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shallabal316
4-May-2021, 13:48
Hello! First post on the forum. 215565

I’ve been doing some color printing this week and have been getting these streaks on various prints. It doesn’t happen every print, even ones processed in the same hour or so. I’ve done the 10 minute sit in total darkness to look for any leaky light in the darkroom. Also it’s happened on my 8x10 and 16x20 prints, so it doesn’t appear to be a paper fault. There also seems to be a consistent curve of the line towards one end of the print, and it does run the same direction of the length of the print drum. Chemical related?

Also could be a total coincidence, but does anyone know if RA4 reacts with copper or brass? My wedding band is a combination of the two, and the times I’ve remembered to remove it SEEM to align with prints that didn’t have the streak. But I can’t find anything supporting that theory.

Here’s the setup/process

Jobo cpa2
Jobo 4541 drum (8x10)
Jobo 4561 drum (16x20)
Arista Ra4 kit
Fuji CA Paper
Develop and blix at 85F for 3 min each
Streak is there by the time I open drum to wash print


Thanks in advance! Everything post I’ve perused up to now has been incredibly helpful - from purchasing my 4x5 camera to proper sheet film developing.

shallabal316
4-May-2021, 13:49
Not sure why image is upside down...it isn’t on my phone. Oh well, streak still visible

Ironage
4-May-2021, 15:24
I looks very chemical like to me. Do prints where you didn’t make a test strip have similar lines? I don’t think that the ring would have any effect that would show up along the entire print edge. It is almost like the chemicals flow into the drum reach the back and produce a wave back. Really strange...

sharktooth
4-May-2021, 16:51
It looks like you may not be using enough chemistry in the drum. If you don't use enough, then you will get uneven coating of the developer on the paper. Another related issue is that the paper isn't flat against the drum surface, which causes the paper to not be fully submerged in the developer.

Try increasing the amount of developer used in the drum to see if the problem goes away.

Duolab123
4-May-2021, 19:27
Are you using a paper safe ?? I've been burned by the clam shell type. The latch can cock open the lid. It does look like chemistry.

shallabal316
4-May-2021, 21:04
Thanks everyone for your insights.

My smaller drum didn’t list solution minimums, but I was able to determine somewhere online that it needs min 60ml for a 8x10. Large drum requires min 180ml. I use 250-300ml for the small or big drum. I also had to level my jobo on the new table it’s on, because I was getting missed spots on far edge of my prints due to the tilt.

The issue does occur on regular prints. Both in 8x10 and 16x20. They’re also in separate paper safes, and the 16x20 is in a dark bag.

. If a drop of water were to run down the dry paper pre-development, could that alter the developing stage at all? I try to dry my drums thoroughly between prints, but I do get lazy sometimes and skip fully detaching the reservoir on the lid to dry the inside fully. I can only imagine it would be fresh water because I do rinse the drums thoroughly between prints to flush out any remaining blix.

John Olsen
5-May-2021, 08:18
I used to get these if a dribble of water ran down the sheet before I poured in the chemistry. It meant I hadn't dried out the drum well enough from the previous sheet. Maybe this is your case?

shallabal316
8-May-2021, 11:16
I used to get these if a dribble of water ran down the sheet before I poured in the chemistry. It meant I hadn't dried out the drum well enough from the previous sheet. Maybe this is your case?

I think this is probably the most likely, and helpful to verify this has happened to others! Thank you!

agregov
8-May-2021, 21:41
I process 16x20 and 20x24 RA4 prints in a CPP3 with 3063 drum. I have seen similar streaking on some prints (usually places with highlights like skies) which is caused by the developer coming into contact with the Blix and causing a stain. I would add a 30 second wash step in-between your developer and Blix stage and that should fix it.

With regard to other notes you posted, I'm not familiar with your drum numbers. But your chemistry sounds too low. If you see the Print Drums section below in Jobo's documentation, you'll note that 8x10 drums require at least 100ml of chemistry and 16x20s 200ml. I usually double these amounts for my own work to get adequate coverage. Remember, you can replenish your developer after every run to maintain its strength. See Fuji's documentation for replenishment rates if being color correct between print runs is important. Otherwise, you will have slight magenta wandering (less) between run to run.

http://www.jobo-usa.com/images/manuals/tank_and_drum_capacities.pdf

With regard to comments needing to dry the drum in-between runs, this is not necessary in my experience. Simply empty the drum of any remaining water after your run, load your new print, then before you begin your next run on your Jobo, do a water pre-rinse. So, it will resemble:

30s Pre-rinse > 1m developer > 30s rinse > 1m Blix > x 3-6 rinses to clean the print/drum

Duolab123
9-May-2021, 19:23
Kodak recommends the use of ordinary stop bath to reduce the staining. As A.G. mentions here, developer and blix can cause a stain. I've used stop with RA4 forever. You can use water as well. Tube processing is vulnerable to this problem.

John Olsen
9-May-2021, 20:03
Kodak recommends the use of ordinary stop bath to reduce the staining. As A.G. mentions here, developer and blix can cause a stain. I've used stop with RA4 forever. You can use water as well. Tube processing is vulnerable to this problem.

I think the stop bath is essential. In my experience water doesn't cut off the development sharply enough and lets the print keep developing until its kind of brownish.

shallabal316
10-May-2021, 15:01
Thanks for the additional feedback here, it’s really helpful. The Arista instructions are completely lacking mention of wash between dev and blix. I’ll definitely try a stop bath. Do I just use an acetic acid bath, or is there a better/different recommendation for RA4?

shallabal316
10-May-2021, 15:15
I process 16x20 and 20x24 RA4 prints in a CPP3 with 3063 drum. I have seen similar streaking on some prints (usually places with highlights like skies) which is caused by the developer coming into contact with the Blix and causing a stain. I would add a 30 second wash step in-between your developer and Blix stage and that should fix it.

With regard to other notes you posted, I'm not familiar with your drum numbers. But your chemistry sounds too low. If you see the Print Drums section below in Jobo's documentation, you'll note that 8x10 drums require at least 100ml of chemistry and 16x20s 200ml. I usually double these amounts for my own work to get adequate coverage. Remember, you can replenish your developer after every run to maintain its strength. See Fuji's documentation for replenishment rates if being color correct between print runs is important. Otherwise, you will have slight magenta wandering (less) between run to run.

http://www.jobo-usa.com/images/manuals/tank_and_drum_capacities.pdf

With regard to comments needing to dry the drum in-between runs, this is not necessary in my experience. Simply empty the drum of any remaining water after your run, load your new print, then before you begin your next run on your Jobo, do a water pre-rinse. So, it will resemble:

30s Pre-rinse > 1m developer > 30s rinse > 1m Blix > x 3-6 rinses to clean the print/drum


Thanks for this recommended process. I am going to try this and include a stop bath.

I think these drums are both from an older series. I’ve been using 250ml or so in the 8x10 drum and 300ml in the 16x20. I did notice that if the 16x20 drum is not perfectly level, one cannot seem to add enough chemistry to get the far edge of the print. This 16x20 drum states 180ml min, so I’m hoping the 300ml is cutting it. If the stop bath doesn’t solve, I’ll move to 400ml on the big drum.

Side question, am I wasting money on the Arista kit? I feel like I’ve been extra conservative due to the kit prices. I’ve seen some higher volume developers and blix that are sold separately and appear to be more cost efficient, but I’m unsure of what the right combo or process is to use those chemicals. Apologies if this has been asked a thousand times.

sharktooth
10-May-2021, 16:18
Does your old Jobo drum have the ribs to ensure the entire paper surface is held tight to the drum wall? It sounds like you're using more than enough solution if the paper is held flat to the drum. On the other hand, if the drum is missing the ribs, or if the ribs or paper are not installed properly, the paper won't be held tight to the drum wall. If the paper is just loose in the drum you'll need waaaaay more solution to insure proper coverage, and defeats the whole point of using a rotary drum.

shallabal316
10-May-2021, 20:49
I use the Kodak RA4-RT kits. I find them economical enough. I also use an acetic acid stop followed by a water rinse before the blix. The larger the print, the more I find it necessary.

Thanks Greg! You posting just reminded me that you have a great RA4 video I need to go back and watch again. Your channel has demystified much of the darkroom process for me, so thanks for all of your content.

What’s the rinse for between the stop and blix? Does carryover affect the blix somehow?

shallabal316
10-May-2021, 21:02
Does your old Jobo drum have the ribs to ensure the entire paper surface is held tight to the drum wall? It sounds like you're using more than enough solution if the paper is held flat to the drum. On the other hand, if the drum is missing the ribs, or if the ribs or paper are not installed properly, the paper won't be held tight to the drum wall. If the paper is just loose in the drum you'll need waaaaay more solution to insure proper coverage, and defeats the whole point of using a rotary drum.

My drums are indeed ribbed and stick pretty well to the sides. Hard as heck to find much info on them though! I believe they’re from the 80s due to the FRG origin printed on the larger one. They’ve held up well!

agregov
10-May-2021, 22:00
If you don't have large volume of chemistry to go through, it probably makes sense to stick with the Arista unless you haven't been happy with the results. I use a table top processor (Fujimoto CP-31) for most of my color printing so I buy a larger amount of chemistry. I buy Fuji chemistry:

Developer Replenisher
https://www.pakor.com/fuji-digital-ra-pro-p1-r-developer-repl-4-x-10-l

Bleach Fix
https://www.pakor.com/fuji-cp-ra-p2-r-bleach-fix-repl-4-x-10-l

Duolab123
11-May-2021, 07:30
One point. You could replenish and reuse. Doesn't have to be an elaborate scheme. Use a 1 liter bottle of developer, take whatever you want for development. Before you pour it back into the bottle, add 60mL of fresh, per 8x10. Then top off with the used developer, throw away any excess.

I like the Kodak or Fuji chemistry. If you are in the US Unique photo in New Jersey is great, you can get less than case quantities.

Duolab123
11-May-2021, 07:32
Oh and Pakor is a great company, great service.
LEVEL YOUR PROCESSOR BY SHIMMING THE ENTIRE UNIT UNTIL THE DRUM IS LEVEL.

shallabal316
11-May-2021, 17:47
Thanks for the recommendations on chemicals.

@duolab123 I did level out the unit when I set it up initially. My problem is forgetting to adjust the support rollers to the correct orientation when switching between drums of different diameters. I blow one sheet about every time I switch from film to print processing. Luckily I haven’t made the same mistake on film.

I finally got to do some printing today, and used the stop+ rinse. 3 prints in and no streaks!

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