the only one who'd like to see some pictures of the shop where this was made.:o

[Keith Pitman]

You’re selling that camera already?



https://uploads.tapatalk-cdn.com/20191216/50a581fc04bfb9e2ffbf29a974296507.jpg


Sent from my iPhone using Tapatalk

[dodphotography]

You’re selling that camera already?

No, it’s kind of a bet with a friend... to see how absurd China will get with their obsession of ebony. It’s not really a serious listing.


Sent from my iPhone using Tapatalk

[Keith Pitman]

No, it’s kind of a bet with a friend... to see how absurd China will get with their obsession of ebony. It’s not really a serious listing.


Sent from my iPhone using Tapatalk


Good luck.

[Colin Graham]

Yes, very nice work! I'm probably not the only one who'd like to see some pictures of the shop where this was made.:o

Thanks! No pictures of shop tools, but I do have some of my burn barrel..:rolleyes: Funny how old projects keep turning up there.

http://colinflanarygraham.com/darkshop/public_html/darkshop/wp-content/uploads/2017/11/darkshop.jpg

[Andrew Tymon]

The parts you throw away are probably ten times better than those I try fabricating in garage, box joints on a crap Craftsman table saw are a joke.

[Peter De Smidt]

I'll be using this setup tonight for a photo:
https://www.dropbox.com/s/nrkxm6a6r313ak2/Sinar_810w.jpg?raw=1

[Tin Can]

P2 I think

What is the lens?

Cannot read it on my phone

[Peter De Smidt]

Right, a Sinar P2. Lens is a Wollensak 159 WA Raptar, which I haven't used yet. I'll need rear swing for the intended shot, and my 8x10 field camera doesn't have it.

[Tin Can]

Cool, hope to see it soon!

[jonesp]

New year, new family portrait.

199130

[scheinfluger_77]

That’s a lovely looking family you have. :)

[Luis-F-S]

Care to share the kid’s names?

[ericantonio]

New year, new family portrait.

199130

Jeebus! Took me a while to realize the beautiful wood things were cameras. I thought they were like office furniture!

[ericantonio]

https://live.staticflickr.com/4784/39109557530_cfd079821f_b.jpg (https://flic.kr/p/22zYGU3)Разрешите познакомиться (https://flic.kr/p/22zYGU3) by Yuriy Sanin (https://www.flickr.com/photos/52922077@N08/), on Flickr
Wista 8x10

Just wondering what lens you got there to get that close?

[Louis Pacilla]

New year, new family portrait.

199130

Hey fellow "Century Master" owner Happy New Years to you and yours!

That's a great collection of LF gear and I see I own a few same/similar models and formats your posing next to.

[TimeShare]

Ansco 8x10 Universal View Camera + Kodak Wide Field Ektar 250mm [10"] F6.3 Lens + Kodak Portrait 305mm 12in. f/4.8 Lens

https://flic.kr/p/2iaqYKT

[hsandler]

My Crown Graphic and accoutrements.

https://live.staticflickr.com/65535/49266905243_1cf62fd889_c.jpg (https://flic.kr/p/2i4xLuK)Old school (https://flic.kr/p/2i4xLuK) by Howard Sandler (https://www.flickr.com/photos/hsandler/), on Flickr

[Tin Can]

I wood(sic) love to see a 5X7 camera like this made once again https://www.pacificrimcamera.com/rl/00720/00720.pdf

Very lightweight, closes really quickly, protecting lens and GG. Has tiny front rise, internal rear swing and tilt

This one WAS almost perfect, but somebody long ago could not open it and cracked the front, hence the fiberglass tape, as nothing else needed refinished, the shipping damage incurred I fixed...:(

Ektar 203 (https://www.bnphoto.org/bnphoto/KodakEktarsDB1.htm), but the lens hood vignettes, see pics in Show off your 5x7 shortly

https://live.staticflickr.com/65535/49356140878_b0ec48fd88_z.jpg (https://flic.kr/p/2icr89b)IMG-2602 (https://flic.kr/p/2icr89b) by TIN CAN COLLEGE (https://www.flickr.com/photos/tincancollege/), on Flickr

https://live.staticflickr.com/65535/49356598136_b6aa2b49b2_z.jpg (https://flic.kr/p/2ictt4W)IMG-2597 (https://flic.kr/p/2ictt4W) by TIN CAN COLLEGE (https://www.flickr.com/photos/tincancollege/), on Flickr

https://live.staticflickr.com/65535/49356598221_bb233b5c4d_z.jpg (https://flic.kr/p/2ictt6p)IMG-2595 (https://flic.kr/p/2ictt6p) by TIN CAN COLLEGE (https://www.flickr.com/photos/tincancollege/), on Flickr

[barnacle]

It's been a while, but here's a new toy: A Chroma 4x5. I may make some minor changes once I've played with it a bit, but at first look, a rather fine job by Steve.

Apologies for the crappy mobile phone shot :)

200097

Neil

[Andrew Plume]

Dear Mr Barnacle Neil

That's a very lovely new toy, any reviews of a new beast are always much appreciated on here

good luck and regards

Andrew

[Andrew Plume]

And also a very well thought out image and very well processed too, of the Crown Graphic (that is)

Will you be using the flash..................?

regards

Andrew

[Andrew Plume]

Just wondering what lens you got there to get that close?

.............err, I think the image illustrates the comparative size of the two Cameras and not the lens on the front of the Wista.................................

regards

Andrew

[hsandler]

And also a very well thought out image and very well processed too, of the Crown Graphic (that is)

Will you be using the flash..................?

regards

Andrew

Oh yes; the flash is the most fun. The burnt lacquer smell and slight sizzle sound when the bulbs fire is rather addictive.

[6x6TLL]

It looks pretty substantial. Heavy?

[barnacle]

With a lens - Rodenstock-Sironar F5.6 150mm being what I had to hand - 2100g. Not heavy at all, though my home-made wooden camera, sans lens, is 1200g. I hate to think what the MPP Micro Press weighs... three or four kilos.

Neil

[md-photo]

https://live.staticflickr.com/65535/49682479123_39df57df86_b.jpg (https://flic.kr/p/2iGgG8D)LargeFormatGear (https://flic.kr/p/2iGgG8D) by Maryland Photos (https://www.flickr.com/photos/marylandphotos/), on Flickr

Linhof Master Technika

[Tgoode]

My Super Technika V Made in ‘66, like me.201894

[Ari]

Gonna play around with this for a while...

https://live.staticflickr.com/65535/49738902476_6e61e46669_c.jpg

[Ari]

Next in a long line of "Cameras I Will One Day Sell" is my first wood camera, the venerable Kodak 2D.
I've always had an aversion to wood cameras, even the best-made ones, like Lotus or Chamonix.
Not a knock on the companies or manufacturing, just my preference for cameras that can handle all of nature's elements and provide a good/high degree of precision.
The 2D is not my first, or fifth, choice for a camera, but these days I'm just happy to have an 8x10 back in the house after a 2-year layoff.
I'm liking the simplicity and fact that I can make most replacement parts myself, if needed.

Just finished fixing it up, and now shooting some film to test lightproof-icity.

203002

[MichaelGJ47]

Hi this is my new studio 5x7 Linhof Camera Ser #002916 It came with a 4x5 reducing back.With it's weight I do not think it will ever see the light of day but it is sure pretty and the 210 f5.6 will get lots of use on my Speed graphic Anybody who can tell me any info about this camera -age
Thanks203027203028

[Duolab123]

Hi this is my new studio 5x7 Linhof Camera Ser #002916 It came with a 4x5 reducing back.With it's weight I do not think it will ever see the light of day but it is sure pretty and the 210 f5.6 will get lots of use on my Speed graphic Anybody who can tell me any info about this camera -age
Thanks203027203028

That's a beautiful setup. I love stuff like that. I have a Deardorff commercial camera with a huge stand it's definitely not going anywhere.
203030

[MichaelGJ47]

Wow that is one big beautiful camera

[giganova]

Brand new to me Linhof Super Technika V from a fine gentleman in New York. My first LF camera, let the fun begin! :)

203485

[Roberto Nania]

Hi everyone,

here it is my Chamonix 45N-2 in the field

203490

[Daniel Unkefer]

https://live.staticflickr.com/65535/49875203921_46c0feec7f_z.jpg (https://flic.kr/p/2iZisuZ)New to me Plaubel Peco Profia (https://flic.kr/p/2iZisuZ) by Nokton48 (https://www.flickr.com/photos/18134483@N04/), on Flickr

This arrived here from Germany within the last couple of weeks. The lens is a Schneider 270mm Tele Arton and the 4x5/9x12 sliding roll back makes this fast to use. I am going to use 4x5 Graphmatics in it for now.

This is all original Plaubel Peco Profia from the 70s.

[Mike Ratel]

My second LF camera. A Calumet CC-400 on a Bogen tripod. Shooting a steam locomotive in Gaithersburg, Maryland.

203594

[Scyg]

Hate to repeat myself, but this is the one I'm most proud of right now:

203597

Things will probably change when I've finally finished restoring my Agfa-Ansco.

[Tin Can]

need explanation!

shutter plane seems incongruent to film

or is this a mirror trick?

from former Logan Sq inmate


Hate to repeat myself, but this is the one I'm most proud of right now:

203597

Things will probably change when I've finally finished restoring my Agfa-Ansco.

[Duolab123]

Hate to repeat myself, but this is the one I'm most proud of right now:

203597

Things will probably change when I've finally finished restoring my Agfa-Ansco.

Prototype of the new SX-7000?

[Scyg]

need explanation!

shutter plane seems incongruent to film

or is this a mirror trick?

The idea is to keep astigmatism to a minimum - the back tilt helps the extreme top of the image see the hole as much of a circle as possible, as opposed to a narrow ellipse. Here's a quick diagram that I hope explains the idea:

http://cygielski.com/oddsnends/pinhole_diagram.jpg

Probably also helps with falloff, though that wasn't really the original intention.


Prototype of the new SX-7000?

Considering how quick the turnaround is when making pictures in my neighborhood with the trays set up in my basement, I'd say you're not far off the mark. Though of course it doesn't make the cool sounds an SX-70 does.

[ericantonio]

Hate to repeat myself, but this is the one I'm most proud of right now:

203597

Things will probably change when I've finally finished restoring my Agfa-Ansco.

Why the angle? Looks like you have lines on the side to make it look like that's how the light will fall off. But I don't understand...

[ericantonio]

The idea is to keep astigmatism to a minimum - the back tilt helps the extreme top of the image see the hole as much of a circle as possible, as opposed to a narrow ellipse. Here's a quick diagram that I hope explains the idea:

http://cygielski.com/oddsnends/pinhole_diagram.jpg

Probably also helps with falloff, though that wasn't really the original intention.




I'm still confused. :)

[Scyg]

I'm still confused. :)

Because of the sharp rise of the hole, the top of the image would effectively get light from a narrow ellipse (left drawing). The tilt corrects for that.

[SideRaptor]

Here is my Wista 45RF/Metz set up! Using this with a Graphmatic handheld, and standard holders on a tripod.
Top mounted flash lets me still set it up on a tripod when I need too.

203792

[Tin Can]

Like!

When I grow up I want a Wista RF!



Here is my Wista 45RF/Metz set up! Using this with a Graphmatic handheld, and standard holders on a tripod.
Top mounted flash lets me still set it up on a tripod when I need too.

203792

[Scott --]

A too-long-term project, a Seneca Improved View 8x10, variant 4:

https://live.staticflickr.com/65535/49905783673_3783341727_c.jpg (https://flic.kr/p/2j31bN6)Seneca Improved View (https://flic.kr/p/2j31bN6) by Scott (https://www.flickr.com/photos/scott--/), on Flickr

When I got it I thought the bellows were the fugliest things I'd ever seen, but they've grown on me. Just waiting on film...

[jim_jm]

Eastman View 2D 8x10 with a 15 1/2 inch Wollensak Velostigmat lens in a Studio shutter. The shutter is only open/close (no speeds) so I fitted a #8 Packard shutter to the front which gives me the option of 1/20 (approx) or B.
The Packard's too big to fit behind the lens, so front-mount was the only option.

203841


203842

[scheinfluger_77]

A too-long-term project, a Seneca Improved View 8x10, variant 4:

https://live.staticflickr.com/65535/49905783673_3783341727_c.jpg (https://flic.kr/p/2j31bN6)Seneca Improved View (https://flic.kr/p/2j31bN6) by Scott (https://www.flickr.com/photos/scott--/), on Flickr

When I got it I thought the bellows were the fugliest things I'd ever seen, but they've grown on me. Just waiting on film...

Hey, as long as they keep the light out. I like them too.

[pgk]

Here's one of mine - a Welsh made Nesbitt along with 2 x Welsh made PPE lenses. A long term project which I might eventually sort out - the camera takes MPP lens boards which is handy. (the taking lens is from much earlier).
204978

[Andrew Plume]

Hi Paul

I recognise one of the lenses...................

4 x 5...........?

regards

Andrew

[pgk]

Indeed you do. As it happens I know a lens designer who knows who designed the 210mm f/6.8 so I have been informed that it dates from '72-'75. It is a simple symmetrical double gauss type lens of 4 elements and works at a fairly high field angle but at low aperture. The other is optimised for 1:1 but doesn't cover 5" x 4". The Nesbitt has a 5" x 4" back and dates from around 1990. I used to live not from from where PPE were based so it was fun to have bought camera and lenses from Wales but am now up in Scotland and it doesn't look like any lenses were actually made in Scotland although I have a 10" x 12" Birnie which was made in Dundee which I can put a Grubb onto .....

[eTone]

Kodak 2D 8x10, one of our customer's share.205063

[Roger Thoms]

Here’s my 2D on a recent trip to Utah.

Roger

[John Earley]

https://live.staticflickr.com/65535/50072669613_bfdf8b0a48_c.jpg (https://flic.kr/p/2jhKwaT)
Shop Made Gear Rack and Base on Ansco 8x10 (https://flic.kr/p/2jhKwaT) by JOHN EARLEY (https://www.flickr.com/photos/jacketch/), on Flickr

16" Veritar f6 lens on shop made lens board. Since the geared focusing works great I have most of the work done rebuilding this camera. I still haven't decided if I want to re-paint it or strip it down to the cherry wood.

[Andrew Plume]

ooooh

Well done you, very good work too

regards

Andrew

[John Layton]

Oh so nice! If it were me, I'd leave the cherry stripped and maybe rub in a bit of watco or tongue oil (giving plenty of time to cure as either can be a bit oily for awhile!) - with a bit of judicious waxing of the moving/sliding bits.

[Michael Roberts]

Ikeda Anba 4x5, Cherry, Gold Plate, Red Bellows
One of the prettiest large format cameras I have seen!

https://michaellynnroberts.zenfolio.com/img/s/v-10/p3986428008-4.jpg

https://michaellynnroberts.zenfolio.com/img/s/v-10/p3986428005-4.jpg

https://michaellynnroberts.zenfolio.com/img/s/v-10/p3987214669-4.jpg

https://michaellynnroberts.zenfolio.com/img/s/v-10/p3986428003-4.jpg

[tuco]

A recent addition. These lenses I've had for a while now but I want to get some that fold with the camera without having to unmount my Crown Graphic lenses from their lens boards.

https://live.staticflickr.com/65535/49426770803_db948cdb56_b.jpg (https://flic.kr/p/2iiF7Xv)
Wista 45 RF (https://flic.kr/p/2iiF7Xv) by tuco (https://www.flickr.com/photos/yo_tuco/), on Flickr

[andrewd]

I recently picked up this 1968 Super Technika V from Linhof Studio. It has been fully serviced and has new bellows and ground glass. Product shot by Linhof Studio.

207850

[Jim Noel]

I suggest leaving the Cherry, and just giving it a nice clear coat.

[Michael Roberts]

Naked Crown Graphic--a stripped down version of the classic press camera. (I didn't make up this term, but it seems apropos for a stripped down camera).

What I bought--camera body, no lens, no back, no rangefinder, no optical viewer, no leather handle, no infinity stops, no flash, body shutter release inoperable; basically rescued from the trash heap. Bellows with pinholes. Original Moroccan leather dry, cracked, peeling and with copper oxide blisters. Modifications: finished stripping the leather and refinished the mahogany underneath (sanded, applied clear coat finish), patched bellows pinholes with a mixture of Elmer's glue and ashes from my fireplace plus tape inside and painted the outside with glossy black fabric paint from Michael's craft store, found an old Graphic spring back and installed, removed the steel plate for the body-mounted shutter and filled in the hole and covered that and the door/base with kidskin leather from Tandy. I also modified the lens board frame, twisting out the aluminum light trap and lining the inside with felt so I could use my own wooden lensboards, added a top leather handle as a throwback to the 1920s "top handle" Speed Graphic design. It's rugged, works fine for its limited capabilities, and I don't mind shooting with it in urban settings where I might not feel comfortable with the flashy Ikeda Anba, above.

I love that it's much lighter weight than the fully equipped versions--weighs less than 3lb w/o lens, I can keep a lens on it so it opens and sets up fast, and I can shoot hand-held with the wire sports viewer. It's just useful, and it works. Also, press lenses are good quality, cheap, easy to find. I can carry 3 or 4, including 90mm, 127, and 203 for a good range of composition options.

https://michaellynnroberts.zenfolio.com/img/s/v-10/p3987234471-4.jpg

https://michaellynnroberts.zenfolio.com/img/s/v-10/p3987234472-4.jpg

https://michaellynnroberts.zenfolio.com/img/s/v-10/p3987234474-4.jpg

https://michaellynnroberts.zenfolio.com/img/s/v-10/p3987234473-4.jpg

[Hugo Zhang]

My new toy.

[Michael Roberts]

Awesome, Hugo! What format, and what’s that big honkin’ lens?

[Hugo Zhang]

810 Alpinist X camera with a 375mm Hermagis Eidoscope lens mounted in a compound V shutter.

[Tin Can]

https://www.chamonixviewcamera.com/cameras/8x10alpinist

[Duolab123]

Naked Crown Graphic--a stripped down version of the classic press camera. (I didn't make up this term, but it seems apropos for a stripped down camera).

What I bought--camera body, no lens, no back, no rangefinder, no optical viewer, no leather handle, no infinity stops, no flash, body shutter release inoperable; basically rescued from the trash heap. Bellows with pinholes. Original Moroccan leather dry, cracked, peeling and with copper oxide blisters. Modifications: finished stripping the leather and refinished the mahogany underneath (sanded, applied clear coat finish), patched bellows pinholes with a mixture of Elmer's glue and ashes from my fireplace plus tape inside and painted the outside with glossy black fabric paint from Michael's craft store, found an old Graphic spring back and installed, removed the steel plate for the body-mounted shutter and filled in the hole and covered that and the door/base with kidskin leather from Tandy. I also modified the lens board frame, twisting out the aluminum light trap and lining the inside with felt so I could use my own wooden lensboards, added a top leather handle as a throwback to the 1920s "top handle" Speed Graphic design. It's rugged, works fine for its limited capabilities, and I don't mind shooting with it in urban settings where I might not feel comfortable with the flashy Ikeda Anba, above.

I love that it's much lighter weight than the fully equipped versions--weighs less than 3lb w/o lens, I can keep a lens on it so it opens and sets up fast, and I can shoot hand-held with the wire sports viewer. It's just useful, and it works. Also, press lenses are good quality, cheap, easy to find. I can carry 3 or 4, including 90mm, 127, and 203 for a good range of composition options.

https://michaellynnroberts.zenfolio.com/img/s/v-10/p3987234471-4.jpg

https://michaellynnroberts.zenfolio.com/img/s/v-10/p3987234472-4.jpg

https://michaellynnroberts.zenfolio.com/img/s/v-10/p3987234474-4.jpg

https://michaellynnroberts.zenfolio.com/img/s/v-10/p3987234473-4.jpg

This is what I love about Crown Graphics. Light weight. I prefer mine with a coupled viewfinder for handheld work. You have a nice setup for the street.

[Alan7140]

Lockdown has helped me sort out a box with an old Scovill basic Waterbury-type whole-plate camera with destroyed bellows and no ground glass to be restored (and to which I fitted an Iris-type lens mount to hold a Voigtländer Heliar 24cm 1:4,5 lens) as well as a truly wrecked J. Lancaster & Son Instantograph camera with brass so badly tarnished I took it to be rusty steel, bellows with wood-borer holes and much fraying, a totally missing back, and a front standard that had been crudely filed in a half-hearted attempt to fit an unbranded c.1880's Petzval lens.

I also purchased a second Thornton Pickard half-plate "Imperial" triple extension camera in reasonable condition as parts backup for the one I restored last year, but ended up restoring that as well (the shutter still needs new curtains, though). All three are now in working order, having made brackets and fastening clips for the J. Lancaster camera to hold one of the Thornton Pickard backs. So my time wasn't wasted, and I'm enjoying using all three cameras now, having also made an extension lens board to fit a Rodenstock Apo-Ronar 360/9 lens for infinity focus without corner vignetting on the whole-plate Scovill.

J. Lancaster & Son camera, during and then after completion, having temporarily repaired the bellows with hockey tape until I get around to making new bellows:
207904

207905

Scovill:
207906

Thornton Pickard:
207907

[Michael Roberts]

Awesome job, Alan! The Lancaster and Thornton, in particular, are beauties!

[Ironage]

Gorgeous collection Alan.


Sent from my iPhone using Tapatalk

[Dugan]

Improved Seneca Whole Plate camera...Wollensak 9 1/2" f 4.5 Raptar in Alphax #4 shutter.207951

[Tin Can]

Recent KEH Ugly 5X7 Burke & James Rembrandt Home Portrait Model 1 1951 non folding

Came with 3 backs, 2 XENAR f4.5, 240 & 180 mm with caps and working Packard Shutter, factory installed with Sync. Even quick release mounts for the Packard enabling a fast repair. (I have NOS spare, just found on eBay)

A very practical modern box with metal GG Frames, locking focus, fine pitch gearing, rear rise and tilt only. It can handle any portrait lens as the front standard is thick wood, double bolted to the bed

Shot all images with camera and subject same distance, slight refocus for each back

The 2X3 slider back is fast to use, focus, shoot Grafmatic Film Back 6 shots very quickly or use roll film

The 5X7 Slider shoots 1/2 the 5X7 film, slide the back and shoot other half. Really quick and often catches the sitter in a better expression

5X7 Back rotates

Big 6" lens boards will carry heavy Portrait lenses

https://live.staticflickr.com/65535/50368549207_31dde74cfc_b.jpg (https://flic.kr/p/2jJTYSc)Xenar f4.5 240mm (https://flic.kr/p/2jJTYSc) by TIN CAN COLLEGE (https://www.flickr.com/photos/tincancollege/), on Flickr

https://live.staticflickr.com/65535/50367688478_5c664225fa_b.jpg (https://flic.kr/p/2jJPz13)5X7 Back 2 Rotateable (https://flic.kr/p/2jJPz13) by TIN CAN COLLEGE (https://www.flickr.com/photos/tincancollege/), on Flickr

https://live.staticflickr.com/65535/50367687998_148ac8c858_b.jpg (https://flic.kr/p/2jJPyRL)Setup 5X7 (https://flic.kr/p/2jJPyRL) by TIN CAN COLLEGE (https://www.flickr.com/photos/tincancollege/), on Flickr

https://live.staticflickr.com/65535/50368548657_08d665965c_b.jpg (https://flic.kr/p/2jJTYGH)3 Backs (https://flic.kr/p/2jJTYGH) by TIN CAN COLLEGE (https://www.flickr.com/photos/tincancollege/), on Flickr

[Tin Can]

https://live.staticflickr.com/65535/50368548782_255b368ef5_b.jpg (https://flic.kr/p/2jJTYJS)2X3 Slider (https://flic.kr/p/2jJTYJS) by TIN CAN COLLEGE (https://www.flickr.com/photos/tincancollege/), on Flickr

https://live.staticflickr.com/65535/50367688598_4412683c92_b.jpg (https://flic.kr/p/2jJPz37)5X7 1-2 Frame Slider Hood (https://flic.kr/p/2jJPz37) by TIN CAN COLLEGE (https://www.flickr.com/photos/tincancollege/), on Flickr

https://live.staticflickr.com/65535/50368548782_255b368ef5_b.jpg (https://flic.kr/p/2jJTYJS)2X3 Slider (https://flic.kr/p/2jJTYJS) by TIN CAN COLLEGE (https://www.flickr.com/photos/tincancollege/), on Flickr

[Hugo Zhang]

Really nice setup with the model!!！

[Tin Can]

Thanks Hugo!


Really nice setup with the model!!！

[Beano_z]

My first post here after joining the forum in 2012.....yes, this is how long it took me to take the plunge down LF inferno and it was mainly the outbreak of this stupid virus that did it for me. Finally I had some spare time to learn about the equipment and track down all the bits and pieces that would suit me. So finally, after about 4 months of intense research (of which I enjoyed every minute) here is my setup, the new Chamonix Alpinist X camera with various lenses from 150mm to 600mm, now the journey truly starts.

207983

207984

207985

[Scott Davis]

208018
One of several, the one I’m using the most lately- Canham 8x10 Wood Field. The lens mounted is a 14” Commercial Ektar. Also in the arsenal are Canham 5x7, 5x12, and 14x17 cameras, a Sinar Norma 4x5/5x7, and a couple of Sinar F 4x5s that I use for teaching view camera technique.

[Michael Roberts]

Holy sh*t, Scott, you’re loaded for bear!

Beano_z, that’s an awesome collection!

Congrats!

[Scott Davis]

Holy sh*t, Scott, you’re loaded for bear!

Beano_z, that’s an awesome collection!

Congrats!

That's just the cameras... lenswise, well... just for 8x10, there's the 159mm Wolly f12.5, a 190 Wide-Field Ektar, 210 f6.8 Wolly Raptar, 240 Docter Optic Germinar-W, 12" Commercial Ektar, 14" Commercial Ektar, and an 1863 Voigtlander that is probably in the 12" f3.5 range. For the 14x17 I have a 355 G-Claron and a 450 Nikkor-M, and in the works is a 600 Apo-Germinar that needs mounted to a shutter, and a Kodak 405 Portrait that needs mounted to a board. For the 5x7 I have in addition to the others already listed for the 8x10 a 240 Heliar, a 10.5" Cooke Series II, 275mm Hermagis Eidoscope, a 110mm Wide-Angle Dagor, a Darlot Hemispherique Extra Rapide #2, and some random anonymous 10"-ish brass petzval-esque thing. One day I'll put all the brassies together and do a family portrait. The big Voigtlander isn't pretty, but it is complete with all its glass elements, an original flange and an original waterhouse stop. Oh, and I forgot the outlier (don't know its intended format, but it's a T. Slater Daguerrian lens - no flange, so I haven't mounted it on anything yet. Playing around it seems like it covers, barely, 5x7, so it was probably intended for 1/4 plate).

[Jim Noel]

I love, maybe envy, the collection Scott.

[6x6TLL]

Sweet setup, Beano_z!

[Scott Davis]

Here’s some with the Voigtlander in action.
208070
208071

[rrunnertexas]

https://live.staticflickr.com/65535/50398785348_33d9561828_o.jpg (https://flic.kr/p/2jMyX1Y)20200929_182408 (https://flic.kr/p/2jMyX1Y) by rrunnertexas (https://www.flickr.com/photos/18736302@N03/), on Flickr

Rochester Universal in full plate, with a Brass Volute shutter and B&L Universal lens.

[md-photo]

Gibellini Bellatrix 810.

https://live.staticflickr.com/65535/50392782718_43c5d50179_b.jpg (https://flic.kr/p/2jM3bDm)DSC_2347 (https://flic.kr/p/2jM3bDm) by Maryland Photos (https://www.flickr.com/photos/marylandphotos/), on Flickr

I have a Gitzo carbon fibre tripod with a Leofoto LH-55 ballhead. For 4X5s like the Linhof Technika or Wista 45, that worked pretty well, but less than stable support for the 8X10.

[smithdoor]

Very nice
Your camera needs American Hard wood.


Dave


Gibellini Bellatrix 810.

https://live.staticflickr.com/65535/50392782718_43c5d50179_b.jpg (https://flic.kr/p/2jM3bDm)DSC_2347 (https://flic.kr/p/2jM3bDm) by Maryland Photos (https://www.flickr.com/photos/marylandphotos/), on Flickr

I have a Gitzo carbon fibre tripod with a Leofoto LH-55 ballhead. For 4X5s like the Linhof Technika or Wista 45, that worked pretty well, but less than stable support for the 8X10.

[neil poulsen]

Gibellini Bellatrix 810.

https://live.staticflickr.com/65535/50392782718_43c5d50179_b.jpg (https://flic.kr/p/2jM3bDm)DSC_2347 (https://flic.kr/p/2jM3bDm) by Maryland Photos (https://www.flickr.com/photos/marylandphotos/), on Flickr

I have a Gitzo carbon fibre tripod with a Leofoto LH-55 ballhead. For 4X5s like the Linhof Technika or Wista 45, that worked pretty well, but less than stable support for the 8X10.

This is an interesting camera. Very reasonably priced, but apparently, capable camera. (For example, it permits interchangeable bellows.) It's really light-weight. Is it pretty stable? I'm wondering if its light weight contributes to it's stability? Maybe less tendency for moment arm vibration.

As for a tripod, you might consider a Feisol tripod. It's carbon fiber and a LOT less expensive. I have one that does a good job of supporting my 13 lbs 8x10. Very beefy legs. Most of the CF tripods that I see have spindly legs.

I'm looking forward to hearing more about this camera. Perhaps you can update us as you become more familiar with its operation.

[Tin Can]

Yes, very interesting

Wood is becoming rare worldwide

Experimentation is needed even in boxes

[Greg Y]

Very nice
Your camera needs American Hard wood.


Dave

Why does a camera made in Italy need "American hardwood" ?

[Vaughn]

Ries tripod -- maple, because an Italian in the USA needs some support!

[Greg Y]

Ries.....now there's a tripod (& head) we can agree on !

[md-photo]

I did not catch on to the American hardwood reference too at first. These are great suggestions, I have been checking out Reis and Feisol tripods. I had just ordered a longer Benro quick release plate, but that's probably a band aid.

This was a first foray beyond 4X5 land. The Bellatrix was a bit of a change from the Linhof Technika and Wista 45s I have been using the last couple years. Definitely less user-friendly. Well the Linhof engineering in particular does spoil you. There is a screw in the back that drives the front standard back and forth, but there's a limit (if I am using this correctly). I had to undo the screws holding down the rear standard to move it further up, for getting infinity focus on the 240mm and 300mm lenses I have. The ground glass frame is a little tight to pull back for inserting or removing the holder. As to stability on the Gitzo, I was worried the 1/15s speed was too slow and firing the shutter may cause vibrations. The Tri-X negative looked okay though. Otherwise it works well.

The first try with film did not need any movements, will look to do more this weekend. One learning curve was loading 8X10 film into the film holder. I don't have a darkroom. Used an extra large changing bag but it's still quite cumbersome. The ground glass is plenty bright, which worked well in the sun (may not work if the sun is pointing at it though). The camera does have what seems like a well designed base. I think with better support it would be quite stable.

Not sure about the sturdiness of the material or the camera. I have dropped (yes, don't ask) a Linhof Technika, and the only thing damaged was the ground glass frame, which I eventually found a replacement for. I have a feeling the Bellatrix is not going to be that robust.

[smithdoor]

I have wood tripod for my 4x5 camera crown graphic maybe make last one ever made.
It looks great on wood tripod
Look at your camera I think it would great on wood. It does not made in America but would nice.

Dave
PS: I purchased new the day they closed down for ever.


I did not catch on to the American hardwood reference too at first. These are great suggestions, I have been checking out Reis and Feisol tripods. I had just ordered a longer Benro quick release plate, but that's probably a band aid.

This was a first foray beyond 4X5 land. The Bellatrix was a bit of a change from the Linhof Technika and Wista 45s I have been using the last couple years. Definitely less user-friendly. Well the Linhof engineering in particular does spoil you. There is a screw in the back that drives the front standard back and forth, but there's a limit (if I am using this correctly). I had to undo the screws holding down the rear standard to move it further up, for getting infinity focus on the 240mm and 300mm lenses I have. The ground glass frame is a little tight to pull back for inserting or removing the holder. As to stability on the Gitzo, I was worried the 1/15s speed was too slow and firing the shutter may cause vibrations. The Tri-X negative looked okay though. Otherwise it works well.

The first try with film did not need any movements, will look to do more this weekend. One learning curve was loading 8X10 film into the film holder. I don't have a darkroom. Used an extra large changing bag but it's still quite cumbersome. The ground glass is plenty bright, which worked well in the sun (may not work if the sun is pointing at it though). The camera does have what seems like a well designed base. I think with better support it would be quite stable.

Not sure about the sturdiness of the material or the camera. I have dropped (yes, don't ask) a Linhof Technika, and the only thing damaged was the ground glass frame, which I eventually found a replacement for. I have a feeling the Bellatrix is not going to be that robust.

[Kiwi7475]

You’re already using a Leofoto head, so you must know they also have very reasonably priced and solid CF tripods for your Gibellini. Would be a non costly way to upgrade your tripod for it if you feel the current gitzo is not sufficiently stable (other gitzo models, and rrs, definitely have good options too, but at 3x the price of an equivalent Leofoto).

[Vaughn]

I do not know of any 8x10s that would land well.

I make a bathroom light-tight (at night) for loading film holders. I found the jump from 4x5 to 5x7 easy...the jump to 8x10 takes time and practice (as does my jump to 11x14!) ave fun!

[Ron (Netherlands)]

https://live.staticflickr.com/65535/50398785348_33d9561828_o.jpg (https://flic.kr/p/2jMyX1Y)20200929_182408 (https://flic.kr/p/2jMyX1Y) by rrunnertexas (https://www.flickr.com/photos/18736302@N03/), on Flickr

Rochester Universal in full plate, with a Brass Volute shutter and B&L Universal lens.

Great 'find', and for sure a vintage beauty! (alas not much seen in this thread, i.e the vintage ones....). And I love whole plate....
hows the shutter running...still going strong?

[Helcio J Tagliolatto]

The new-to-me Sinar P 5x7".
After some research, the "P" was the only reasonably portable camera I found that supports the Heliar's 5,51 pounds. At least in controlled home conditions. Let's see in the field.

208418

[John Earley]

Gibellini Bellatrix 8x10
https://live.staticflickr.com/65535/50320734822_67f54b30d3_c.jpg (https://flic.kr/p/2jEEVjf)
8x10 at Pocahontas Park (https://flic.kr/p/2jEEVjf) by JOHN EARLEY (https://www.flickr.com/photos/jacketch/), on Flickr

[Tin Can]

Ron, please define vintage

Your Flickr which is archived on wayback machine does show a modern TLR

[grat]

Ron, please define vintage

Your Flickr which is archived on wayback machine does show a modern TLR

I suppose it depends on what year the grapes were picked. :)

If I said my EOS 90D is of a recent vintage, that would be a perfectly valid statement.

And the only "modern" TLR I'm aware of is the Seagull CM9-- most of the other TLR's are based on decades old designs, if they're still in production (which they aren't aside from the Seagull 4D, I think).

[Ron (Netherlands)]

Ron, please define vintage

Your Flickr which is archived on wayback machine does show a modern TLR

A definition is quite subjective I know. I consider my TLR's as modern - for me vintage ended about the time most camera's at least for biggest part were not handmade anymore (and yes I know there are people today who still make them by hand - but I consider these modern): so a Rochester Universal is vintage for me, not so much a Sinar P :-)

[Tin Can]

I agree


A definition is quite subjective I know. I consider my TLR's as modern - for me vintage ended about the time most camera's at least for biggest part were not handmade anymore (and yes I know there are people today who still make them by hand - but I consider these modern): so a Rochester Universal is vintage for me, not so much a Sinar P :-)

[shutterbug guy]

208581

Black Edition Intrepid Camera

[md-photo]

Black Edition Intrepid Camera

Nice looking camera!

[shutterbug guy]

Nice looking camera!

Thanks, md-photo, it's a beauty for sure. A little intimidating for sure though. Lot's of trials and tribulations to come I'm sure.

[shutterbug guy]

Nice looking camera!

Thanks, liking it so far.

[Ben Syverson]

https://bensyverson.com/images/2020/10A.jpg

No. 10A Century Studio Camera on its No. 1A Semi-Centennial Stand

After shooting with this camera for about 10 years (thanks, Eddie (https://www.largeformatphotography.info/forum/member.php?8047-eddie)!), I finally took the time to give it a little TLC. Amazing what some 0000 steel wool, Orange Oil and Fluid Film can do!

Now, where did I put that case of Polaroid 803...

[islomane]

My Deardorff V8 camera and 165mm Super-Angulon lens.

208813

[ericantonio]

My Deardorff V8 camera and 165mm Super-Angulon lens.

208813

Zoinks that's nice. I haven't seen a tripod like that in ohhhh 30 years!

[shutterbug guy]

Nice camera.

[Daniel Unkefer]

https://live.staticflickr.com/65535/50508763753_31939386d6_z.jpg (https://flic.kr/p/2jXhBLn)Nearly Restored 5x7 Sinar Norma (https://flic.kr/p/2jXhBLn) by Nokton48 (https://www.flickr.com/photos/18134483@N04/), on Flickr

Since we are all locked down here I have been working on restoring my old Normas, as they are more than sixty years old, they need some attention. This is my 5x7, I have put in some new light sealing foam in the front and rear standards, and also new foam in this new to me Sinar Norma Shutter. I sent the shutter out for cleaning (it was sticky inside) and replaced the sync cord, although for whatever reason, it is still not firing with strobes. I will get it sorted eventually, for now I will use my other Norma Shutter with my strobes in the studio, it fires 100%. The lens is a Sinar Norma 121mm F8 Super Angulon, forward mounted with copal shutter built-in, and full Norma Auto Aperture automation. This is the most deluxe way you could get this lens from Sinar at the time. Looking forward to shooting more HR-U XRay film with this new to me camera. Should make fantastic split-grade VC RC prints.

[Peter De Smidt]

Looks great, Ben! I wish I had a 10 instead of my No. 7.

[mhayashi]

Here is my new buddy 8x10 arca metric. I had to buy a brand new 141mm f-line classic front frame to support the 4kg combo of the cooke, sinar copal shutter, and the adapter since the orbix frame can’t tolerate such a weight.

208870

The second picture is the camera with cm-w fujinon 450mm f8 mounted on 110mm board and attached to the reducer 141mm -> 110mm. The front frame is the micrometric orbix. The fujinon weighs 1140g but no problem with the orbix. And of course the center of the gravity of the lens is near to the front frame vertical axis. That helps compared to the front heavy example above!! I found out the rear barrel of the lens is 90mm and the inner diameter of the adapter is the same so I need to take off the rear barrel every time I mount/dismount the lens ... a bit inconvenient.

208871

[Joseph Kashi]

Here's a DIY 5x7 conversion kit that I just made for my existing Toho FC-45X monorail, with all parts bought off new off the Internet except the custom aluminum supports that I had a machinist plasma-cut locally. I've moved most of the photos and description to the LF DIY section per the other poster's suggestion.

[John Layton]

Joseph thats brilliant! (should be in DIY section?) My own version of this (once piece 5x7 back/bellows/board adapter), while very sturdy and useable, and of roughly equal weight, is very clunky compared to yours:

209040 209041 209042 209044

[Joseph Kashi]

I was lucky in having a Toho FC-45 around to serve as a base unit. Otherwise, it would not have been as feasible. Toho did all of the heavy lifting back when... Yours seems just as serviceable and workable, and that's what counts in the end.

[hsandler]

I bought this Graflex Graphic View II in the summer. It came with a handy adapter to mount my lenses in Pacemaker boards on the Graphic View, which takes anniversary boards.

https://live.staticflickr.com/65535/50197080403_e4e6a9441e_b.jpg (https://flic.kr/p/2jtKaav)Graflex Graphic View II (https://flic.kr/p/2jtKaav) by Howard Sandler (https://www.flickr.com/photos/hsandler/), on Flickr

[Dugan]

^^^^Nice studio glamour shot!

[shutterbug guy]

Very nice!

[Renato Tonelli]

Here's a DIY 5x7 conversion kit that I just made for my existing Toho FC-45X monorail, with all parts bought off new off the Internet except the custom aluminum supports that I had a machinist plasma-cut locally. I've moved most of the photos and description to the LF DIY section per the other poster's suggestion.

That is exceptional!
I really like my Toho; went hiking with it just this week.

[Daniel Unkefer]

https://live.staticflickr.com/65535/50322638263_532d02d514_z.jpg (https://flic.kr/p/2jEQF9c)Sinar Norma Handy Lowboy 1 (https://flic.kr/p/2jEQF9c) by Nokton48 (https://www.flickr.com/photos/18134483@N04/), on Flickr

https://live.staticflickr.com/65535/50547233136_f496b269a7_z.jpg (https://flic.kr/p/2k1FMnA)Ashton Pond Norma Handy HRU Mic-X (https://flic.kr/p/2k1FMnA) by Nokton48 (https://www.flickr.com/photos/18134483@N04/), on Flickr

Ashton Pond Columbus Ohio Sinar Norma Handy 4x5 Fuji HR-U XRay 65mm F8 at F22 Schneider CF + Sinar Norma Dark Yellow 103mm Glass Disk 1 sec at F22 Legacy Mic-X replenished stock in tray 18 mins at 62F Arista #2 RC 4x 8x10 Multigrade dev

[Daniel Unkefer]

https://live.staticflickr.com/65535/50235540027_af79228196_z.jpg (https://flic.kr/p/2jx9gSt)Norma #4 Copy Stand Finally Together 2 (https://flic.kr/p/2jx9gSt) by Nokton48 (https://www.flickr.com/photos/18134483@N04/), on Flickr

https://live.staticflickr.com/65535/50215750598_bba6b2a804_z.jpg (https://flic.kr/p/2jvoRaq)4x5 5x7 8x10 Normas (https://flic.kr/p/2jvoRaq) by Nokton48 (https://www.flickr.com/photos/18134483@N04/), on Flickr

[Neal Chaves]

I just completed restoration of this 4X5 Toyo Robos and the Quickset camera stand with Quickset Hercules Industrial Pan Head. The camera was unused but the bellows had deteriorated and was leaking. I cleaned and re-lubricated the camera and replaced the bellows with a Dynatect product. This Robos (my second one) is a joy to use and I am very happy with the Quickset stand as well.
209132209133209134

[dabsond]

209135

Just bitten by the bug. New to me Speed Graphic.

[Tin Can]

Love that stand!



Hard to find local to me


I just completed restoration of this 4X5 Toyo Robos and the Quickset camera stand with Quickset Hercules Industrial Pan Head. The camera was unused but the bellows had deteriorated and was leaking. I cleaned and re-lubricated the camera and replaced the bellows with a Dynatect product. This Robos (my second one) is a joy to use and I am very happy with the Quickset stand as well.
209132209133209134

[Ulophot]

Dabsond, looks like a beaut!

[SoulfulRecover]

209165

209166

209167

[Gord Robinson]

A good bug to be bitten by.



Just bitten by the bug. New to me Speed Graphic.

[Luis-F-S]

My latest V8 (photos by previous owner), I believe the fact that there is no Serial # and from the nameplate that it is a TN manufactured camera. It also has stainless steel knobs and I believe all SS hardware. I believe that Chicago used first plated brass knobs and hardware, and later aluminum knobs. It is very tight and basically low use (unused) camera with good fit and finish!. If anyone has thoughts on the manufacture, pls share. Luis

209590209591209592

[David Schaller]

My latest V8 (photos by previous owner), I believe the fact that there is no Serial # and from the nameplate that it is a TN manufactured camera. It is very tight and basically low use (unused) camera with good fit and finish!. If anyone has thoughts on manufacture, I'd like to hear them. Luis

209590209591209592
Boy that's in great shape! Looks lovely.

[Corran]

https://1.bp.blogspot.com/-iT7sZKu4a08/X78MJDs3LLI/AAAAAAAANK0/9dCqLhMTZCEpTh8BRexNXwSAegZz8gMcACLcBGAsYHQ/s700/1220.jpg

[Michael Kadillak]

What format? 14x17? 11x14? I had a Wisner 11x14 Technical Field that converted to 12x20 / 8x20. Heavy sucker. Changed it out to a Canham 8x20 wood and a V11 Deardorff.

[Corran]

12x20

I might cut some 14x17 x-ray film I have down to 12x17 - same ratio as 5x7!

[diversey]

Nice camera!


https://1.bp.blogspot.com/-iT7sZKu4a08/X78MJDs3LLI/AAAAAAAANK0/9dCqLhMTZCEpTh8BRexNXwSAegZz8gMcACLcBGAsYHQ/s700/1220.jpg

[Michael Kadillak]

12x20

I might cut some 14x17 x-ray film I have down to 12x17 - same ratio as 5x7!

Same addictive condition I am suffering from. Started with 8x10 and what seemed like no time without any external encouragement I was into ULF which turned into an addiction. 8x20, 11x14 and 12x20 where 8x10 is my point and shoot. Durst CMS 1840 2,000 watt 10x10 seems to be where things have leveled off (at least for the time being). Thank God for understanding women.

[barryjyoung]

209946
209947
209948
Here is the old Korona, back from the dead, saved on it's way to the junk heap.
One of my students came to me and said "There is a plate camera down at the antique mall that you just have to see, it is HUGE!!". Well, having heard those types of mutterings from many people before, I was leary. Usually when I take the time to follow these leads, what awaits me is a Kodak Autographic roll film camera that I have absolutely no interest in. Anyway, if you don't try you don't win. So off I go to the antique mall, and I found a dilapidated, dark, broken up old junky 11x14 Korona with bad bellows, broken wood and nothing much to recommend it. 2 months later after dropping all of my other projects, the broken wood was replaced, the finish restored to its original luster, new bellows that I made were fitted, a rebuilt Packard shutter was installed and three Zeiss barrel lenses were in the custom camera case beside this wonderful camera. shopgoodwill.com netted me a very nice Berlebach tripod with integral giant ball head which just needed a little finish restoration. That and some other accessories like custom made film holder from my shop resulted in a very nice user camera. Just have to figure a way to tighten up the rails on to back then she will be better than new.

Barry Young
Young Camera Company

[Jim Noel]

My latest V8 (photos by previous owner), I believe the fact that there is no Serial # and from the nameplate that it is a TN manufactured camera. It also has stainless steel knobs and I believe all SS hardware. I believe that Chicago used first plated brass knobs and hardware, and later aluminum knobs. It is very tight and basically low use (unused) camera with good fit and finish!. If anyone has thoughts on the manufacture, pls share. Luis

209590209591209592

If it has no metal plate on the bottom, and has no serial number, I suspect it is like mine and made before 1939.

[neil poulsen]

Same addictive condition I am suffering from. Started with 8x10 and what seemed like no time without any external encouragement I was into ULF . . .

Boy, not me. I had an 8x10 and couldn't resist getting an 8x20 that was in very nice condition. That "addiction" lasted for one photograph.

[Michael Kadillak]

Boy, not me. I had an 8x10 and couldn't resist getting an 8x20 that was in very nice condition. That "addiction" lasted for one photograph.

At least you figured out what works and what does not work for you in short order. Clearly ULF introduces a whole new level of operational "adjustments" from proper film holder registration / resolving light leaks to finding adequate lens coverage for camera movements and the need to compensate for macro exposures when with other formats it would never be an issue. The enormous large screen GG encouraged me to get past these issues. Everyone needs to find their own way. Thankfully we still have these options to consider.

[Luis-F-S]

If it has no metal plate on the bottom, and has no serial number, I suspect it is like mine and made before 1939.

Has a metal plate and is recent I suspect post 1990.

[Helcio J Tagliolatto]

My 8x10 right now.
Never, ever try to use a Nikkor T-600 on a Tachihara!:(

209961

[Keith Pitman]

My latest V8 (photos by previous owner), I believe the fact that there is no Serial # and from the nameplate that it is a TN manufactured camera. It also has stainless steel knobs and I believe all SS hardware. I believe that Chicago used first plated brass knobs and hardware, and later aluminum knobs. It is very tight and basically low use (unused) camera with good fit and finish!. If anyone has thoughts on the manufacture, pls share. Luis

209590209591209592


At least some TN Deardorffs had aluminum knobs. The bottom plates on the Chicago Deardorffs were inscribed “Photographic Equipment” in the bottom of the circle; the TN Deardorffs were marked “View Cameras.”

You could write Ken Hough at: k4sb@frontier.com He’s very helpful.

[Luis-F-S]

Keith, It's pretty well documented that old parts were used until gone. The knobs and hardware are stainless, so I think that alone takes it out of the Chicago realm. The stenciling on the nameplate is reminiscent of TN cameras, not Chicago. The last two Deardorffs I bought new in 1987 both had aluminum knobs and plated hardware. Both were within the last 50 cameras that Deardorff made, bought new at Central Camera in Chicago. The baseplate on this camera says: Photographic Equipment. Not all TN camera baseplates were marked View Cameras. I have photos of 4 different TN Dorffs and two (7000 Serial #'s) say Photographic Equipment, while one (803x serial #'s) says View Camera. The most recent one one ( 809x Serial #) has a plain baseplate, but I believe that one may have been assembled in Boston, MA.

[eepskamp]

Gifted! Over the weekend I was gifted a Crown Graphic, changing bag, film holders, and a view camera book! Excited to get to work. 210022

[nc-teesquare]

Ebony Wide

[nc-teesquare]

Linhof color

[Cor]

Linhof color

I have the same camera, like it a lot. Yours looks realy nice and much better than mine ! Have fun,

best,

Cor

[TimeShare]

I was lucky enough to get my hands on these goodies recently ... old Ansco 8x10 and compliment of Kodak lenses. Can't wait to put this old beauty into action.

Ansco 8x10 Universal View Camera + Kodak Wide Field Ektar 250mm [10"] F6.3 Lens + Kodak Portrait 305mm 12in. f/4.8 Lens

210414

[John Layton]

Just ran across these early publicity photos...a bit gaudy! Have not shared this in awhile...the Layton L-1, my DIY precursor to the L-45A. Design patent issued in 2002. Wood/Resin laminate, specs out very close to the later metal version, but this early version is a bit heavy...just over 9lbs (vs. appx. 7lbs. for the L-45A): 210415 210416

But I knew that I'd ultimately need to go to metal with the L-45A (plated 6061/7075 aluminum). Lighter, sleeker, sturdier, more precise...plus it allowed me to do stuff like this: 210417

Edit: Ha! I'd almost forgotten...the quick and dirty duct-tape focussing hood - about the only thing I could use in the constant, near hurricane force winds on the Summit of Mt. Washington (NH) in winter!

Another Edit: Interesting footnote about those high winds...the camera's curvy design allows it to be very "slippery" and thus quite stable in high winds. And the bellows are actually thin enough that they basically are free to vibrate about, without vibrating the camera.

[Tin Can]

John

will you show the summit images you made

[nc-teesquare]

210426210427
Zone VI 8x10

[John Layton]

Tin Can...here is one which I could put my hands on quickly (quick iPhone snap of print). There are more (better ones) in a box, but am a bit busy at the moment. At any rate, this was taken late in the day, looking WSW I believe...very cold and windy:

210428

[Tin Can]

Thank you!

I once skied at -26 F, at night, actual temp, which really didn't work as the snow was too cold, so I jumped about for 20 minutes and back to the fire 3 times.


Tin Can...here is one which I could put my hands on quickly. There are more (better ones) in a box, but am a bit busy at the moment. At any rate, this was taken late in the day, looking WSW I believe...very cold and windy:

210428

[Sal Santamaura]

...7lbs. for the L-45A)...I knew that I'd ultimately need to go to metal with the L-45A...
...will you show the summit images you made

I still have every issue of View Camera, including the one that included your Mt. Washington L-45A article. Therefore, rather than summit images, I'd really like you to show the order form one can submit today to purchase an L-45A. :)

[John Layton]

Well…lets see - there are many boxes and bins of parts in my basement…with more than half of those needed to create between 12 and 25 “production model” cameras being complete (minus final plating), also including 25 sets of standard bellows and 5 of bag bellows - with the remainder of parts either in partially completed form or as aluminum blanks.

I also have two books of engineering drawings…one for the current prototype and the second for actual production, plus complete Solid Works 3D computer files for both prototype and production models (production model incorporates many changes over the existing prototype).

For just a taste of the level of these “changes for production,” how about a focus shaft with (stress analyzed) weight reduction holes? Well, I’ve got over 50 of these, precision ground and drilled…sitting in one of those boxes:

210433

To be honest, I’m done with this project. I’m 66, and really want to use the time I have left to make a few more photographs.

But…if there is someone out there who has the time, energy, and desire to take this project forward…lets talk - I’m open for discussion!
(Edit: I will likely make a more "formalized" announcement soon in the business section)

[ChristopherMarv]

210458

1964 Linhof Super Technika IV 5x7

[Chris7521]

It's no Deardorff but, I wanted something that can handle some weight.
Here is my Kodak 2D. I refinished the wood because it was ugly when I got it. Decided to leave the brass alone and I think it looks good weathered.
I made a adapter to mount my 4D to a Sinar shutter. The whole set up is pretty solid though I am using the extension rail to keep the camera/lens weight somewhat balanced.

https://live.staticflickr.com/65535/50738958711_21bc3f6b32_c.jpg (https://flic.kr/p/2kiCqGX)Badessa_20201127_9757 (https://flic.kr/p/2kiCqGX) by Chris (https://www.flickr.com/photos/-chris_b/), on Flickr

[Lachlan 717]

“ The whole set up is pretty solid...”

Not if you mount lenses directly onto the Sinar shutter. They’re not designed to be weight bearing.

[carylee2002]

Nice...I have 2 cameras and both are 2D's. They are great workhorse cameras and if you can get the back rails they are worth even more.

[Philippe Grunchec]

210458

1964 Linhof Super Technika IV 5x7

Great bellows! From China?

[ChristopherMarv]

Great bellows! From China?

Not according to the guy who restored it, but...maybe!

[Chris7521]

“ The whole set up is pretty solid...”

Not if you mount lenses directly onto the Sinar shutter. They’re not designed to be weight bearing.

It's fine, regardless of it's design which I'm aware of. I have no worry of it breaking.

[Lachlan 717]

It's fine, regardless of it's (sic) design which I'm aware of. I have no worry of it breaking.

Guess you can lead a horse to water...

[RivetGun]

That 2D is pretty!

[Helcio J Tagliolatto]

Not if you mount lenses directly onto the Sinar shutter. They’re not designed to be weight bearing.

I did not know that. And knowing that now frustrates some plans I have:(

[pendennis]

A while back I opened a thread about lens boards for my Meridian Model B. I found a 4x4 Graphic lens board that has a Speed Graphic adapter. The photo is with a 100mm f/6.3 WF Ektar mounted.

[Lachlan 717]

I did not know that. And knowing that now frustrates some plans I have:(

Yep; designed to go behind the front standard.

[Fr. Mark]

Gifted! Over the weekend I was gifted a Crown Graphic, changing bag, film holders, and a view camera book! Excited to get to work. 210022

I got started in LF fairly similarly, in my case it was a Busch Pressman D. The old press cameras can teach people a lot and are a lot of fun in their own right.

[pendennis]

I got started in LF fairly similarly, in my case it was a Busch Pressman D. The old press cameras can teach people a lot and are a lot of fun in their own right.

My first LF camera was a Busch Pressman Model D. It came with a 135 Grafex lens, a 8.5" Commercial Ektar, and a 105mm Wide Field Ektar. That was a great camera, and I rue ever selling it in 2008. It came with a Speed Graphic case and 10 film holders; all for the tidy sum of $150 (1976). Year before last, I replaced it with a Tower Press 4x5.

Enjoy yours!

[rfesk]

My go to camera is still my Busch Pressman Model D. If necessary, I will pull out my Sinar but that hasn't happened too many times.

[Simon Forster]

Still new to me and I've not had the opportunity to use it yet, but it's not stopped me from making lens boards for when I can! Chroma Carbon Adventurer with custom parts. The lens is a Rathenower Optische Werke Diarectim 62.5/300
211138

[jonesp]

Plaubel Peco Profia 5x7, Toyo 45A II, Cambo SCX 4x5.

212827

[GRAYnomad]

My trusty old Tachihara I bought about 30 years ago. Not used for a few years now but I'm blowing the cobwebs off as we speak. Time to get back into LF.

http://www.robgray.com/photos/images/18007-1.jpg

http://www.robgray.com/photos/images/170920_B2D6612.jpg

http://www.robgray.com/photos/images/1906091D2_1150.jpg

[GRAYnomad]

...I’m 66, and really want to use the time I have left to make a few more photographs...

Same here. I have a great workshop and every tool known to man (well a lot anyway), but I want to spend my time outside taking photos in future.

[giganova]

I’m 66, and really want to use the time I have left to make a few more photographs.
66 is the new 46 :cool:

[otto.f]

My trusty old Tachihara I bought about 30 years ago. Not used for a few years now but I'm blowing the cobwebs off as we speak. Time to get back into LF.

Nice set! You also have an interesting hood on your Schneider there. What brand is that?

[GRAYnomad]

Its a Cokin set, still made, I just bought an extra hood segment

https://cokinfilter.com/collections/accessories/products/modular-hoods

[GRAYnomad]

66 is the new 46 :cool:

I hope so :D

[rfesk]

Its a Cokin set, still made, I just bought an extra hood segment

https://cokinfilter.com/collections/accessories/products/modular-hoods

Caution: There are/were some cheaper knock offs on x-bay that are glossy and not flat black like the real ones.

[otto.f]

Its a Cokin set, still made, I just bought an extra hood segment

https://cokinfilter.com/collections/accessories/products/modular-hoods
Thanks!

[neil poulsen]

Bender Photographic Inc. made these kit 8x10 and 4x5 cameras back in the 90's. I recently purchased and customized an 8x10.

SPECIFICATIONS:
Maximum Extension: 30".
Front Rise/Fall: 3"/0".
Tilt: Unlimited front and rear.
Swing: Unlimited on front; +/- 30 deg. on rear.
Front Shift: 1.5" left; 1.5" right.
Weight: 7.27 lbs.

This camera has coarse focus in the front standard and fine focus on the rear. (No geared focus.) It was customized to have maximum extension, so it has no fall. For the latter, it's easy enough to use front and back tilt to effect fall. I have three rails, a 12" rail, a 20" rail (shown) for lenses up to 450mm, and a 30" rail for a 24" lens.

I like this camera. It's is the most solid wood camera that I've seen. What little vibration occurs, even at 30 inches of extension, quickly dampens out. The following link gives details on how it was customized.

https://www.largeformatphotography.info/forum/showthread.php?162241-Bender-8x10-Project-Camera

[D. Mesa]

Greetings fellow photophiles! I have spent the past year transitioning from an all-digital workflow into a hybrid set-up that has allowed me to ditch my mirrorless Fuji in favor of utilizing my live-in mentor's vast array of classic analog gear (M3, Rollei 3.5, Mamiya RZ67, + more!) that I doubt I would have ever gotten my hands on otherwise. (Not to mention his stockpile of film + paper!) It has been a deeply enriching, educational, and exciting change of pace for me. Recently, I took the liberty of unearthing and dusting (and in the case of the 8x10, I mean dusting) off the large format gear that had been buried for at least several years. Attached are images of the Canham 5x7 (w/ Fuji C 450mm f/12.5 attached) and 8x10 (w/ 14 inch Kodak Commercial Ektar) wooden field cameras after I followed Keith's simple cleaning instructions.

I've only exposed a few 8x10 sheets thus far but am very excited to spend a lot more time with these beauts this year and I'm sure the knowledge on these forums will continue to prove an invaluable resource.

I'm not sure I've experienced a more electric feeling from photography than holding a well-developed 8x10 neg. Whew!

213045
213046

(Those are aluminum weights for vinyl records propping the bellows up; whoever last put the 8x10 away for my mentor years ago neglected to fold it, and I believe gravity has had some effect here.)

[Ulophot]

Welcome, D. Mesa. This is the right place to be. Great to find another convert, even if hybrid. Many of us can appreciate your sentiment in holding a good 8x10 negative. A fine silver print is no less rewarding.

[Neal Chaves]

Here is my 4X5 field camera, a 4 3/4 X 6 1/2 Toyo Field fitted with a 4X5 back. When I purchased the camera in excellent condition a few years ago it came with an original 4X5 revolving back. All my lenses, except two of the largest are in Graphic lens boards and I use them on Toyo views with Toyo flat and recessed adapter boards. I liked the camera but not the back. The pre G Series Toyos used a bail system to lift the ground glass back to assist in loading a film holder, a feature almost mandatory on such a light weight camera. The bail however will not open over a folding focusing hood, or my favorite viewer the Toyo monocular. Neither could the camera focus to infinity with my 47mm Super Angulon XL. After some consideration, I was able to fit the top half of a Toyo revolving back in place of the original. I could not make it revolve, a feature I can do without in any case. Now I can use all my G Series accessories and because of the much closer fit to the back plate, I can focus the 47 to infinity with room to spare.

Last year I was able to obtain a late production back plate for this field camera which will accept G film backs. However the extension with a revolving Toyo G back is 5/8" more than my reworked version, and even with a non-revolving Toyo back it is 1/2" more. Again it won't work with the 47 so I have never used it on the camera. I have replaced many pin-holed Toyo bellows on G Series cameras, but the silk-lined leather original on this much older camera is still supple and light tight. I did replace the questionable original leather handle with nylon strapping.

Photos show the camera with 270mm 5.6 Tele-Arton focused at tight headshot distance and the 47mm Super Angulon XL focused at infinity. This is a versatile little camera I'll be keeping.

213056 213057213058213059

[GRAYnomad]

Nice. I don't think I've seen a half-plate camera in use before, albeit with a 5x4 back in this case.

[Neal Chaves]

Nice. I don't think I've seen a half-plate camera in use before, albeit with a 5x4 back in this case.

There are many on the large auction site coming out of Japan now, where they were very popular with professionals. Search "Toyo Field" 4 3/4 X 6 1/2. Some have one or the other or both the 4X5 and 4 3/4 X 6 1/2 backs.

[tdicorcia]

I also have this camera, with the older 4x5 back you describe. I just bought a couple of slider backs for this camera that take 120 roll film holders. Someone has a blogpost describing how they modified this camera for 5x7. It’s just a bit larger than the native half-plate. I would like to do the same. https://5x7blog.wordpress.com/2017/11/05/toyo-metal-half-plate-4-34-x-6-12-conversion-to-standard-5x7/

It is a nice, portable metal field camera.
https://uploads.tapatalk-cdn.com/20210223/a80ef7b62e077879e42c2bf1418d128e.jpg


Sent from my iPhone using Tapatalk

[Tin Can]

Good documentation at link!

[Neal Chaves]

You could make an adapter plate up to Toyo 57G back. Out of wood, plastic or metal.

[gimenosaiz]

Hi!

This is my Chamonix F1 + Symmar 210/5.6 ... a happy couple, well, trio ;-)

https://live.staticflickr.com/5347/30759797991_110b264969_c.jpg (https://flic.kr/p/NS91hF)
chamonix f1 (https://flic.kr/p/NS91hF) by Antonio Gimeno (https://www.flickr.com/photos/antoniogb/), on Flickr

Cheers
Antonio

[zwicko]

213144

Just arrived at my doorstep: Toyo 810M with reducing backs, second bellows, Super Angulon 165mm f8, Minolta Autometer IVf and other bits and pieces.

[carbo73]

Here are some of my large format cameras, from "small" to larger, not all of them:

https://live.staticflickr.com/65535/50582722016_191e7d2f2d_z.jpg (https://flic.kr/p/2k4PEYQ)Western Cyclone No.4 (https://flic.kr/p/2k4PEYQ) by SBA73 (https://www.flickr.com/photos/7455207@N05/), en Flickr

https://live.staticflickr.com/887/27878913937_a275cb4ace_z.jpg (https://flic.kr/p/JtyHPX)Goerz & Anschütz (https://flic.kr/p/JtyHPX) by SBA73 (https://www.flickr.com/photos/7455207@N05/), en Flickr

https://live.staticflickr.com/65535/49084313873_22799a0890_z.jpg (https://flic.kr/p/2hMpWrF)RB Graflex Series B 3x4 (https://flic.kr/p/2hMpWrF) by SBA73 (https://www.flickr.com/photos/7455207@N05/), en Flickr

https://live.staticflickr.com/1925/30554627487_43645c7a0b_z.jpg (https://flic.kr/p/Ny1sfc)KW Patent Etui (https://flic.kr/p/Ny1sfc) by SBA73 (https://www.flickr.com/photos/7455207@N05/), en Flickr

[Bessa72]

my new toy, japanese whole plate camera ( looks like an old Tachihara Hope) made from nice cherry wood.
back converted to fit 5x7 international double sheet holders.
only about 2 kg

213253 213254 213255

[Eduardo Aigner]

213391

My new old Sinar P. Shown here with a Nikkor 90mm 1:8. So gorgeous :D

[Semih BULGUR]

My love is Ebony 45SU but l have little one for now. l hope to buy it in this year!

[Dave Ogle]

213625

[Daniel Unkefer]

https://live.staticflickr.com/65535/51000252657_229c1c2f85_z.jpg (https://flic.kr/p/2kGHChZ)8x10 Sinar Norma Long Apo Ronar 2 (https://flic.kr/p/2kGHChZ) by Nokton48 (https://www.flickr.com/photos/18134483@N04/), on Flickr

8x10 Sinar Norma in my basement studio. Lens is 20 inch Apo Ronar

https://live.staticflickr.com/65535/51006440431_8bee9b0068_z.jpg (https://flic.kr/p/2kHgkGK)Highest Speed 4x5 Norma 2 (https://flic.kr/p/2kHgkGK) by Nokton48 (https://www.flickr.com/photos/18134483@N04/), on Flickr

Twin Lens 4x5 Sinar Norma. Lenses are 240mm Xenars

https://live.staticflickr.com/65535/51013300542_e8ce00e204_z.jpg (https://flic.kr/p/2kHSuYw)Peco Profia 4x5 Graflock Sliding Back TTL Metering Lunasix (https://flic.kr/p/2kHSuYw) by Nokton48 (https://www.flickr.com/photos/18134483@N04/), on Flickr

4x5 Plaubel Peco Profia with 4x5 Sliding Graflock Back and TTL Gossen Lunasix. Lens is 240mm Symmar in Compur

[Corran]

More of a "tripod" show-off, but here's my Linhof MT on a new SkyWatcher EQ6-R equatorial mount. Hoping to do a bit more astrophotography in various formats with this, and upgrading my Celestron telescope onto this since the 35-year-old mount and wedge just didn't get me enough stability and I don't think it's worth trying to refurb.

https://1.bp.blogspot.com/-nduh_2dMrmI/YEv94yEhnyI/AAAAAAAANdQ/8oFp0qocxEwJH_s0042iHv8IaBRLytcfQCLcBGAsYHQ/s701/linhofmteqmount.jpg

[Tin Can]

Very happy for you!




More of a "tripod" show-off, but here's my Linhof MT on a new SkyWatcher EQ6-R equatorial mount. Hoping to do a bit more astrophotography in various formats with this, and upgrading my Celestron telescope onto this since the 35-year-old mount and wedge just didn't get me enough stability and I don't think it's worth trying to refurb.

https://1.bp.blogspot.com/-nduh_2dMrmI/YEv94yEhnyI/AAAAAAAANdQ/8oFp0qocxEwJH_s0042iHv8IaBRLytcfQCLcBGAsYHQ/s701/linhofmteqmount.jpg

[Corran]

And I exposed my first 4x5 images tonight. Will probably dev tomorrow evening.

The Linhof turns out to be especially good for this use-case, as the "shoe" attachment (1/4" 20) can be used to attach a guide scope, not to mention the dual tripod mounts on the bottom being extra solid for the large dovetail telescope mount. You could side-mount on a Crown/Speed Graphic but you lose the ability to rotate the back for compositions.

Here's my Linhof + 150mm Xenotar with the guide scope and camera riding on top. Rock-solid tracking for very long exposures - I shot a couple images of Ursa Major with this and the 250mm Sonnar. I have in my head an idea of how I'd like this to look, we'll see if I succeed.

https://1.bp.blogspot.com/-uCf-lzxEY4w/YGqV7bKp7II/AAAAAAAANfI/0uSW0eDjVY0ixMN8KURG2TEaN_5aoN60gCLcBGAsYHQ/s700/20210405_004129.jpg

[jim_jm]

Just-restored 8x10 Deardorff V8, with a new bellows from Custom Bellows UK. Outstanding folks to work with - Keith was great!
Completely disassembled the camera, cleaned/polished all the hardware, replaced the strap. Did not have to sand/refinish all the wood as it was already in pretty good condition.

[Roberto Nania]

https://live.staticflickr.com/65535/51145070935_7425ed6e03_c.jpg

My new companion for 8x10" format.

Stenopeika Hyper Camera Advanced 8x10"

[BLATT LAB]

How do you like the Stenopeika?


https://live.staticflickr.com/65535/51145070935_7425ed6e03_c.jpg

My new companion for 8x10" format.

Stenopeika Hyper Camera Advanced 8x10"

[Roberto Nania]

How do you like the Stenopeika?

Hello Blatt,

It's my first 8x10 after two years spent on 4x5" with a Chaminox and a Horseman.
I'd say it is a very fair and good camera for its price tag.
After one month of usage I can summarize its points as follow:
Pros: it gets all the movements you usually need, the bellows extends a lot (like 70cm or so), it's beautiful (I really like the black finish with the greenish bellows), it's lightweight and slim when folded.
Cons: it's not the most rigid (the front standard especially, can barely hold a 1.5 kilos Symmar), the film holder insert/removal it's not very easy due to the lack of a proper toehold for helping to open the back, the ground glass is a bit dim (although very well made).

Would I buy again? Yes for its money!
Are there better option in my opinion? Not really for the same price but I would consider other options (like an used Zone VI or a Deardorff) if my budget was 2.5 times higher.

[Ron (Netherlands)]

Hello Blatt,

It's my first 8x10 after two years spent on 4x5" with a Chaminox and a Horseman.
I'd say it is a very fair and good camera for its price tag.
After one month of usage I can summarize its points as follow:
Pros: it gets all the movements you usually need, the bellows extends a lot (like 70cm or so), it's beautiful (I really like the black finish with the greenish bellows), it's lightweight and slim when folded.
Cons: it's not the most rigid (the front standard especially, can barely hold a 1.5 kilos Symmar), the film holder insert/removal it's not very easy due to the lack of a proper toehold for helping to open the back, the ground glass is a bit dim (although very well made).

Would I buy again? Yes for its money!
Are there better option in my opinion? Not really for the same price but I would consider other options (like an used Zone VI or a Deardorff) if my budget was 2.5 times higher.

Hello Roberto, what is your opinion about the sturdiness of the back frame with the ground glass: I read it is held by magnets....
and further, what is the bellows made of, is it more a plastic like (shiny) material or more fabric like the ones you see with more vintage cameras?

[Roberto Nania]

Hello Roberto, what is your opinion about the sturdiness of the back frame with the ground glass: I read it is held by magnets....
and further, what is the bellows made of, is it more a plastic like (shiny) material or more fabric like the ones you see with more vintage cameras?

Hello Ron,

yes, the back frame is held by a generous amount of magnets. This is not a bad design imho, it requires a certain force to separate the back frame, meaning it won't move in the use. The back frame has an inner step so that it sits always in the right position. Honestly, I'm more worried about the front standard than the rear one: a beefier set of metal bars would given better stability with heavy lenses.
The bellows is made of a kind of fabric. It's made of two layers, inner black and outer colored. It is of a good quality in my opinion. For example, it is different than the vinyl bellows of the Intrepid (I owned a 4x5 MK4 sold after few months).

Again, it's not a super precise camera with smooth movements like Chamonix, Tachihara or other but it's certainly a fair step forward than the Intrepid. If you look for a good camera to start 8x10 (as I did) without selling parts of your body, that is one camera to look at. If you want a camera with smoother movements, finer crafted details and maybe longer lifetime I'd go for other makers, keeping in mind that the price will start at 2500€. For example, I would go for a Chamonix Alpinist if I get 4000€ to spend on a camera.

[Ron (Netherlands)]

Hello Ron,

yes, the back frame is held by a generous amount of magnets. This is not a bad design imho, it requires a certain force to separate the back frame, meaning it won't move in the use. The back frame has an inner step so that it sits always in the right position. Honestly, I'm more worried about the front standard than the rear one: a beefier set of metal bars would given better stability with heavy lenses.
The bellows is made of a kind of fabric. It's made of two layers, inner black and outer colored. It is of a good quality in my opinion. For example, it is different than the vinyl bellows of the Intrepid (I owned a 4x5 MK4 sold after few months).

Again, it's not a super precise camera with smooth movements like Chamonix, Tachihara or other but it's certainly a fair step forward than the Intrepid. If you look for a good camera to start 8x10 (as I did) without selling parts of your body, that is one camera to look at. If you want a camera with smoother movements, finer crafted details and maybe longer lifetime I'd go for other makers, keeping in mind that the price will start at 2500€. For example, I would go for a Chamonix Alpinist if I get 4000€ to spend on a camera.

Thanks Roberto for the swift and clear response. I saw a film from the maker and indeed already in that film the front standard looks a bit too flimsy considering the dimensions of the camera and lens/shutter combo's; it seems they copied the front standard of their 5x4 model but without taking into account that one would use bigger/heavier lenses/shutters.
Maybe it is easy to exchange the front standard by a selfmade sturdier one?

[Roberto Nania]

Thanks Roberto for the swift and clear response. I saw a film from the maker and indeed already in that film the front standard looks a bit too flimsy considering the dimensions of the camera and lens/shutter combo's; it seems they copied the front standard of their 5x4 model but without taking into account that one would use bigger/heavier lenses/shutters.
Maybe it is easy to exchange the front standard by a selfmade sturdier one?

Yes Ron, that's a good point: one can upgrade the camera with self-made solutions. For example: I have trimmed the bolt for the fast focusing because it touched the release lever of my tripod base and I have replaced the teflon washers for the rise-fall locks with still ones when I discovered that the teflon washers were too slippery to made a proper lock with heavy lenses.
The metal bars of the front standard are 2mm thick; I think that if they were at 3mm the rigidity would be enough.

This model is Hyper Advanced MK2 but there is plenty of room for a MK3 version.

[Roberto Nania]

https://live.staticflickr.com/65535/51146945606_95cc8a617f_c.jpg

Here you can see the camera from a different view

[Duolab123]

https://live.staticflickr.com/65535/51145070935_7425ed6e03_c.jpg

My new companion for 8x10" format.

Stenopeika Hyper Camera Advanced 8x10"

That's very cool.

[BLATT LAB]

The front standard looks way sturdier then the 4x5 / 5x7 version, but in general I think all the Stenopeika folding cameras look like they have unstable front standard even their high end models


https://live.staticflickr.com/65535/51146945606_95cc8a617f_c.jpg

Here you can see the camera from a different view

[Semih BULGUR]

Even the first day l loved 4X5 so much!

[Ari]

I didn't think I'd like this camera as much as I do. Turns out it's the best 8x10 I've ever owned. If there were a 4x5 version, it would rule that category, but that honour belongs to the Technikardan 45-S.
Anyway, in the last 2 months I've made countless lens boards, a 4x5 reducing back, and drilled/tapped a second thread so as to attach a long QR plate with two screws.

This is the first-generation Wehman, so the shell did not have any speed holes.
Today I finally finished all the hole-drilling in the aluminum shell, it shaved 2.5 lbs off the camera and looks pretty kool.
It now weighs 8.15 lbs or 3.7 kg. and can support a 4.4 pound lens very nicely. Ask me how I know.

Next I'm gonna get my daughter to paint the exterior shell. Mid-century govt-office gray won't cut it anymore.
Maybe a Stars and Stripes on one side and a Maple Leaf on the other. That way, it'll feel like I'm at the hockey game every time I take out the Wehman.

https://live.staticflickr.com/65535/51158256436_006d072ed1_z.jpg (https://flic.kr/p/2kWFrj5)

https://live.staticflickr.com/65535/51159366090_8729f70c3f_z.jpg (https://flic.kr/p/2kWM8b3)

https://live.staticflickr.com/65535/51157596597_09d8d7bf40_z.jpg (https://flic.kr/p/2kWC4ax)

[Michael Roberts]

Way cool, Ari! Definitely do the paint job.

[Corran]

Next I'm gonna get my daughter to paint the exterior shell. Mid-century govt-office gray won't cut it anymore.
Maybe a Stars and Stripes on one side and a Maple Leaf on the other. That way, it'll feel like I'm at the hockey game every time I take out the Wehman.


LOL nice I can't wait to see that!

[BLATT LAB]

I just want this camera so so much! Sadly they are super hard to find and even harder to find in Europe.



I didn't think I'd like this camera as much as I do. Turns out it's the best 8x10 I've ever owned. If there were a 4x5 version, it would rule that category, but that honour belongs to the Technikardan 45-S.
Anyway, in the last 2 months I've made countless lens boards, a 4x5 reducing back, and drilled/tapped a second thread so as to attach a long QR plate with two screws.

This is the first-generation Wehman, so the shell did not have any speed holes.
Today I finally finished all the hole-drilling in the aluminum shell, it shaved 2.5 lbs off the camera and looks pretty kool.
It now weighs 8.15 lbs or 3.7 kg. and can support a 4.4 pound lens very nicely. Ask me how I know.

Next I'm gonna get my daughter to paint the exterior shell. Mid-century govt-office gray won't cut it anymore.
Maybe a Stars and Stripes on one side and a Maple Leaf on the other. That way, it'll feel like I'm at the hockey game every time I take out the Wehman.

https://live.staticflickr.com/65535/51158256436_006d072ed1_z.jpg (https://flic.kr/p/2kWFrj5)

https://live.staticflickr.com/65535/51159366090_8729f70c3f_z.jpg (https://flic.kr/p/2kWM8b3)

https://live.staticflickr.com/65535/51157596597_09d8d7bf40_z.jpg (https://flic.kr/p/2kWC4ax)

[Ari]

I just want this camera so so much! Sadly they are super hard to find and even harder to find in Europe.

If I had bought it 3 years ago, or 10 years ago, I wouldn't have kept it. I would have considered it crude in operation and lacking precision.
I still had to go through a few other cameras and some "dream" cameras that I thought would be fantastic, but eventually were not right (Arca) or got too heavy (Toyo).
Having now sampled from many fruits of the tree, I'm at ease with this camera and enjoy it far more than other 8x10 cameras I've owned.
It's light, it's tough, it can hold heavy lenses, it's very cleverly designed and it's easily modified by the user.

[BLATT LAB]

Thats exactly why I also want one! I really hope I can find one soon!


If I had bought it 3 years ago, or 10 years ago, I wouldn't have kept it. I would have considered it crude in operation and lacking precision.
I still had to go through a few other cameras and some "dream" cameras that I thought would be fantastic, but eventually were not right (Arca) or got too heavy (Toyo).
Having now sampled from many fruits of the tree, I'm at ease with this camera and enjoy it far more than other 8x10 cameras I've owned.
It's light, it's tough, it can hold heavy lenses, it's very cleverly designed and it's easily modified by the user.

[Tin Can]

Might be cheaper to have a copy made


Thats exactly why I also want one! I really hope I can find one soon!

[BLATT LAB]

Anyone who makes copy of them with equal quality?


Might be cheaper to have a copy made

[Ari]

It wouldn/t be hard to make a copy, but you'd need an original to use as a template.
Most of the parts are hardware store staples, the rest is from McMaster-Carr.
The design is what makes it strong, so that would be more important to follow.
You'll also need a table saw, router and drill press.

[BLATT LAB]

When I had access to one copying would be easy, that's right. But since I dont have that access, it's sadly not that easy.


It wouldn/t be hard to make a copy, but you'd need an original to use as a template.
Most of the parts are hardware store staples, the rest is from McMaster-Carr.
The design is what makes it strong, so that would be more important to follow.
You'll also need a table saw, router and drill press.

[Tin Can]

Almost anything can be copied

I saw something this weekend that intimated 1/3 of high end paintings are fakes in all museums

Crime pays

[Collin Orthner]

Ari, I have thought about drilling holes in mine in the past. Did you disassemble it to do the work or simply move the assembly to accommodate the drill? I spoke with Bruce Wehman a few years back about possibly taking over his operation. He was open to talking, but I never did pursue it. I have often thought a scaled down 4x5 and/or 5x7 would be fantastic! Hmmm

[Ari]

Hi Collin, I removed everything, leaving only the focus track inside. This was no problem, as I could easily drill around those parts.
I've also heard from another member here who would have gladly taken over the spare parts for the Wehman, but nothing came of it.
I would think it's an easy camera to reverse-engineer, or scale down for smaller formats, but it's probably a little harder than it looks.

[Tin Can]

Is it patented?

[Ari]

You can always make one for yourself and your own use, patent or no.

[BLATT LAB]

When I finally get my hands on one I will definitely try to build my own and i would also love to make a 5x7 version!


Hi Collin, I removed everything, leaving only the focus track inside. This was no problem, as I could easily drill around those parts.
I've also heard from another member here who would have gladly taken over the spare parts for the Wehman, but nothing came of it.
I would think it's an easy camera to reverse-engineer, or scale down for smaller formats, but it's probably a little harder than it looks.

[Lachlan 717]

Anyone who makes copy of them with equal quality?

Get in touch with Mr Zheng at Shen Hao. He made a few cameras for me, one based on another (existing) design.

[michaelfoto]

https://live.staticflickr.com/65535/51162474390_b7e511ae85_b.jpg (https://flic.kr/p/2kX44aq)Transportklar til venstre og kampklar til højre. (https://flic.kr/p/2kX44aq) by Michael G (https://www.flickr.com/photos/63506895@N05/), on Flickr

My latest Acquisition. The F model.
To the left ready for transport, to the right ready for shooting.
Captured by Sinar P2 and PhaseOne digital back.
2 Bowens Esprit 500 flash units.

[shutterbug guy]

My latest Acquisition. The F model.
To the left ready for transport, to the right ready for shooting.
Captured by Sinar P2 and PhaseOne digital back.
2 Bowens Esprit 500 flash units.

Nice captures!

[John Earley]

https://live.staticflickr.com/65535/51162474390_b7e511ae85_b.jpg (https://flic.kr/p/2kX44aq)Transportklar til venstre og kampklar til højre. (https://flic.kr/p/2kX44aq) by Michael G (https://www.flickr.com/photos/63506895@N05/), on Flickr

My latest Acquisition. The F model.
To the left ready for transport, to the right ready for shooting.
Captured by Sinar P2 and PhaseOne digital back.
2 Bowens Esprit 500 flash units.

Nice piece of gear.

[michaelfoto]

Thank yoy very much, shutterbug guy and John Early.
Michael

[HorsemanLee]

New to LF, worked with MF and 35mm for many years now. Glad to be here!

[D. Mesa]

LF rules, enjoy

[John Power]

Arrived just now, excited to get out!

Horseman L45 with Schneider Kreuznach 135mm symmar-s.
Some 6x9 horseman holders and back, ground glass and 4 fidelity elite 4x5 film holders. New bellows, both standard and bag.

I'm new to all of this, but am happily surprised that this rig with lens, belows and glass weighs in at only 5.2kg... I was bracing for much heavier!

216021

[otto.f]

Nice! How do you get out with it? Backpack or pickup truck :) ;)

[John Power]

haha! Thanks Otto. Its really not bad. It fits into a standard airline carryon backback with minmal depth... it will be a piece of cake :)
I hope to get out with it very soon indeed and will report back, perhaps with some pics.

[otto.f]

Great! Enjoy and good light! I was just interested because I’m preparing a trip with my gravelbike, packed with my Chamonix 4x5, a tripod and what’s needed further. As soon as the borders are open here in EU, I’ll do a trial and error travel with this equipment in the Eifel, Germany

[John Earley]

https://live.staticflickr.com/65535/51192380949_62afbe08c7_c.jpg (https://flic.kr/p/2kZGkkK)
Gibillini Bellatrix 8x10, 300-5.6 Fujinon W, Artcise AS90C Tripod (https://flic.kr/p/2kZGkkK) by JOHN EARLEY (https://www.flickr.com/photos/jacketch/), on Flickr

[John Earley]

This Toyo, like most of the cameras I own, was in need of a little tender loving care and a few repair parts when I obtained it a while back. I finally decided to finish the repair/replace and it is up and working now. I bought it to do some tabletop work and it is ready to go now.
https://live.staticflickr.com/65535/51196386944_fa475be77a_c.jpg (https://flic.kr/p/2m13SbC)
Toyo 45G 4x5 Monorail View Camera with Fujinon 250mm f6.7 (https://flic.kr/p/2m13SbC) by JOHN EARLEY (https://www.flickr.com/photos/jacketch/), on Flickr

[ic-racer]

My Shen-Hao FCL 820-A 'Phillips style.' With Fujinon 300/5.6 in Copal 3. I got this camera when it first came out. Now about ten years old.
216064

[shutterbug guy]

Saying goodbye to a good friend to make room for a Chamonix. She goes away this Tuesday.

216070216071216072216073

[Corran]

Saying goodbye to a good friend to make room for a Chamonix. She goes away this Tuesday.

216070216071216072216073

Interesting that for the latest model Intrepid, your knobs are completely different than my mk4 black edition. Second batch?

[shutterbug guy]

Interesting that for the latest model Intrepid, your knobs are completely different than my mk4 black edition. Second batch?

I'm not sure and unaware of any model changes with the black edition. This one did ship out on July 10, 2020.

[shutterbug guy]

My new camera, superbly built and constructed, very impressive. I almost hate to use it as it's so beautiful, to my eyes anyway :-).

[Renato Tonelli]

My new camera, superbly built and constructed, very impressive. I almost hate to use it as it's so beautiful, to my eyes anyway :-).

Beautiful indeed. Be careful but don't be afraid to use it. :)

[Daniel Unkefer]

https://live.staticflickr.com/65535/51204469626_11a3be60e3_c.jpg (https://flic.kr/p/2m1LhTd)5x7 and 4x5 Sinar Norma TLR's (https://flic.kr/p/2m1LhTd) by Nokton48 (https://www.flickr.com/photos/18134483@N04/), on Flickr


"Construction Unit Design" allows me to upsize the camera to 13x18/5x7. Nice to have the larger format, I am just getting going with 5x7. 240 Componons on the left, 250 Imagon pair on the right.

[Corran]

I'm not sure and unaware of any model changes with the black edition. This one did ship out on July 10, 2020.

Thanks. Mine was shipped early April. Both inside and outside knobs on mine are both circular and in fact, one of my outside knobs won't securely lock after a year of use. Perhaps that's why yours has the cross shape and they made a slight tweak to the design.

[shutterbug guy]

Beautiful indeed. Be careful but don't be afraid to use it. :)

I'll certainly handle it gingerly especially at first, but it will get used a lot.