Daniel Unkefer
15-Jul-2022, 09:36
https://live.staticflickr.com/65535/52217232332_73e1e3945f_b.jpg (https://flic.kr/p/2nyfXXb)SONY DSC (https://flic.kr/p/2nyfXXb) by Nokton48 (https://www.flickr.com/photos/18134483@N04/), on Flickr
I built this new to me 8x10 Norma (my second one) which I configured from pieces I recently acquired. An F Front Standard, and a Norma 8x10 Rear Standard. A great location combination. I got this idea when my Wife and I went to the Wexner Center at O.S.U. and see Annie Leibovitz's photos on exhibition. This camera was shown in a photo Annie snapped was a wall-sized B&W, of Richard Avedon's equipment closet. I thought it rather strange at the time, an F attached to a Norma. I think it will make a very good field camera. Shown with the 360mm Schneider Symmar in Norma Iris mount, and the Norma Shutter. So a 60's era speedy location camera. I've tested the camera in the studio and it's a winner. :) I do have 500 sheets of 18x24 Mammo film from France. D23 diluted seems very promising
I built this new to me 8x10 Norma (my second one) which I configured from pieces I recently acquired. An F Front Standard, and a Norma 8x10 Rear Standard. A great location combination. I got this idea when my Wife and I went to the Wexner Center at O.S.U. and see Annie Leibovitz's photos on exhibition. This camera was shown in a photo Annie snapped was a wall-sized B&W, of Richard Avedon's equipment closet. I thought it rather strange at the time, an F attached to a Norma. I think it will make a very good field camera. Shown with the 360mm Schneider Symmar in Norma Iris mount, and the Norma Shutter. So a 60's era speedy location camera. I've tested the camera in the studio and it's a winner. :) I do have 500 sheets of 18x24 Mammo film from France. D23 diluted seems very promising