naturephoto1
22-Oct-2007, 10:21
Hi everyone,
Having returned from Photo Plus in NYC on Friday I wanted to fill you in on some information.
I spoke to one of the Fuji USA staff members that I have known for years. I was told that Veliva 50 and the original Velvia are one in the same film. There are/have not been any changes made.
I was told that the information that many of us had obtained was incorrect. That being that certain materials that were used in the original film were no longer available. I was told that it was not that that materials were no longer available, but rather the materials had become quite expensive.
So, as a result, Fuji has brought back the same Velvia made with the same materials but at higher cost due to the increased material cost . The "new" Velvia 50 is supposed be exactly the same film as old and have the same grain, sharpness, color, long exposure characteristics/reciprocity, etc. The film should still be shot at the same speeds as in the past, depending upon your likes with an ISO of 50, 40, or 32. Therefore, there should be no changes or improvements to the film.
So, then we should only see the variability in the emulsion to emulsion batches that we are all accustomed in observing.
Rich
Having returned from Photo Plus in NYC on Friday I wanted to fill you in on some information.
I spoke to one of the Fuji USA staff members that I have known for years. I was told that Veliva 50 and the original Velvia are one in the same film. There are/have not been any changes made.
I was told that the information that many of us had obtained was incorrect. That being that certain materials that were used in the original film were no longer available. I was told that it was not that that materials were no longer available, but rather the materials had become quite expensive.
So, as a result, Fuji has brought back the same Velvia made with the same materials but at higher cost due to the increased material cost . The "new" Velvia 50 is supposed be exactly the same film as old and have the same grain, sharpness, color, long exposure characteristics/reciprocity, etc. The film should still be shot at the same speeds as in the past, depending upon your likes with an ISO of 50, 40, or 32. Therefore, there should be no changes or improvements to the film.
So, then we should only see the variability in the emulsion to emulsion batches that we are all accustomed in observing.
Rich