David G. Miller
7-Oct-2007, 10:21
While I realize that a 65mm lens will not be easy to use on my 4x5 Horseman FA, I have a great yen to capture the glory of Sakatchewan's broad prairie sunsets, most often with a 612 roll film holder, but conceivably with the full 4x5 as well.
I fully expect to need a graduated centre spot filter for any of the 65mm lenses that will fit the Horseman. All but one of the 65s take 67mm filters; the Rodenstock Grandagon N takes a 58mm filter, and I already have a 58mm graduated centre spot filter for the 30mm lens on my Hasselblad. What are the chances I can save myself a few hundred dollars by buying a lens to match the filter instead of the other way around? I recognize that the degree of 'acceptable' fall-off is partly a matter of personal taste, but could this combination be workable? Has anyone tried it?
If the answer is "No, you fool, there's no way this will work!" then is there much to choose between the Rodenstock Grandagon N, the Schneider Super-Angulon, the Nikkor SW, and the Fuji SWD? The Nikkor, at f4,0 is a stop faster than the Schneider and the Fuji, and half a stop faster than the f4.5 Rodenstock. Given that viewing is going to be a bit of a challenge, even with the Boss screen on my camera, is an extra stop likely to make much difference in the real world?
Thanks to everyone who contributes to this forum; being new to large formal and living a long way from any hotbeds of LF activity, I greatly appreciate the information on this site.
I fully expect to need a graduated centre spot filter for any of the 65mm lenses that will fit the Horseman. All but one of the 65s take 67mm filters; the Rodenstock Grandagon N takes a 58mm filter, and I already have a 58mm graduated centre spot filter for the 30mm lens on my Hasselblad. What are the chances I can save myself a few hundred dollars by buying a lens to match the filter instead of the other way around? I recognize that the degree of 'acceptable' fall-off is partly a matter of personal taste, but could this combination be workable? Has anyone tried it?
If the answer is "No, you fool, there's no way this will work!" then is there much to choose between the Rodenstock Grandagon N, the Schneider Super-Angulon, the Nikkor SW, and the Fuji SWD? The Nikkor, at f4,0 is a stop faster than the Schneider and the Fuji, and half a stop faster than the f4.5 Rodenstock. Given that viewing is going to be a bit of a challenge, even with the Boss screen on my camera, is an extra stop likely to make much difference in the real world?
Thanks to everyone who contributes to this forum; being new to large formal and living a long way from any hotbeds of LF activity, I greatly appreciate the information on this site.